November 2019 - NEohioPAL - lists.neohiopal.org

Introduction to Intimacy for the Stage: Workshop w/ IDI certified director Samantha Kaufman
by tess＠ohioshakespeare.com 03 Nov '19

03 Nov '19

**Workshop is halfway sold out--don't wait to claim your spot** Introduction to Intimacy for the Stage Hosted at Ohio Shakespeare Festival 103 S. High Street, Akron 44308 NOVEMBER 11, 7-10PM Ages 18+ Instructor Samantha Kaufman - An Intimacy Director’s International certified Intimacy Director $25 non-refundable deposit holds your spot in class. $75 due upon arrival. [ REGISTER NOW ]( https://www.showclix.com/event/intimacy-workshop ) CLASS DESCRIPTION In this workshop, participants learn specific techniques for accessing their vulnerability in a dramatic context, resulting in powerful chemistry between characters without compromising personal boundaries. Focus is on subtle and specific details in choreography, and on acting exercises to keep partners connected physically and emotionally. It is an exploration of intimacy within a dramatic context for the purpose of telling the story of the scene. This class also touches on how to approach preparing for scenes of intimacy in rehearsal, consent, boundaries, your rights, and psychological safety. This is not just kissing or sex scenes. The principles can include the intimacy between parents and children, between dear friends, and can also apply to scenes of sexual violence. Touching (handshakes, handholding, hugging) through guided contact improv is part of the course. Kissing is not required. While the goal is to explore emotional and physical intimacy, the core concept of this work is Safety, for the facilitation of safe exploration. All touching is consensual, and participants are always invited to sit out and watch, should they feel uncomfortable or triggered. While this introductory workshop is geared towards a performer's perspective, participants are welcome from all theatrical disciplines to participate and learn more about intimacy for the stage. GOALS To train the students in a working knowledge of the basic principles of Intimacy for the Stage. Focusing on The Pillars of Intimacy, students will learn how to advocate for their own safety when an Intimacy Director is not present, collaborate with an Intimacy Director when one is present, and explore specificity within moments of Intimacy. FORMAT Each class will follow the structure: introduction to concept, practice, discussion. TOPICS INCLUDED Instant Chemistry: simple acting exercises to facilitate mutual trust and to create chemistry with any scene partner Consent: physical work and emotional preparation for more effective scenes of intimacy The Pillars: guidelines for approaching scenes of Intimacy, including script work, communication of personal boundaries, consent, and other professional etiquette practices Playing with Specificity: techniques and ideas to begin exploring your own methods of maintaining your own psychological health, assuring your own resilience and the quality of your craft WHAT IS IDI? Intimacy Directors International (IDI) is a not for profit organization comprised of artists from around the world who are trained to choreograph and direct scenes of an intimate nature for the stage and screen. Founded by Tonia Sina, Siobhan Richardson, and Alicia Rodis, IDI's mandate is to provide compelling physical and emotional storytelling within intimate scenes - including hand-holding, nudity, kissing, and/or simulated sexual activities - while also maintaining the physical and psychological safety of all involved. As active advocates for performer safety, IDI sets and maintains a high standard for proper consent, sexual harassment awareness, overall safety, and dramaturgical expertise. IDI shares this knowledge through intimacy direction for productions and intimacy workshops for a broad range of participants and subject matter. http://www.teamidi.org/ INSTRUCTOR BACKGROUND Samantha Kaufman is an actor and movement director; specializing in fight direction, intimacy direction, and circus theatre. After being transplanted to Chicago to study circus arts with Actors Gymnasium; she is now based in the Midwest region and travels to perform in and fight/intimacy/movement direct productions across the nation. She has her BFA from the University of Wyoming and her MFA from Florida Atlantic University. A Jeff Nominated Fight Choreographer. She is also an advanced actor/combatant with the Society of American Fight Directors and an intermediate actor/combatant with Fight Directors Canada. In all her work, Samantha is dedicated to the growth and development of the art form and the artists, in order to support a vibrant and healthy artistic community. Samantha is a certified Intimacy Director with IDI. She has been staging intimacy for years but since completing the Intimacy Directors International’s O’Neill Pedagogy Intensive her hunger to spread this work has grown daily. She is fiercely passionate about advocacy for artists and spreading consent practices through theatre and circus communities. She couldn’t be prouder of the opportunities to empower artists with this work. samanthakaufman.weebly.com/intimacy-direction

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Cleveland TV Series from Prelude2Cinema Needs Producers ASAP
by Alex P. Michaels 03 Nov '19

03 Nov '19

Become a Producer for our TV series “Out of Darkness: Cleveland.” Limited offer November 2nd to December 2nd, 2019 Producers receive: Screen credit Private screening online Invitation to real world screening (transportation and lodging not included) Swag bag with buttons, t-shirt (specify size) Digital comic series We will also make a donation to a charity on your behalf. The show deals with crimes and bringing the community and police together, so a portion of each sponsorship package will go to a local and national charity. Individual Sponsorships are only $70. Contact sponsor(a)prelude2cinena.com about small business & corporate sponsorship. “Out of Darkness: Cleveland” episodes will air on TV and online starting November and December2019 Official site http://prelude2cinema.com/n2darkness/ Sincerely, Alex P. Michaels Cleveland Cinema Czar Prelude2Cinema http://www.prelude2cinema.com "Starving Artists 2 Working Artists” We Luv our Fans Subscribe 2 Our Fan Club & Be Rewarded https://www.patreon.com/prelude2cinema

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Looking for Actress For 1-Day Shoot
by Jacob Redmon 02 Nov '19

02 Nov '19

*Female Lead - *20s, dark hair, a powerful and benevolent ruler. Hi, I'm Jacob Redmon. Recently I've had quite some difficulty finding an actress for a low-budget short film (shooting in the Stow/Cuyahoga Falls area), because I'm seeking someone with a very specific look. The short film is a silent, black-and-white throwback to the early-century era of fantasy movies, to the works of Georges Melies and Charlie Chaplin and the like. It's being shot entirely on a green screen in an attempt to replicate the look of old film and will feature a lot of intentionally-primitive visual effects. As such, I'm really hoping to find someone with a classical look about them, someone whose face could belong in the 1920s, if that makes sense. However, at this point, I'm willing to be flexible on that. I'd need one day to do costume fitting and one day to actually shoot. Pay is $150. Please contact me at jnredmon603(a)gmail.com if interested. Thanks!

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Berko review: HAIR @ Kent State University
by Roy Berko 02 Nov '19

02 Nov '19

•••••••••••••••• *CAPSULE JUDGMENT: This production will make you aware of the changes that took place in this country by the reactions to the Vietnam War, including bringing about the Kent State Massacre, while illustrating that theater can not only entertain, but shine a mirror on history. See “Hair?” Absolutely! It is a powerful and well-conceived production! The Terri Kent-Martin Cespedes combination, as was evidenced in “Man of La Mancha” at Porthouse this summer, sparkles again. Bravo!* To read the entire review go to www.royberko.info. To read the review of other CLE area reviewers go to www.clevelandtheaterreviews.com ••••••••••••••••••••

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Review of "Rasheeda Speaking"
by Bob Abelman 02 Nov '19

02 Nov '19

Office politics turn toxic in Karamu’s contagious ‘Rasheeda Speaking’ Bob Abelman Cleveland Jewish News, The News Herald, The Morning Journal There are no heroes in Joel Drake Johnson’s divisive water cooler dramedy “Rasheeda Speaking,” which was first seen in Chicago in 2013 and first performed at Karamu in 2016. Here, office politics turn toxic and everyone is a slow-leak source. For more of this review, go to: www.clevelandjewishnews.com/columnists/bob_abelman/

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CRY HAVOC! Shakespeare healing PTSD
by tess＠ohioshakespeare.com 02 Nov '19

02 Nov '19

Ohio Shakespeare Festival is proud to offer two evenings of this powerful guest performance. CRY HAVOC! An imported production by international artist and veteran Stephan Wolfert, highlighting his true experience using Shakespeare's words to heal his PTSD--applicable to both veterans and citizens. More info and tickets ($15-$33): [ http://www.ohioshakespearefestival.com/cry-havoc ]( http://www.ohioshakespearefestival.com/cry-havoc )[ ]( http://www.ohioshakespearefestival.com/cry-havoc ) PRESS FOR CRY HAVOC! [ New York Times ]( https://www.decruit.org/wp-content/uploads/2017/06/NY-Times-Article.pdf ) [ Boston Globe ]( https://www.decruit.org/wp-content/uploads/2017/06/Cry-Havoc-Review-Boston-… ) We RE-cruit soldiers--but we never DE-cruit them. After two years of paralysis from a high school sports injury. After six years in the United States Army. After a full blown transition into a classic case of Post Traumatic Stress Disorder, Stephan Wolfert hopped off an Amtrak train deep in the mountains of Montana. Far from home. Close to the middle of nowhere. And without the first damn clue of what to do for the rest of his life.Until, as Fate would literally have it, he stepped into a local theater and saw a production of William Shakespeare’s Richard III.Twenty years later, using Shakespeare’s timeless words, and a few of his own, actor/veteran Stephan Wolfert in Cry Havoc leads us on an interactive journey to meet Shakepeare’s veterans.He also brings us face to face with one of the most vexing military – and civilian – problems of our time.Men and women are tested and trained before entering the military. While serving in the military, they continue to be tested and trained to ensure “combat readiness”. Or, as Wolfert suggests, to harness their “berserker energy”. Berserkers were Norse warriors of old who fought with a trance-like fury, and the value of that spirit of rage is as important to the military of today as it ever was.But there’s no “off switch”. After years of testing and training to maintain combat readiness, there is no testing and training to leave military service and rejoin the civilian world. No testing to ensure “NON-Combat readiness”. No training to eliminate our warrior’s “berserker energy”. Leaving the “berserker” to pose the unanswered question: “Now what?”Shakespeare had something to say about that. He wrote about the relationships between veterans, politicians and civilians. He wrote about how these relationships can either prevent or create havoc.Cry Havoc is a one-person play that unites veterans with civilians. It shows us that the military men and women of Shakespeare’s time wrestled with the same hopes and worries that occupy our modern lives. It explores the difficulties that our veterans and their families face.And maybe, just maybe, it will help them eliminate the berserker and truly come home.

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AUDITIONS FOR THE WIND IN THE WILLOWS
by Will C Crosby 02 Nov '19

02 Nov '19

ADDITIONAL SLOTS ADDED!! SIGN UP TODAY!!! Medina County Show Biz Presents Auditions for THE WIND IN THE WILLOWS SATURDAY DECEMBER 7th 2pm-6pm SUNDAY DECEMBER 8th 6pm-10pm Potential Callbacks MONDAY DECEMBER 9th 6pm-10pm Sign up for an Audition Slot Here: https://www.signupgenius.com/go/10c0d4fafa629abf85-thewind Location: Auditions will be held at Medina United Methodist Church (4747 Foote Road) Directed by Will C. Crosby Musically Directed by Carey Knox Choreography by Alex Craig Assistant Directed by James Kovach Stage Management by Vanessa Yovanovich Pit Direction By Mike McClintok Costume Design by Kaylea Kudlaty PRODUCTION DATES: March 6th-15th (Fridays and Saturdays at 7:30pm, Sundays at 2pm) Regular Rehearsals will start January 4th. Rehearsals will be held based on actor availability. 4-5 days a week expected. Sunday-Thursday 6:30-9:30 Questions? Contact the director, Will C. Crosby – Willcodycrosby(a)gmail.com PREPARATION Please prepare 2 contrasting songs (32 bars) in the style of the show. Bring sheet music in the appropriate key (accompanist will be provided). Bring a headshot and resume if you have them. Please bring a list of conflict dates you may have during the rehearsal period. No conflicts will be accepted for any performance dates or during tech week. Medina does not offer union contracts or cast understudies and all performers are volunteers. THE WIND IN THE WILLOWS Music by George Stiles Lyrics by Anthony Drewe Book by Julian Fellowes Based on the book by Kenneth Grahame Original Production Produced by Jamie Hendry Show Information: This riotous comedy follows Mole, Rat, Badger, and the impulsive Mr. Toad, whose insatiable need for speed lands him in serious trouble. With his beloved home under threat from the notorious Chief Weasel and his gang of sinister Wild Wooders, Toad must attempt a daring escape leading to a series of misadventures and a heroic battle to recapture Toad Hall. Full of humor, wit, a gorgeous, soaring score, and heartwarming lessons of friendship, THE WIND IN THE WILLOWS is the perfect fit for family audiences everywhere. THIS IS THE ALL AGES OHIO PREMIERE. Casting Requirements-Looking for a cast of 30, This show will have an Multi-Generational Cast. Looking for between 8-12 children and 20 teens and adults. Portia- A young otter pup always getting herself into trouble. Gender: Female Age: 12-16 Voice Part: Mezzo Soprano Mole- A curious mole new to the neighborhood looking for friendship and adventure. Gender: Male Age: 16-30 Voice Part:Tenor Rat- A Rat very much stuck in his ways and against change, however a true friend at heart and always kind to those he cares about. Gender: Male Age:25-40 Voice Part: Baritone Ms. Otter- Portia’s Mother, always chasing her daughter and trying to keep her safe. Gender: Female Age: 30-60 Voice Part: Mezzo Alto Toad- A Bold Self Centered Toad, Always interested in the next big thing, his flippant attitude gets him into trouble. Deep down has a heart of gold. Gender: Male Age: 20-30 Voice Part: High Tenor Chief Weasel- A sneaky weasel trying to take over toad hall, the main antagonist of the story. Gender: Male/Female Age: 20-40 Voice Part:High Tenor Mr. Badger- A wise leader, caring friend, and overall wonderful animal. Leads the friends on a quest to restore order in the neighborhood. Gender: Male Age: 30-60 Voice Part: Baritone Horse- The Carriage Driver, Must Tap Dance, fun feature solo for a strong dancer and vocalist. Gender: Female Age: 16-40 Voice Part: Mezzo Alto Lesser Weasel- Chiefs sidekick and punching bag, great comedic timing is a must. Gender: Male Age: 16-30 Voice Part: Baritone Sheryl Stoat- Chiefs sidekick, much smarter than all the other weasels. Great dancer is a must! Gender: Female Age: 18-30 Voice Part: Mezzo Soprano The Galloers Daughter- A sneaky washer woman who helps toad escape from prison, has a big duet in act 2 with toad. Gender:Female Age:16-30 Voice Part: Mezzo Soprano Mr. Hedgehog- A cautious and nervous father Gender: Male Age: 25-50 Voice Part: Baritone Mrs. Hedgehog- A Cautious and Nervous Mother Gender: Male Age: 25-50 Voice Part:Mezzo Soprano Two Hedgehog Children- Cautious and Nervous Children Gender: Male/Female Age:8-14 Voice Part: Childrens Voice Three Swallows (April, May, and June)- Swallows Heading South for the Winter, Big Trio Song in Act 1, Will double as Weasels Gender: Female Age: 12-24 Voice Part: Strong Mature Voices, All Vocal Parts The Barge Woman- A Loud and Annoying Barge Woman who Toad tries to scam out of food and shelter but is to smart for him. Gender: Female Age: 30-60 Voice Part: Alto The Judge-An Unfair Judge who will do anything to put Toad in Jail. Gender:Male Age: 30-60 Voice Part: Baritone Ensemble (Bank Animals, Field Mice, Weasels, Humans) All Ensemble members will have many featured moments in the show, All Genders, Body Types, and Ethnicities will be considered for all parts. Most Characters will play multiple parts. Questions? Contact the director, Will C. Crosby –Willcodycrosby(a)gmail.com

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Get your piano in tune for Christmas
by David Spondike 01 Nov '19

01 Nov '19

David’s Fine Tuning & Piano Service ”Hear the difference.” Sticky Keys? Squeaky Pedal? Sour Notes? I can fix that. 330-801-0089 Book your appointment now online. It’s easy! CLICK HERE TO SCHEDULE <https://gazellenetwork.com/scheduling/9QjtKp1bTgJKW2w3dGSzvmdz> Visit my website at http://davidsfinetuning.com <http://davidsfinetuning.com/> for a complete list of services, piano care tips, reviews, and more. Follow me on Twitter @DavidsFineTune or “Like” David’s Fine Tuning <https://facebook.com/davidsfintuning> on Facebook for more piano stories and piano related links. David Spondike, Ph.D. Piano Technicians Guild

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Looking for Laboratory Props
by Alexa Warmuth 01 Nov '19

01 Nov '19

Strongsville High School’s “Mustang Express” show choir is in need of weird science props for their set this year! If any theaters are willing to donate old set pieces that fit into this theme, please email me at alexawarmuth(a)outlook.com Thank you all so much!

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FOR SALE: 2 Tickets to Mean Girls @ Playhouse Square
by Caroline Hilmer 01 Nov '19

01 Nov '19

*I have 2 tickets to Mean Girls at Playhouse Square for sale.* - *They are on the ground floor, in the orchestra section. * - *Tickets are for Wednesday, December 4th at 7:30 pm * - *Row DD, Seats 317 and 318* - *These tickets would cost, with fees, $217.* - *I am selling these 2 tickets for $170, a savings of $47* *If interested, please email cbhilmer(a)gmail.com <cbhilmer(a)gmail.com>. I live in Vermilion, but am willing to meet elsewhere. *

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