May 2016 - NEohioPAL - lists.neohiopal.org

CALLING ACTORS - Manhattan Project Meet & Greet Next Week!
by Manhattan Project via NEohioPAL 25 May '16

25 May '16

Between 1942 and 1945, J. Robert Oppenheimer gathered the most brilliant minds of the age at Los Alamos, New Mexico to create something awesome and terrible. The Manhattan Project - Cleveland Lab seeks to do the same for the Cleveland stage. Fresh New Faces in the Bunker Cleveland's showcase for never before seen plays has three new playwrights writing for us. We're thrilled to introduce Tim Collingwood, Monica Morgan, and Jacob Wiker. We're also happy to be joined by one of our favorite playwrights, Yulia Gray. We need brave actors to perform in these brave playwrights' awesome and terrible new plays! Join us at our Meet & Greet <http://facebook.us8.list-manage.com/track/click?u=24718b1d6d5f7c398165fdc7b…> at Mahall's <http://facebook.us8.list-manage.com/track/click?u=24718b1d6d5f7c398165fdc7b…> (13200 Madison Ave. <http://facebook.us8.list-manage.com/track/click?u=24718b1d6d5f7c398165fdc7b…>) on Wednesday, June 1 at 8:00pm. Performance <http://facebook.us8.list-manage2.com/track/click?u=24718b1d6d5f7c398165fdc7…> will be Wednesday, June 29! We hope to see you there. What exactly is The Manhattan Project - Cleveland Lab? The Manhattan Project is a low-stakes, nonthreatening place for actors and playwrights to meet and work together. Based on the Theatre Lab model taught at the Carnegie Mellon School of Drama and inspired by The Brooklyn Generator in New York, The Manhattan Project wants to introduce Cleveland actors and playwrights to each other by organizing a bi-monthly production of brand new 10-minute plays. Participating artists will meet early in the month and will be broken into teams, each with one playwright. The playwright will then be given a writing prompt to write a new 10-minute play based on the prompt and including all the team's actors. The rest of the evening the team members will get to know each other and get a feel for each other's skills and voices. The teams will reconvene later in the month to perform these plays for each other. These 10-minute plays are not an end in themselves. Through these small collaborations we hope to build relationships between the two most vulnerable artists in theatre; the actors who put themselves on stage and the playwrights who pour themselves onto the page. Perhaps these 10-minute plays will grow into longer works or maybe these collaborations will become partnerships on larger projects. If you'd like to participate, please RSVP at TrinityCrater(a)gmail.com or introduce yourself at out next event. *Some additional notes on the play lab:* - In the spirit of shoe-string theatre, these 10-minute plays should have a budget of $0.00. - Playwrights will be directing the plays, or an actor from the team can volunteer to do so. - It's up to each team to schedule rehearsals together. Based on experience, it shouldn't take more than 3-4 hours of rehearsal time to get these plays on their feet. - Playwrights are invited in advance of the Meet & Greet. - *Playwrights are invited based on participation in past Manhattan Project events, so please come to our events so we can get to know you!*

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Emergency, Last Minue Casting Call for short film
by Brian Walker via NEohioPAL 25 May '16

25 May '16

The writer/director of The Deluge is looking for a female lead to help make a military style drama. This project is an unpaid and non-union, but meals will be provided on the days we shoot. Who I’m seeking to cast are: MARY: mid-late 20’s; she is Sean’s off-and-on again girlfriend and she cares for Sean, maybe too much at times. In her heart of hear she wants to make it work. She can see past all of Sean’s flaws, deep down she knows he’s a good guy. We begin filming June 6th-June 8th, sorry for the short notice, but I had a last minute cancellation. The filming will take place around Northeast Ohio.Reply to this email for details.

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THE WILD PARTY continues THIS WEEKEND - Blank Canvas Theatre
by via NEohioPAL 25 May '16

25 May '16

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JOHNNY CASH ROLE
by Michael Stein via NEohioPAL 25 May '16

25 May '16

IMMEDIATE NEED TO FILL ROLE! The Palace Theater in Wisconsin Dells, WI http://www.dellspalace.com is seeking performer for the role of Johnny Cash in its production of Million Dollar Quartet. It is a paid job.opening June 16 and running through Aug. 21. This is an last minute posting with rehearsals beginning May 30 in Chicago. Please contact Michael Stein at mstein(a)dellspalace.com for more information. *Michael Stein* *Production Manager/Technical DirectorPalace Theatre* *564 Wisconsin Dells Parkway South* *Wisconsin Dells, WI 53965* *608-253-4000 ext 117* *Cell 330-687-8187*

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Lorain Palace Theater Job Opening
by Kurt Hernon via NEohioPAL 25 May '16

25 May '16

The Lorain Palace Theater seeks a Facility Manager...see below: Job Title: Facility Manager Reports to: Palace Manager Salary: Based on experience *About the Palace:* In the town of Lorain, Ohio, located just west of Cleveland, the 1,720-seat Lorain Palace Theatre first opened its doors in 1928. It was the first motion picture theater in Ohio to show a talking motion picture. The opening night film, and first talky played in Ohio was a pre-release of Paramount’s "Something Always Happens" starring Neil Hamilton and Esther Ralston. Today it serves as a community Civic Center, movie theatre, meeting place and entertainment facility. The crystal chandelier, Wurlitzer pipe organ (one of only four remaining in theaters across Ohio), and two spacious loges are just some of the features, which made this building worthy of being preserved. *Summary:* The theatre manager reports to and will assist the Palace Manager with their daily duties to help maintain, use and facilitate the daily functions of the theater. The Theatre Manager will work with their counter part to ensure that equipment is functioning, that dressing rooms and the stage is clean and ready to use, and help run and program live shows. The ideal candidate should have a love for live theatre with knowledge in sound, lighting and carpentry skills. *Essential Duties and Responsibilities**:* - Clean and maintain lighting and sound equipment - Program lighting board - Run sound board - Help clean and maintain all theatre areas - Provide constant attention to safety issues - Provide support to the Palace Staff during productions - Work as projectionist for movie - Manage and help schedule Palace tech staff *Education Required*: High School Diploma BFA or BA in technical theatre preferred *Experience Required*: 2 years in a management position at a professional theatre *or* 3 years in a production position with management responsibilities working in professional theatre *Skills and Knowledge Required*: - A strong working knowledge of theatrical production and theatrical safety practices and procedures - A strong knowledge in basic carpentry - A strong knowledge in lighting and sound - Ability to prioritize and balance multiple demands - A strong and positive work ethic - Ability to perform tasks with tools, ladders and lifts - Ability to lift up to 50 pounds and carry it up to 90 feet - To apply, please send cover letter, resume and references to kurt(a)lorainpalace.com

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"Event" and looking for Volunteers July 9th NEO Roller Derby Double Header
by Melissa Tyler via NEohioPAL 25 May '16

25 May '16

NEO ROLLER DERBY DOUBLE-HEADER and NEO Jr Roller Derby @ 4:00 Summit County Fairgrounds 229 E Howe Rd, Tallmadge, OH 44278 Looking for Volunteer NSO's and Referee's for our July 9th and August 13th Bout. Please contact: https://www.facebook.com/NeoRollerDerbyAkron/?fref=ts for inquiries The Rock 'N' Roller girls take on Eerie followed by Audio Assault versus First Settlement Doors open at 5 PM First Whistle at 6 PM $10 advance tickets $12 at the door Kids 12 & under are FREE FOLLOW THIS LINK FOR ONLINE TICKETS: http://m.bpt.me/event/2488968 If you have never seem a Bout please come check us out! Thanks! Melissa

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Oberlin Choristers' Canterra Musica presents free concert June 5 in Cleveland Heights
by Judith Higbee via NEohioPAL 25 May '16

25 May '16

*Arts in the Cathedral* is pleased to present *Canterra Musica*, the most advanced treble choir of *Oberlin Choristers, *directed by *Jennifer Call*, Oberlin Choristers’ Artistic Director*.* This free concert will take place*Sunday, June 5*, at *3:30 p.m*. at *Church of the Saviour* in Cleveland Heights. A freewill offering will be accepted. Canterra Musica’s summer tour repertoire includes Purcell's *Sound the Trumpet*, Brumfield’s *No Time*, and features Gwyneth Walker's *The Gift to Sing*, a work which the Choristers recently commissioned. This set will also be performed before the Manhattan Concert Productions Children's Choir Festival Choir at Carnegie Hall in June. *Canterra Musica*, comprised of auditioned singers in grades 7-12, has traveled each year since 1995. The choir has sung in world-class venues including the Sydney Opera House, Australia, St. Patrick’s Cathedral, Ireland and Chartres Cathedral, France. The singers have also participated in festivals, honor choirs, and in collaboration with Oberlin College Opera Theatre, Cleveland Opera, Oberlin Summer Theatre Festival, and most recently as the guest choir for the world tour of Video Games Live. Founded in 1991, Oberlin Choristers serves the youth of Northeast Ohio offering an exceptional choral education through engaging rehearsals, excellence in performance, and transformative traveling experiences. Singers in grades K-12 are taught in five separate ensembles by master teachers. *Jennifer Call *is the Conductor of Canterra Musica as well as the Artistic Director of Oberlin Choristers. Prior to her appointment as Artistic Director in 2011, she spent over a decade as music educator for all ages in public schools throughout Northeast Ohio. Her focused work in teaching the adolescent changing voice, led to the creation of the Changing Voice Institute held yearly at Oberlin Conservatory. She has been requested as guest lecturer, clinician and guest conductor at universities and honor choirs around the nation. Mrs. Call holds degrees from Ohio State University and University of Akron. *Church of the Saviour is located at 2537 Lee Road in Cleveland Heights, one block north of Fairmount Blvd. There is free parking and handicapped-access.* *Judith Higbee, Director of Music 216-321-8880 <216-321-8880> * -- Judith Higbee Director of Music Church of the Saviour 2537 Lee Road Cleveland Hts., OH 44118 216-321-8880

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"Evita" at Broadview Heights Spotlights Theater
by Annette Phelps via NEohioPAL 25 May '16

25 May '16

Broadview Heights Spotlights’ Summer Youth Musical: Evita This year, the Broadview Heights Spotlights’ summer youth production is Evita. It will run June 16 –June 26, 2016. Thursday, Friday, and Saturday performances are at 7:00PM; Sunday matinees begin at 3:00PM. Based on the captivatingly true story of Eva Peron, the First Lady of Argentina from 1946 until her death in 1952, this musical by Andrew Lloyd Webber and Tim Rice is almost entirely sung and features a compelling score that fuses haunting chorales with exuberant Latin, pop, and jazz influences. The title role has been double cast by two talented local actresses. Delia Brennan of Brecksville will perform on June 16, 18, 23, and 25; Alexandria Frendak of North Royalton will perform on June 17, 19, 24, and 26. Clay Hoffner will portray Juan Peron, former President of Argentina, and Dylan Grosh-Hoy will play Che, the show’s opinionated narrator. Remaining ensemble members are prominently featured throughout the show and include Grace Auble, David Bowler, Kate Brierley, Kyla Burks, Gabby Dachtler, Nicholas DeAngelis, Zoe Douglas, Audrey Halvorson, Molly Molina, Declan Newton, James Newton, Alicia Pedraza, Ellie Ritterbusch, Emma Rosberil, Lilly Saunders, Andrew Seifert, Ian Stewart, and Nathan Weagraff. “When people think of youth theater, Evita, isn’t usually on the top of their lists,” says Tim Anderson, Spotlights Education Director and co-director of this show. “But, Eva was only 15 years old when she left her small town to go to Buenos Aires.” Choosing a show that was relevant was also a factor. Evita premiered in London in 1978 and then on Broadway in 1979. “The script has some strong political themes that we saw as relatable to the current Presidential election,” Anderson said. “After auditions, we knew we made the right show choice. These kids are beyond talented!” Tim Anderson and Maggie Majercik return to co-direct this production, their eighth youth production collaboration in the same number of years. Ryan Bergeron serves as music director, and Stephanie Giammarco is the show’s costume designer. Former Spotlights’ youth show cast members Erica Leibold and Charlie Jones join the staff as production assistants, and Jaclyn Phelps is the producer. Tickets are $15 for adults and $14 for seniors and students. Reservations may be made on-line atwww.broadview-heights-spotlights.org.

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CPT Announces RFP for 2016-2017 New Play Development Program
by Caitlin Lewins via NEohioPAL 25 May '16

25 May '16

CPT'S MISSION IS TO RAISE CONSCIOUSNESS AND NURTURE COMPASSION THROUGH GROUND-BREAKING PERFORMANCES AND LIFE-CHANGING EDUCATIONAL PROGRAMS. CPT's programming agenda is to produce work that is outside the mainstream offering a much broader range of work available to the Cleveland public and expanding the impact and originality of theatre across the country. CPT strives to make work that is excellent, extra-ordinary, and nationally competitive. Our NEW New Play Development is based on our years of experience, community input, and key principles of: * focusing on artists; * valuing diversity of approach, aesthetics, and perspective; and * balancing impact with investment. We envision CPT as a nationally recognized hub for the development of new theatre that is extraordinary, edgy, and relevant. We hope to be a model for nurturing local talent in similar sized markets, the most regarded cultivator of new theatre for Cleveland audiences, a laboratory for promising research and investigation, and a launcher of nationally significant new plays. Our approach is to combine: * efficient programs that can stretch our limited resources to include many artists and * highly customizable approaches that directly serve specific needs of projects with extraordinary potential ________________________________ The Dark Room:<http://www.cptonline.org/performances/seasons/2015-2016/the-dark-room/> An "open mic" for playwrights, a gathering of artists interested in new work, and an insider view of early creation. The Dark Room pairs playwrights with actors to perform (mostly) cold readings of short segments of scripts-in-progress in a spontaneous, low-risk, fun atmosphere. The Dark Room provides a space for informal feedback and is a great way to meet allies and potential mentors. Entry Point: <http://www.cptonline.org/entry-point/>Every project is unique and has unique needs. Some playwrights need a producer to develop a staged reading, others just need time in the rehearsal room with their ensemble, help in gathering the right team together, or a way to share a short fragment and get feedback. Entry Point<http://www.cptonline.org/entry-point/> is a platform for artists to develop their work in the early stages of creation. CPT will customize its support of projects and provide a festival forum to share that work with the public. We imagine, for example, audiences/artists together seeing a staged reading in one space, then seeing a short devised work in a studio, and then hanging out in a feedback session. Feedback at Entry Point will be low-risk and focus on nurturing projects. CPT will connect projects to mentors who can help offer feedback and guidance. Test Flight: <http://www.cptonline.org/test-flight-local-request-for-proposals/>Based on CPT's success with our Big Box series, Test Flight <http://www.cptonline.org/test-flight-local-request-for-proposals/> offers opportunities to artists who are interested in co-producing works with us. Test Flight is a multi-week series where artists are given the keys to the theatre to develop their projects to a workshop level. In addition to serving local artists, Test Flight will also be open to national and international artists who wish to come to Cleveland to develop their pieces. Feedback for this series will be specific to each project, developed by the artist, and vetted/approved by CPT. CPT will suggest potential allies/mentors for each selected project. Local Requests for Proposals <http://www.cptonline.org/test-flight-local-request-for-proposals/>Non-Local Requests for Proposal<http://www.cptonline.org/test-flight-non-local-request-for-proposals/> Catapult: <http://www.cptonline.org/catapult/>The most extensive of CPT development programs, Catapult focuses on select projects that we believe have a high likelihood to be fully produced by CPT in the future. This program is intended to move projects from whatever point they are a, to being "production ready." Each process will be totally customized to the work. Projects may receive a series of readings, significant rehearsal time, workshop productions, and/or invitational showings. Playwrights/Creators of Catapult<http://www.cptonline.org/catapult/> projects will receive the Nord Family Foundation Fellowship and, while developing their work, will play an active role in the life of the theatre. Feedback methodology will be customized, focusing on the direct relationship between CPT and the Playwright/Creators. One CPT staff member will function as producer and ally of the project and one additional ally/mentor will be selected for each project. The application process for Catapult will engage nationally recognized artistic leaders. Full Productions: <http://www.cptonline.org/performances/seasons/2015-2016/>In the past 10 years, CPT has fully produced more than 42 world premieres, 35 of which were by local artists. CPT will continue to fully produce new plays, and investing extra rehearsal time, dramaturgical support, and production time. CPT is well-positioned to build national allies around these productions and help make connections to other theatres. Other Opportunities: CPT will continue to explore other opportunities to support new work and the growth of artists. CPT's creation class offered by Raymond Bobgan has spawned projects leading to many performances on CPT stages and has spurred many collaborations that have been very fruitful for the community. We plan to continue to offer this class. The Joan Yellen Horvitz Fellowship for Directors<http://www.cptonline.org/artist-opportunities/fellowships/> provides critical growth opportunities for early-career directors. The Kulas Theatre Composer program<http://www.cptonline.org/artist-opportunities/fellowships/> will continue to support entry-level and early-career composers/sound-designers in working on new plays. Rigor and enjoyment are at the core of the process leading to risk, surprise, delight, and discovery as we deepen the ongoing work of our craft-to explore the human condition while championing consciousness and compassion. For information about General Submission, check out this link<http://www.cptonline.org/general-submission-guidelines-2014-2015/>. ***Interested in submitting a proposal? Join us for a free workshop to hone your proposal and application skills. The CPT Artistic team will lead workshops on: * Saturday, May 14th from 7pm-9:30pm * Sunday, May 15th from 1pm-2:30pm * Location: Cleveland Public Theatre, 6415 Detroit Ave. Cleveland, OH 44102 - there will be signs to direct you to the correct location To attend one of the workshops, RSVP to New Play Associate, Caitlin Lewins at clewins(a)cptonline.org<mailto:clewins@cptonline.org>. Please specify which workshop date/time you prefer. Caitlin Lewins New Play Associate Cleveland Public Theatre 6415 Detroit Ave Cleveland OH, 44102 (216) 631-2727 x211

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$10 Preview Night - HEATHERS at Beck Center
by Pat Miller via NEohioPAL 25 May '16

25 May '16

Beck Center for the Arts presents HEATHERS: THE MUSICAL Book, Music and Lyrics by Laurence O'Keefe and Kevin Murphy Directed by Scott Spence Musical Direction by Larry Goodpaster Choreographed by Martín Céspedes** ~ $10 PREVIEW NIGHT ~ Thursday, May 26 8 p.m. | Studio Theater May 27 - July 2, 2016 8 p.m. Fridays & Saturdays 7 p.m. Sundays Studio Theater Heathers: The Musical Preview Night admission is $10. Advance tickets go on sale online at 12:01 a.m. Thursday, May 26 and at Beck Center's Customer Service 10 a.m. Thursday. Tickets may be purchased at the door based on availability. General admission seating. Doors open approximately 15 minutes prior to curtain. Preview Night tickets go on sale online at 12:01 a.m., Thursday, May 26. To purchase tickets online, click here<http://sa1.seatadvisor.com/sabo/servlets/EventSearch?presenter=BECKCENTER>. To purchase tickets from the Beck Center Customer Service after 10 a.m., call: 216.521.2540 x10. ABOUT THE SHOW Beck Center for the Arts proudly presents the regional premiere of Heathers: The Musical May 27 through July 2, 2016 in the intimate Studio Theater. Show times are 8 p.m. Fridays and Saturdays, and 7 p.m. Sundays. Tickets are now on sale. Please note Sunday 7 p.m. curtain. This production contains strong language and content. Based on the iconic 1989 cult film, Heathers: The Musical is adapted by Tony-nominee Laurence O'Keefe and Emmy-winner Kevin Murphy. This darkly delicious comedy follows Veronica Sawyer, a teenage misfit who hustles her way into the most powerful clique at Westerberg High: the Heathers. Just as Veronica makes her mark with the popular crowd, she falls for the sexy outsider J.D. Will Veronica risk it all for a boy, or will J.D. bite the bullet and put the Heathers in their place-six feet under? Praised by The New York Times as "a rowdy guilty pleasure," this production is for anyone who's ever been in love, in trouble...or in high school. No stranger to adventurous theater, Heathers: The Musical is directed by Scott Spence-the man responsible for the Beck Center's record-breaking production Evil Dead: The Musical, Reefer Madness, and Eating Raoul. "Musicals born from cult movies have been perhaps my favorite projects over the years at Beck Center, especially ones that we produce in the Studio Theater," said Spence. "I am excited to add the wickedly funny Heathers to that mix, a musical that manages to combine the blackest of comedy with a wonderful sense of social commentary that rings as true today as it did when the film premiered in 1989." Spence is joined by musical director Larry Goodpaster and choreographer Martín Céspedes. The talented cast of eighteen includes Madeline Krucek of Baldwin Wallace University as Veronica and Shane Lonergan of Oberlin College as J.D. Paul Floriano, Zach Landes, and Matthew Wright also appear courtesy of the Actors' Equity Association (AEA). Tickets are $31 for adults, $27 for seniors (65 and older), and $12 for students with a valid I.D. A $3 service fee per ticket will be applied at time of purchase. Preview Night on Thursday, May 26 is $10 with general admission seating. Group discounts are available for parties of four or more. Purchase tickets online at beckcenter.org, or call Customer Service at 216.521.2540 x10. Beck Center is located at 17801 Detroit Avenue in Lakewood, just ten minutes west of downtown Cleveland. Free onsite parking is available. This production of Heathers: The Musical is presented through special arrangement with Samuel French, Inc. It is generously sponsored the residents of Cuyahoga County through Cuyahoga Arts and Culture and the Ohio Arts Council. CAST Veronica Sawyer - Madeline Krucek JD - Shane Lonergan Heather Chandler - Kayla Heichel Heather McNamara - Amy Kohmescher Heather Duke - Tia Karaplis Martha Dunnstock - Molly Millsaps Ram Sweeney - Riley Ewing Kurt Kelly - Jonathan Walker White Ram's Dad / Big Bud Dean / Coach Ripper - Matthew Wright* Ms. Fleming / Veronica's Mom - Amiee Collier Kurt's Dad / Veronica's Dad / Principal Gowan - Paul Floriano* Beleagured Geek - Zach Landes* Preppy Stud / Officer Milner - Greg Good Hipster Dork (Dwight) / Officer McCord - Joe Virgo Stoner Chick - Kacey Faix Young Republicanette - Gabi Shook Swing - Brianna O'Boyle *Actor appears courtesy of the Actors' Equity Association (AEA), the union of actors and stage managers. PRODUCTION STAFF Artistic Director / Director - Scott Spence Musical Director - Larry Goodpaster Choreographer - Martín Céspedes** Stage Manager - Jamie R. Benetto Assistant Stage Managers - Hayley Baran, Andrew Gluvna Assistant to the Director / Props Artisan - Douglas Puskas Technical Director - Aaron Benson Scenic & Lighting Designer - Trad A Burns Costume Designer - Aimee Kluiber Sound Designer - Carlton Guc Sound Board Operator - Angie Haye Electrician - Steve Shack Carpenter - Gabriel Jimenez, Joe Virgo Scenic Artist - Nora Dlugo Costume Intern - Emma Bowen Wardrobe - Hayley Baran **Member of the Society of Stage Directors and Choreographers.

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