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Join the BorderLight Team – Producer Role Now Open
by Dale Heinen 03 Nov '25

03 Nov '25

BorderLight Theatre Festival - Producer (Flexible, Year-Round Role) BorderLight Theatre Festival is seeking a highly organized and motivated theatre professional to help produce the annual BorderLight Fringe Festival. The Producer serves as the primary liaison for participating artists, coordinates logistics from pre-planning through festival completion, and represents the festival publicly. This flexible role ranges from part-time during planning months to full-time during the festival season. Average workload is approximately 20–25 hours per week over the course of the year. Compensation is $23,000–$25,000 annually, paid monthly, depending on experience. If you’re energized by collaborating with artists and bringing a festival to life from planning to performance, we’d love to hear from you. View the full job description and application details on our website: https://www.borderlightcle.org/work-with-us/ (Click on “Position Description” to open the full posting.)

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Now Open: Apply to Perform at BorderLight Fringe Festival 2026
by Dale Heinen 03 Nov '25

03 Nov '25

BorderLight Fringe Festival 2026 - Call for Artists! Applications are now open for the BorderLight Fringe Festival 2026, returning to Cleveland's Playhouse Square District July 8-11, 2026. The BorderLight Fringe showcases self-produced work by local, national, and international artists across all genres - theatre, movement, music, performance art, immersive experiences, and more. Participating artists receive 60% of ticket revenue for ticketed shows, or an artist stipend for free performances. BorderLight provides venue, box office, marketing, and technical support to help artists focus on their work. Deadline: January 16, 2026 Learn more and apply: https://www.borderlightcle.org/2026artist/

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Laura Kennelly Review of Dial M for Murder at Great Lakes Theater
by Laura Kennelly 02 Nov '25

02 Nov '25

Murder, mayhem, mishap, marriage. Now at Playhouse Square’s Hanna Theatre, *Dial M for Murder* offers a “why did they do it?” mystery. Within minutes, the play reveals who wants to kill whom and why. But can they pull it off? Twists and turns abound. Half the fun is watching the lively cast create (and destroy) elaborate plans to hide (and discover) the truth. For full review, see https://coolcleveland.com/2025/11/theater-review-dial-m-for-murder-great-la…

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Auditions for Ken Ludwig's Shakespeare in Hollywood
by Chagrin Valley Little Theatre 01 Nov '25

01 Nov '25

Auditions for Ken Ludwig'sShakespeare in Hollywood https://www.signupgenius.com/go/5080C4DA5A62FA4F94-57514786-open *Tuesday, November 4 & Wednesday, November 5* *7-9 PM* Chagrin Valley Little Theatre's River Street Playhouse 56 River Street, Chagrin Falls SIGN UP FOR AUDITIONS CLICK HERE TO REGISTER <https://www.signupgenius.com/go/5080C4DA5A62FA4F94-57514786-open> About the Play It's 1934, and Shakespeare's most famous fairies, Oberon and Puck, have magically materialized on the set of the Warner Brothers A Midsummer Night's Dream film. Smitten by the glitz and glamour of show business, they are ushered onto the silver screen to play themselves. With a little help from a feisty flower, a blonde bombshell, and a movie mogul, the results are raucous to say the least. This hilarious comic romp sparkles with the mischievous magic of moviedom! Commissioned by the Royal Shakespeare Company and winner of The Helen Hayes Award for Best New Play of the Year (the MacArthur Award) in 2003. *Directed by Martin Friedman* *PERFORMANCES:* Weekends, January 23 – February 8, 2026 on the Chagrin Valley Little Theatre main stage What to Bring - Your list of conflicts - Acting resume and headshot (helpful but not required) - *No audition monologue needed!* It's helpful if you indicate on your audition sheet your ability to perform or read Shakespearean dialogue, but not everyone needs to be fluent in Shakespeare's language. Callbacks *November 6* - Only those the director absolutely needs to hear again will be called back. Getting a part is not dependent on having a callback — there are plenty of roles available. Cast of Characters The director is planning to use a minimum of 12 actors — about 4 or 5 women and 8 men. While Ludwig allows for doubling, he would like to explore adding an additional woman or two. *All roles are open.* Lydia Lansing Mid 20s-30s. Knows that she is a dish and uses her looks when necessary. Uses tough girl-talk to help get what she wants; is also dim at times. She does love Warner though. Brave, wants to be better than she is, and is ambitious. Oberon King of the fairies. Looks good in a toga. This Oberon is REAL. He has all the qualities of a King. Ageless; but between 20s-40s. He is the KING OF THE FAIRIES and knows it. Puck Played by a woman. This Puck is REAL; or at least totally confident he is real. Between 20-30 but ultimately ageless. Also known as Robin Goodfellow. Carries out magical tasks and is loyal to his king Oberon but is still mischievous and a trickstress. Fluid and quick witted. Olivia Darnell A very capable ingenue. Between 20-30. A newcomer to the film world; trying to make it and is starry eyed. Good looking and seeking stardom and love at the same time. Sweet, smart, somewhat confident, sincere, and most importantly, talented. Plays Hermia in this production. Will Hayes/Albert Warner Mid 40s. The Hays Production Code affected the creation, production and distribution of all Hollywood product regarding nudity, profanity and political content. A bureaucrat who was trying to do what he thought was right. Officious, shifty, uptight, by the numbers nerd who wants to be part of the in-crowd. Joe E. Brown/Harry Warner Mid to late 20s to late 30s. Plays Francis Flute and dresses up as Thisbe (in drag) in a scene in this play. Popular friendly screen persona and was one of the most popular movie performers of the period. Fluid face and body, confident, amazed that he is so popular. Jimmy Cagney/Sam Warner An actor, dancer and director but was best known as a tough guy. Mid to late 20s to late 30s. An energetic fellow, a devoted friend, very smart; both book smart and street smart. Actually had a distinctive voice; "You dirty rat." Plays Bottom in this production. Dick Powell/Groucho 20s to early 30s. Good looking fellow who began his career as a singer in 30s musicals. He is playing Lysander in this production. First was a comedy guy then became a hardboiled character. Sincere, modest, grounded and bashful; still knows that he is good looking and popular. In love with Olivia. Many of the characters in the play did indeed play roles in the real 1935 Warner Brothers film. Asterisk denotes real historical figures involved in Hollywood in the 1930s. Rehearsal Schedule You will be called only when needed. The director will do his very best to not waste your time. Most conflicts are not deal-breakers, although those near the end of January become more problematic. - *Monday, November 24:* Read-through (if possible) - *Monday, December 1:* Full cast session — period and character work - *December (first three weeks):* Monday through Thursday, 7:00–10:00 PM - *Sunday, December 21 (afternoon):* possible rehearsal - *Reconnect January 2* - *During January:* six rehearsals, Sunday through Friday (Remember: not everyone will be called every rehearsal period.) READY TO AUDITION? SIGN UP NOW <https://www.signupgenius.com/go/5080C4DA5A62FA4F94-57514786-open> *All actors at CVLT are volunteers.* Open to anyone with an interest in performing in community theater! *For more information:* CVLT.org/auditions

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Cleveland Public Theatre's "The End of Black Excellence" Ends Nov. 8 and Mon., Nov. 3 Features a Pop-Up Market!
by Kim Furganson 01 Nov '25

01 Nov '25

cleveland PUBLIC theatre<https://www.cptonline.org/> Presents THE END OF BLACK EXCELLENCE<https://www.cptonline.org/performances/seasons/2025-2026/the-end-of-black-e…> By Chris Webb Directed by Jimmie Woody Through November 8, 2025 “…For a Black man to be heard by America, he has to put on a show” The End of Black Excellence follows a man who just may be the first Black person born without “Black excellence.” In his attempt to prove this theory wrong, he puts on an (ever-failing) solo show to prove his worth, value, and connection with the elusive excellence that he craves. Monday November 3—Market Monday<https://www.cptonline.org/performances/seasons/2025-2026/the-end-of-black-e…> Tickets to the Mon., Nov. 3, 7pm performance includes admission to a pre-show pop-up market spotlighting local visual artists, retailers, entrepreneurs, and more! The market is held from 6–7pm and 30 minutes after the show, featuring the following local vendors: Sixth Street Vintage<https://www.instagram.com/6thstreetvintage/>, TanTor Cosmetics<https://tantorcosmetics.com/>, Humble Mornings Coffee Co.<https://hmcoffeeco.com/?srsltid=AfmBOoqYmyYutJmpPjqy2NS37ikQhUryMcB8mVlhnc9…> and Adun Spice Co. <https://www.adunspiceco.com/> The End of Black Excellence in the news: Chris Webb on Ideastream “Applause” Exploring Black excellence at Cleveland Public Theatre | Ideastream Public Media<https://www.ideastream.org/shows/applause/episodes/exploring-black-excellen…> Review: Black Girl in CLE A Conversation with America: Chris Webb's The End of Black Excellence - Black Girl in CLE<https://www.blackgirlincle.com/2025/10/27/chris-webb-end-of-black-excellenc…> Ticket And Show Information Choose What You Pay with no handling fees. For ticket information go to www.cptonline.org<http://www.cptonline.org> or 216.631.2727 ext. 501.

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Live Mind Reading Experience
by stevenblaze13＠aol.com 01 Nov '25

01 Nov '25

For the first time in Northeast Ohio, Steven Nicholas will present his interactive theatrical mind reading experience. His performances have received awards and rave reviews for the past five years at theaters and festivals around the country. Now, you’re invited to bring your own unique thoughts and decisions to Blu Jazz and become part of this one-of-a-kind experience. "An entrancing one-man show" - No Proscenium "Mind blowing" - City Magazine "You'll be mesmerized" - Orlando Weekly The night will kick off with The Jennifer James Trio playing a jazz set before Steven's performance at 7:00pm. Come for dinner and enjoy the music before the Mind Reading show! Doors: 6:00pm Jennifer James Trio: 7:00pm-8:00pm Mind Reader: 8:30pm-9:30pm Tickets: Shows - BLU Jazz+$35 General Admission $50 VIP Reserved Front Row Seat (plus an "impossible object" and complimentary drink) About: Steven grew up in Northeast Ohio where he began performing more than thirty years ago. He studied theater at The University of Akron and UNLV before moving to Los Angeles to enter the world of professional entertainment. He has performed for dozens of Fortune 500 companies, Hollywood’s elite, and at theaters from coast to coast.

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Cleveland Public Theatre Presents 21st Annual Dia de Muertos tomorrow!
by Kim Furganson 31 Oct '25

31 Oct '25

cleveland PUBLIC theatre with teatro PÚBLICO de cleveland & Día de Muertos Ohio present D¡a de Muertos (Day of the Dead) Saturday, November 1 / Sábado, 1 De Noviembre 11am to 10pm, Cleveland Public Theatre Campus Parade / Desfile (3:30 pm - 4:15 pm) Artistic Director: Héctor Castellanos Lara Cleveland Public Theatre<https://www.cptonline.org/> (CPT)/ Teatro Público de Cleveland<https://www.cptonline.org/education/teatro-publico-de-cleveland/> (TPC), and Día de Muertos Ohio<https://diademuertosohio.com/> proudly present the 21st Annual Día de Muertos (Day of the Dead) Festival in Cleveland's Detroit Shoreway neighborhood on Saturday, November 1 from 11am to 10pm, to take place at Cleveland Public Theatre, 6205 Detroit Avenue, in the Gordon Square Arts District. / Todos los eventos se llevarán acabo en: Cleveland Public Theatre - Church, Parish Hall, & surrounding area 6205 Detroit Avenue, Cleveland, OH 44102. Featuring Altar (Ofrenda) Installations, Arts & Crafts, Latin Food, Live Music, and FREE Entertainment for All Ages. / Con instalaciones de Altares, artes & manualidades, comida latina, música en vivo y entretenimiento GRATIS para todas las edades. For schedule and more information, visit www.cptonline.org<http://www.cptonline.org>

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It's FREE! It's for MUSIC STUDENTS - grades 9-12! ALL INSTRUMENTS!! Dec. 6, 2025
by Susan Stone 31 Oct '25

31 Oct '25

The Roberto Ocasio Foundation presents A LATIN JAZZ INTENSIVE STUDY & PERFORMANCE DAY with Bobby Sanabria & Faculty SATURDAY, DECEMBER 6, 2025 ~ 9:00 AM - 8:30 PM 440-472-2048 / trof(a)robertoocasiofoundation.org <mailto:trof@robertoocasiofoundation.org> Acclaimed “NewYorican” BOBBY SANABRIA, leads a full day of historic and musical artistry immersion into Latin rhythms, Latin jazz techniques... sectionals, improv, history/culture... STUDENT PROGRAM PARTICIPANTS perform in a ~ F R E E C O N C E R T ~ with Bobby & The Saint Ignatius Jazz Orchestra featuring SPECIAL GUESTS JACKIE WARREN (piano), KIP REED (bass) Enrollment open to Intermediate - Advanced Instrumental Students Grades 9-12 ALL INSTRUMENTS!! Parents, Music teachers register your students……there is no charge for this program. Call - 440-472-2048 / trof(a)robertoocasiofoundation.org <mailto:trof@robertoocasiofoundation.org> Instruction and Performance at the beautiful BREEN CENTER FOR THE PERFORMING ARTS 2008 W. 30th Street Cleveland, OH 44113 In Collaboration with Saint Ignatius High School Fine Arts Department

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Audition Appointments still available for Jesus Christ Superstar at The Fine Arts Association
by Ann Hedger 31 Oct '25

31 Oct '25

The Fine Arts Association at 38660 Mentor Avenue, Willoughby, Ohio announces auditions for Jesus Christ Superstar Music by Andrew Lloyd Weber Lyrics by Tim Rice Director/Choreographer: Michelle Sohm Musical Director: Jonathan Gordon What’s the buzz? The first musical by Tim Rice and Andrew Lloyd Webber to be produced for the professional stage, Jesus Christ Superstar has wowed audiences for over 50 years. A timeless work, the rock opera is set against the backdrop of an extraordinary and universally known series of events but seen, unusually, through the eyes of Judas Iscariot. Loosely based on the Gospels of Matthew, Mark, Luke and John, Superstar follows the last week of Jesus Christ’s life. The story, told entirely through song, explores the personal relationships and struggles between Jesus, Judas, Mary Magdalene, his disciples, his followers and the Roman Empire. The iconic 1970s rock score contains such well-known numbers as “Superstar,” “I Don’t Know How to Love Him” and “Gethsemane.” Auditions - APPOINTMENTS NEEDED: Tuesday, December 2 & Wednesday, December 3, 2025 beginning at 6:00 p.m. Callbacks: Thursday, December 4, 2025 By Invitation Only at The Fine Arts Association, 38660 Mentor Ave., Willoughby, OH 44094 www.fineartsassociation.org<http://www.fineartsassociation.org> Click here to take you directly to the Sign Up Genius to make your appointment: https://www.signupgenius.com/go/8050D4FABA72BA1FA7-59592964-jesus#/ Production Dates –March 13 - March 29, 2026 Fridays & Saturdays at 7:30 p.m. and Sundays at 2:00 pm Rehearsals begin – Sunday, January 18, 2026 Rehearsals will GENERALLY be Mondays thru Thursdays 6:30-9:30 p.m. & Sundays 2:00-5:00 pm Casting Information:  - Needed: Cast of approximately 30+ - All roles are available, 1W, 8M principals plus ensemble - All roles are open to the RIGHT person, regardless of age, gender, race, etc. - Auditions are open to 16+ to adult - No AEA contracts available for this production. - Actors appearing in The Fine Arts Association productions do so as volunteers. Audition Requirements:  - Prepare a 60-90 second cut of a musical theater song in the style of the show. - Bring sheet music in the proper key. - An accompanist will play for all auditioners. - Bring a detailed list of your conflicts beginning January 18, 2026. This includes any school or work activities/events, sports activities/events and classes that would cause a missed scheduled rehearsal. All cast members must be available for tech week (March 8-12) and ALL performances. – Bring a recent headshot/photograph to leave with production team. - Résumés will be accepted (not required). ROLES AVAILABLE: Jesus of Nazareth—Rock Tenor Judas Iscariot—Rock Tenor Pontius Pilate—Rock Baritone King Herod—High Baritone Peter—Tenor Caiaphas—Low Bass/Rocky Top Annas—High Baritone Simon Zealotes—High Baritone Priest 1—Bass Priest 2—Baritone Priest 3—Tenor Apostles 1-9—All ranges Mary Magdalene—Exotic/Beautiful Belter Soul Girl 1—Low Belt Soul Girl 2—Middle Belt Soul Girl 3—High Belt Ensemble: Lepers Cured Lepers Merchants Apostles Soldiers Judas' Tormentors Reporters Temple Ladies

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TND Musicals' “Goblins & Ghosties” Spotlight
by Terry Bojanowski 31 Oct '25

31 Oct '25

>From Young Actor Intern to Broadway Star! We love spooky season — and we love celebrating the extraordinary talent of the young actors who began their journey with us at A Premiere Playhouse (then Family Theatre Playhouse), a regional theatre in Columbus, Ohio, where all TND musicals were originally written and produced. Today’s “Ghost Post” features the amazing Jessica Grové, who played Virginia in our original production of The Canterville Ghost. Even at age 11, Jessica’s voice, heart, and storytelling were unmistakable — and she’s gone on to an incredible career on Broadway, National Tours, and regional stages across the country. Watch Jessica at AGE 11 sing *“Goblins and Ghosties” from The Canterville Ghost* * ▶️ https://youtu.be/GmhzepxPlqw?si=ldRoFlFiUpnLNDsx&t=2768 <https://youtu.be/GmhzepxPlqw?si=ldRoFlFiUpnLNDsx&t=2768&utm_source=chatgpt.…> Jessica has since appeared in beloved roles like Dorothy in The Wizard of Oz National Tour (opposite Mickey Rooney & Eartha Kitt!), On Broadway in *A Little Night Music*, *Les Misérables*, *Thoroughly Modern Millie* (original cast), *Sunday in the Park with George* and more — and today she co-runs the acclaimed Encore Musical Theatre Company in Dexter, Michigan, alongside her husband, Daniel Cooney. Learn more about Jessica: https://www.jessicagrove.com/about-1 <https://www.jessicagrove.com/about-1?utm_source=chatgpt.com> Encore Theatre: https://theencoretheatre.org/ <https://theencoretheatre.org/?utm_source=chatgpt.com> We are so proud of Jessica — one of many young performers who grew with us and went on to shine on stages nationwide. Happy hauntings… and here’s to nurturing the next generation of theatre artists! <https://www.jwpepper.com/the-canterville-ghost-11389928/p> *Read full script online and hear songs from "The Canterville Ghost" <https://www.jwpepper.com/the-canterville-ghost-11389928/p> License "Ghost" and other Playhouse Musicals at LicenSINGMusicals.com

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