January 2016 - NEohioPAL - lists.neohiopal.org

Review of "Pure Shock Value" at none too fragile theater
by Bob Abelman via NEohioPAL 31 Jan '16

31 Jan '16

none too fragile’s ‘Pure Shock Value’ lives up to its title Bob Abelman Cleveland Jewish News, The News Herald, The Morning Journal Member, International Association of Theatre Critics There is certainly no shortage of films that satire their own industry, including "Sullivan's Travels" (1941), "The Player" (1992), "Mulholland Drive" (2001) and the soon-to-be-released “Hail, Caesar” (2016). And there are plays like Douglas Carter Beane’s “The Little Dog Laughed” (2006) and David Mamet’s “Speed the Plow” (2008) that do the same. But none do it with comedy that is blacker or more profane than Matt Pelfrey’s “Pure Shock Value,” a little-traveled, fringe-festival favorite written in 2009. And it is safe to say that few will do it better than none too fragile theater in Akron. The play’s severe shade of black and profound profanity are appropriate, considering that it not only takes aim at Hollywood but at director Quentin Tarantino – referred to as Julian Quintana in the play – in particular. Tarantino’s movies have extensive dialogue that often involve banal topics but which erupt into gratuitous violence and vulgarity. No self-respecting, industry-despising satire would fail to follow suit. For more of this article, go to www.clevelandjewishnews.com/columnists/.

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RESPONSES TO::::: Commercial Casting
by Peter E. Toomey via NEohioPAL 31 Jan '16

31 Jan '16

The original message was Date: Sat, 30 Jan 2016 16:14:05 +0000 (UTC) From: Jennifer via NEohioPAL I quoted it at the bottom of mine. I do a ton of uncompensated independent film (because the producers have a passion that I want to support) and pro-bono/very-reduced for charities (that I believe in). So I wrote this as a fun way to poke at "no pay for profit-producing business development messages". Must have struck a nerve -- HEARD FROM TG-W: "(1) ... ok to do this Project because you can use it for a Reel and on your resume ... you can also use it as experience on your resume ... "(2) I know this should be a paid role but ... "(3) ... I know how the Industry works sometimes" (Numbers are mine.) Now MY thoughts -- I appreciate TG-W's reaching out to encourage me as an actor. But -- (1a) No it's not OK. Because if THE DOC is going to make money off this commercial, why is it OK for ME not to? (1b) I could use if for experience/reel/resume even if doc DID PAY me. (1c) To the part of this that suggests inexperienced novice actors should work free as a learning experience -- do you really think the producer is going to hire you, or go for the more-experienced actor who (unfortunately) is willing to give themselves away? (2) Glad. Then you must have applauded at 1a. (3) It works this way only to the extent that WE ALLOW it to work this way. For me, I'm pitching this bitch. And I'm NOT sending a resume. Nothing personal. FROM MR: "you said for a DOCTOR?" Yeah. A Doctor. Don't know if it's Obamacare or Medicare Reimbursements or oppressive medical school student debt -- but I can only imagine that something has this poor doc absolutely DESTITUTE. Sad, to be unable to pay his production company enough, that they can't throw a COUPLE HUNDRED bucks at the talent. I'm sure that both the Doc and the producers APPRECIATE FULLY that it is the ACTORS who will be speaking to his PROSPECTIVE PATIENTS. Their faces, their words, their EMOTIONS. Persuading them of the Doc's worthiness to treat those patients' ills. WAIT A MINUTE -- let's speculate: what if the Doc never told the Producer "don't pay my actors" ?? What if he pressured the producer to cut their price. And what if they did so by deciding no-pay. Hmmm. Yet the overall program has enough money to - - reformat and post to the doc's website - pay WKYC to run the ads for "undetermined amount of time" But not to pay the ACTORS ???? -------------------------------------------- On Sun, 1/31/16, Peter E. Toomey via NEohioPAL wrote: Subject: Re: [NEohioPAL] Commercial Casting January 31, 2016, 9:34 AM Let's all say a prayer for the success of this project. I mean -- a poor DOCTOR who doesn't have a COUPLE HUNDRED bucks to pay his talent. Sad indeed! Subject: [NEohioPAL] Repost due to typo: Commercial Casting Sat, 30 Jan 2016 16:14:05 +0000 (UTC) ... casting a 30 second commercial for a local physicians office. This is non-paid ... air on 3 WKYC ... undetermined amount of time ... also on the companies website...

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Review of "The Mountaintop" at Cleveland Play House
by Bob Abelman via NEohioPAL 31 Jan '16

31 Jan '16

‘The Mountaintop’ at Cleveland Play House is built on hallowed by shaky ground Bob Abelman Cleveland Jewish News, The News Herald, The Morning Journal Member, International Association of Theatre Critics As if atoning for the magnificent but mindless musical being performed on its Allen Theatre stage, the Cleveland Play House has selected Katori Hall’s self-righteous 2009 drama “Mountaintop” for its intimate Outcult Theatre offering. The play takes place on the evening of April 3, 1968 in Room 305 of the Lorraine Motel in Memphis, as a road-weary and ailing Rev. Martin Luther King Jr. returns to fine-tune his next speech. It is a speech he will never give for, on the hotel balcony at 6:01pm the next day, he will be killed. For more of this article, go to www.clevelandjewishnews.com/columnists/.

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LAST "direct ask" for 2016 - Support Campaign for NEOHIOPAL
by Fred Sternfeld via NEohioPAL 31 Jan '16

31 Jan '16

Dear Posters and Readers of NEohioPAL, Since January is coming to a close, this is the last "direct ask" we will make until January of next year. If a modest donation is not in your budget this month, information on how to support NEohioPAL will always be in the footer of each message. NEohioPAL is now in its 18th year of providing people like you a valuable tool that draws together Northeast Ohio's arts community. Your donation keeps this unique performing arts resource alive and free to all readers and posters. Last year a modest number (around 1.8%) of NEohioPAL supporters generously helped us defray costs. Thus far, this year has also seen a similar number of people donate. Here is a list <http://www.fredsternfeld.com/neohiopal/northeast-ohio-performing-arts-list-…> of those people who have chosen to have their names listed in 2016. NEohioPAL supporters are performers, artists and arts lovers who recognize the value of staying in touch with our region's arts scene. They are also people who realize that we have some very real expenses: web hosting, bandwidth, utilities, supplies and our time keeping the site free of SPAM and running smoothly. If you have ever learned of an audition, found a job, promoted your event or had a great night out at a performance, please consider supporting our efforts through a donation. To donate, please go to http://www.fredsternfeld.com/support-neohiopal/. At that site you will find the Paypal link to volunteer your financial support - OR - mail a check (put your email address in the check's memo section so we can acknowledge your donation and thank you on the contributors's page) made out to "NEohioPAL, Ltd." and send it to: NEohioPAL, Ltd. c/o Fred Sternfeld 24021 Halburton Rd. Beachwood, Ohio 44122 Any amount ($5 or $10 is fine) is helpful. If you are able to do more, even better. Here are suggestions to help you decide what to donate: 14 cents per day = $50 per year 20 cents per day = $75 per year *27 cents per day = $100 per year* *50 cents per day = $182.50 per year* *1 dollar per day = $365 per year* Thanks for your participation in making the arts scene in Northeast Ohio vibrant and collaborative. Warm Regards, Fred Sternfeld <http://www.fredsternfeld.com/> NEohioPAL founder and administrator Noah Budin <http://www.noahbudin.com/> NEohioPAL associate administrator http://www.fredsternfeld.com/support-neohiopal/

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Seeking Illustrator
by SISU is in the Heart via NEohioPAL 30 Jan '16

30 Jan '16

Illustrator A theater-based Arts and Aging project funded by the Ohio Arts Council seeks an illustrator. The illustrator would attend a series of 7 daytime theater workshops held in Fairport Harbor, Ohio from February to April and would document the activities, ideas, and comments shared during each workshop in their illustrations. You would work in a collaborative, vibrant environment with professional teaching artists and community members. Previous experience with theater, aging adults, or community engagement a plus. A small stipend is available. First workshop is February 11th, Noon - 4pm. To be considered, please send an email to park(a)parkcofield.com and include a link to your portfolio.

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Curse of the Hopeless Diamond murder mystery tickets available
by Jim Trenta via NEohioPAL 30 Jan '16

30 Jan '16

Wolf Creek Players present. The Curse of the Hopeless Diamond a Murder Mystery Dinner Theater by Eileen Moushey By special arrangement with Mysteries by Moushey 2 WEEKENDS! WHEN: February 19, 20, 2016 @ 6:00 pm February 21, 2016 @ 3:00 pm Sunday Matinee February 25, 26, 27, 2016 @ 6:00 pm WHERE: Houston Hall, 3069 Houston Rd., Norton, OH TICKETS: $40 Advance Sales Only Includes Appetizers, Dinner, Dessert, Show & 1 Drink Ticket Call: Kim @ 330-825-3814

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THE LITTLE MERMAID at the Akron School for the Arts (Akron) in March
by via NEohioPAL 30 Jan '16

30 Jan '16

*Disney’s The Little Mermaid* music by Alan Menken lyrics by Howard Ashman and Glenn Slater book by Doug Wright based on the Hans Christian Anderson story and the Disney film The Akron School for the Arts at Firestone High School 333 Rampart Avenue, Akron, Ohio 44313 Tickets can be purchased online at BrownPaperTickets.com Wednesday, March 23, 2016, 7:00 p.m. Thursday, March 24, 2016, 7:00 p.m. Friday, March 25, 2016, 7:30 p.m. Saturday, March 26, 2016, 2:30 p.m. and 7:30 p.m. *Such Wonderful Things Surround You ‘Under the Sea’* *Disney’s The Little Mermaid **to take Firestone Stage for Five Performances* *Family-Friendly Musical Sure to Please Children and Children-at-Heart* We’ll have gadgets and gizmos a-plenty when the Akron School for the Arts presents the Firestone Theatre production of *Disney’s The Little Mermaid.* The show based on the popular 1989 Disney film and will appear on the Firestone High School stage for five performances starting at 7:00 p.m. on Wednesday, March 23, 2016. Additional performances of *Disney’s The Little Mermaid* will be held at 7:00 p.m. on Thursday, March 24, at 7:30 p.m. on Friday, March 25, and at 2:30 and 7:30 p.m. on Saturday, March 26, 2016. General admission tickets for *Disney’s The Little Mermaid* are $10.00 in advance and $12.00 at the door. Reserved, VIP tickets are $16.00. Advanced and VIP tickets are available for purchase online at BrownPaperTickets.com. A mail-in ticket order form can be downloaded at FirestoneTheatre.com. Advanced tickets for *Disney’s The Little Mermaid* will be available in the school commons from 11:00 a.m. to 1:00 p.m. school days starting Wednesday, March 16, 2016. Based on one of Hans Christian Andersen's most beloved stories and the classic animated film, *Disney's The Little Mermaid* is a hauntingly beautiful love story for the ages. With music by eight-time Academy Award winner Alan Menken, lyrics by Howard Ashman and Glenn Slater, and a compelling book by Doug Wright, this fishy fable will capture your heart with its irresistible songs including "Under the Sea," "Kiss the Girl," and "Part of Your World." Ariel, King Triton's youngest daughter, wishes to pursue the human Prince Eric in the world above and bargains with the evil sea witch, Ursula, to trade her tail for legs. But the bargain is not what it seems and Ariel needs the help of her colorful friends Flounder the fish, Scuttle the seagull, and Sebastian the crab to restore order under the sea *Disney’s The Little Mermaid* is under the direction of theatre director Mark A. Zimmerman. Guest artist Marissa Leenaarts serves as the show’s choreographer. Guest artist Julie Lehman serves as the vocal music director. Assistant band director Bernie Williams serves as instrumental music director and conductor. Guest Artist Elynmarie Kazle serves as production manager and stage management mentor. Guest artist Randie Ostroff Sass serves as the costume designer. Junior Imani Bradley serves as the production’s stage manager. She assisted by senior Taylor Harris. A special *Spaghetti Dinner* will be held at 5:00 p.m. and 6:00 p.m. between performances on Saturday, March 26, 2016. Tickets can be purchased online at BrownPaperTickets.com. A mail-in ticket order form is available for download at FirestoneTheatre.com. A special *Tea with Ariel and Friends* will be held on Saturday, March 5, 2016 is already sold out. Firestone Theatre is the award-winning play-production component of the Akron School for the Arts housed at Firestone High School. Firestone Theatre was named an “Outstanding School” by the Educational Theatre Association in 2013. The curricular track of Firestone Theatre is accessible to all rising ninth-grade students via open enrollment and a formal audition. -- Mark A. Zimmerman, Theatre Director The Akron School for the Arts Harvey S. Firestone High School 333 Rampart Avenue Akron, Ohio 44313 330.873.3408 www.FirestoneTheatre.com

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Young People: HBTI AUDITIONS for Into the Woods and Fiddler on the Roof are in 2 wks, "make your appt now"
by Fred Sternfeld via NEohioPAL 30 Jan '16

30 Jan '16

*HATHAWAY BROWN THEATRE INSTITUTE ANNOUNCES AUDITIONS FOR* 2016 summer production season *Fiddler** on the Roof *& *Into the Woods*! 2/12 thru 2/14 MAKE AN AUDITION APPOINTMENT TODAY *FIDDLER ON THE ROOF* *Book by **Joseph Stein* <http://www.mtishows.com/show_detail.asp?showid=000036> *Music by **Jerry Bock* <http://www.mtishows.com/show_detail.asp?showid=000036> *Lyrics by **Sheldon Harnick* <http://www.mtishows.com/show_detail.asp?showid=000036> Based on Sholem Aleichem's stories by special permission of Arnold Perl Directed and Choreographed by Bebe Weinberg Katz Music Directed by John Krol *AUDITIONS*: Friday 2/12 4-6 pm, Saturday 2/13 2-6 pm and Sunday 2/14 1-5 pm *CALLBACKS*: Friday 2/19 4-6 pm, Saturday 2/20 2-6 pm and Sunday 2/21 1-5 pm Auditions are being held jointly for *Fiddler on the Roof* and *Into the Woods. *You may audition for both productions with one appointment on any of these dates; it is possible to be in both productions. Callbacks will be held separately. *To schedule your audition appointmen*t send an email request to: hbti_auditions(a)hb.edu *ELIGIBILITY* for the summer productions requires enrollment in at least one session of the HBTI summer training program. *Fiddler on the Roof is* open to students in 3rd grade through college. There is a fee of $250 to be in the summer production. *PREPARATIONS* for *Fiddler on the Roof**: *Please prepare a one-minute, memorized musical selection that is object driven (pursuing a goal through a song) and a one-minute memorized monologue from a play. Bring sheet music, an accompanist will be provided. Download and fill out the audition form and complete the conflict calendar. Please bring these with you to the audition. These forms will be sent to you when you get confirmation of your audition appointment through email or can be found on the HBTI web site at HBTI 2016 audition form <http://www.hb.edu/page.cfm?p=8728> *PERFORMANCES*: July 1, 2, 3, 8, 9, 10, 15, 16 and 17, 2016 *REHEARSALS* • May 31-June 24; Weekdays, 4:00 - 8:00 pm. During these weeks there may also be Saturday and/or Sunday rehearsals (Saturday: morning or afternoon, Sunday: afternoon or evening). • June 25-30. Tech week and dress rehearsals weekdays 5:00 - 10:00 pm and weekend days Noon - 9:00 pm. A dinner break will be built into the weekend rehearsals. • Depending upon the size of your role and onstage time, you will be called to between 2-6 rehearsals per week during the development phase and then all the rehearsals the last two weeks. *A musical theatre tradition, Tevye the milkman tries to protect his daughters and his way of life from a changing world.* Winner of 9 TONY Awards when it debuted in 1964, *Fiddler on the Roof* is the brainchild of Broadway legends Jerome Robbins, Harold Prince, songwriters Jerry Bock and Sheldon Harnick, and book writer Joseph Stein. Touching audiences worldwide with its humor, warmth and honesty, this universal show is a staple of the musical theatre canon. Set in the little village of Anatevka, the story centers on Tevye, a poor dairyman, and his five daughters. With the help of a colorful and tight-knit Jewish community, Tevye tries to protect his daughters and instill them with traditional values in the face of changing social mores and the growing antisemitism of Czarist Russia. Rich in historical and ethnic detail, *Fiddler on the Roof**'s* universal theme of adapting to change cuts across barriers of race, class, nationality and religion, leaving audiences crying tears of laughter, joy and sadness. For more info, check out Music Theatre International’s *Fiddler on the Roof *page <http://www.mtishows.com/show_detail.asp?showid=000036>. Visit www.hb.edu <http://www.hb.edu/>for information on HBTI’s summer training program and for updates on Hathaway Brown School’s many other summer offerings. For more information, contact: Bebe Weinberg Katz, HBTI Director at hbti_auditions(a)hb.edu *** *INTO THE WOODS* *Book by **James Lapine* <http://www.mtishows.com/show_detail.asp?showid=000106> *Music and Lyrics by **Stephen Sondheim* <http://www.mtishows.com/show_detail.asp?showid=000106> Directed by Fred Sternfeld <http://www.fredsternfeld.com/> Music Directed by John Krol *AUDITIONS*: Friday 2/12 4-6 pm, Saturday 2/13 2-6 pm and Sunday 2/14 1-5 pm *CALLBACKS:* Friday 2/19 4-6 pm, Saturday 2/20 2-6 pm and Sunday 2/21 1-5 pm Auditions are being held jointly for *Fiddler on the Roof* and *Into the Woods. *You may audition for both productions with one appointment on either of these dates; it is possible to be in both productions. Callbacks will be held separately. *To schedule your audition appointment* send an email request to: hbti_auditions(a)hb.edu *ELIGIBILITY* for the summer productions requires enrollment in at least one session of the HBTI summer training program. *Into the Woods *is open to students in 5th grade through college. There is a fee of $250 to be in the summer production. *PREPARATIONS* for *Into the Woods**: *Please prepare a one-minute, memorized musical selection that is object driven (pursuing a goal through a song) and a one-minute memorized monologue from a play. Bring sheet music, an accompanist will be provided. Download and fill out the audition form and complete the conflict calendar. Please bring these with you to the audition. These forms will be sent to you when you get confirmation of your audition appointment through email or can be found on the HBTI web site at HBTI 2016 audition form <http://www.hb.edu/page.cfm?p=8728> *PERFORMANCES:* July 29, 30, 31, August 5, 6 and 7, 2016 *REHEARSALS* • June 15-July 22; Weekdays, 4:00 - 8:00 pm. During these weeks there may also be Saturday and/or Sunday rehearsals (Saturday: morning or afternoon, Sunday: afternoon or evening). • July 23-28 Tech week and dress rehearsals weekdays 5:00 - 10:00 pm and weekend days Noon - 9:00 pm. A dinner break will be built into the weekend rehearsals. • Depending upon the size of your role and onstage time, you will be called to between 2-6 rehearsals per week during the development phase and then all the rehearsals the last two weeks. *The Brothers Grimm hit the stage with an epic fairy tale about wishes, family and the choices we make.* James Lapine and Stephen Sondheim take everyone's favorite storybook characters and bring them together for a timeless yet relevant piece and rare modern classic. The TONY Award-winning book and score are both enchanting and touching. The story follows a Baker and his wife who wish to have a child, Cinderella who wishes to attend the King's Festival, and Jack who wishes his cow would give milk. When the Baker and his wife learn that they cannot have a child because of a Witch's curse, the two set off on a journey to break the curse. Everyone's wish is granted, but the consequences of their actions return to haunt them later with disastrous results. For more information, check out Music Theatre International’s *Into the Woods* page <http://www.mtishows.com/show_detail.asp?showid=000106>. Visit www.hb.edu <http://www.hb.edu/>for information on HBTI’s summer training program and for updates on Hathaway Brown School’s many other summer offerings. For more information, contact: Bebe Weinberg Katz, HBTI Director at hbti_auditions(a)hb.edu

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First class is FREE! Check out what our students and industry professionals are saying
by Jessica Houde via NEohioPAL 30 Jan '16

30 Jan '16

Houde School of Acting Classes "The Houde of School of Acting is the first place I recommend to actors in the Cleveland area. Jessica Houde's extensive knowledge and background, combined with her true passion for teaching and the development of her students, make it a great place to study acting. Whether you're a beginner or a more seasoned actor looking to sharpen your craft, this school provides the encouragement and insight you need to grow and develop as an actor." Stephen Black - President of THE TALENT GROUP "My decision to study at the Houde School has been one of my best. I look forward to every class not only because of the great environment and the people I study with, but also because I know I will find a way to improve night in and night out. Jessica's ability to pinpoint both the positive and the negative in her students' work is both informative and encouraging, and if a student puts in the effort, it is very difficult not to continually grow. Her instruction has helped me to better understand not just the art of acting, but myself as a person. On a professional level, the Houde School has prepared me to sign with the Talent Group, and I am confident that with continued training and hard work, I will soon begin adding paid credits to my resume. I highly recommend this school to anyone looking for a chance to improve as an artist, make new friends, and do something fun." Vince Orlandi "I can't say enough great things about this wonderful acting school that has forever changed my life. You most certainly won't find acting training in the Midwest area as detailed and involved as what the Houde School of Acting has to offer. If you're not just looking for a quick one weekend class, but an ongoing course that will push you and create real change and growth in your craft, then THIS school in Cleveland, Ohio AND Kent, Ohio is the right place for you. " Jessica Craig "What Jessica is offering to "the actor" in Cleveland, is simply gold, but doesn't cost near as much. A blessing, it might actually help save you, in so many ways; it did for me. I have recently made the move to NY, and the mirror image of what you get out here Jessica gives you in Cleveland for a third of the cost. I recently audited the "Ted Bardy Studio" (Meisner based) here in NY and was allowed to participate in "repetition". The feed back I received from the instructor confirmed Jessica's prestige. I was told, "you are right on, yup, yup, you are the best student I have ever seen here coming from another school, you had a 'great' teacher." Channing Jackson "Houde School of Acting has become a second home for me. Jessica has done so much for me I can not thank her enough. Not only has her teaching given me the tools I need to become a great actress, but also to become a success in any field I pursue. This class has helped me find myself. I have gained so much confidence, and, friends. I have learned to take risks and make strong choices, not only in my acting, but my life. Anyone thinking of joining this class, be warned it is life changing! In summary, I love this class, the people in it, and, most importantly my awesome acting coach, Jessica." Sarah M. Yonkof "When I started the Houde School of Acting I thought acting was just memorizing lines, but then Jessica showed me there was more to it. She showed me that acting is having fun, being creative, and adding behavior. Also I want to say that I love the Houde School and that Jessica is a great teacher. She has also taught me that acting is something i wanna keep doing for the rest of my life."Julie Suslik, teen student FIRST CLASS IS FREE! Studio 1 Cleveland heights AdultSun 3:30-6:30 Film ReelSun 7-9:30 ImprovMon 7-9:30 MeisnerTue 7-9:30 On Camera Wed 7-9:30 Scene Study Thur 7:30-9:30 adv MeisnerSat 12-2 MeisnerPre-TeenMon 4:30-6 Sat 2:30-4 Studio 2 Kent Sun 5-7 Scene StudyTue 7-9 MeisnerWed 7-9 On Camera Pre-TeenSun 3-4 www.houdeschoolofacting.org Sent from Yahoo Mail on Android

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Professional Headshots
by Gregory Pendolino via NEohioPAL 30 Jan '16

30 Jan '16

Need Headshots? Here are my rates: $100 for one client on location (outdoor setting) $150 for two clients on location (You're only paying $75 each!) $200 for one client in studio $300 for two clients in studio (Only $150 each for studio!) Proofs emailed to you within 24-48 hours of our shoot. Final worked up photos delivered in email within 48 hours of you making your selections. The best part is YOU OWN THESE! That means you can print them whenever and wherever as often and as much as you need to. For more details please go here: http://www.pendolinophotography.com/rates-booking-info/ Although I have samples on my website, you'll find my most recent work on Facebook, Instagram and Flickr: www.facebook.com/PendolinoPhotography http://instagram.com/gregorypendolino# www.flickr.com/photos/gregorypendolino I'm sure if you're involved in film or theater in Northeast Ohio we already have quite a few common friends so please feel free to add me on Facebook as well. Thanks!

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