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Millennial Theatre Project Presents: Acting with Heart: Empowering Consent and Connection on Stage" an Intimacy Workshop With Kerstin Vaughn
by Millennial Theatre Project 22 Dec '23

22 Dec '23

Got some exciting news for all you actors and performers out there! The Millennial Theatre Project and the Arts Inclusion Incubator will host an awesome acting intimacy workshop, "Acting with Heart: Empowering Consent and Connection on Stage" With Kerstin Vaughn. Kerstin Vaughn has her MFA in theatre performance and pedagogy. Her theatrical practice and research have centered on inclusivity, accessibility, and consent. She has taken numerous workshops with Theatrical Intimacy Education as well as Intimacy Directors and Coordinators and has worked on several productions as the intimacy choreographer. This workshop focuses on some super important skills like understanding consent for the stage, communicating physical and emotional boundaries, and considering different bodies and experiences in your performances. Plus, you'll learn how to manage those moments of heightened emotions and set intimate choreography. It's gonna be a blast! The cost for singles is just $30, and if you wanna bring a partner, it's only $50 for couples! So don't miss out on this incredible opportunity to level up your acting skills and create an inclusive and empowering stage presence. Sign up for the acting intimacy workshop today! Can't wait to see you there, folks! Circle February 10th on your calendar because that's when the workshop takes place, from 1-3:30 pm, at the Wild Oscar’s Space in the Akron Civic Theatre. And guess what? We've got parking covered for you at the Cascades Parking Deck, located at 228 W Mill St. in Akron! Sign up here: https://form.jotform.com/233133742298155 <https://l.facebook.com/l.php?u=https%3A%2F%2Fform.jotform.com%2F23313374229…>

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Call for Auditions for GCA's Production of Romeo and Juliet
by Katherine Kimes 21 Dec '23

21 Dec '23

Geauga Center for the Arts<https://www.gcarts.org/> announces auditions for… ROMEO & JULIET By William Shakespeare Directed by Chris Bizub A young woman is betrothed by her parents against her will. A young man’s honor is bound to hate the household of his love. As their families war, together they will bear their devotion beyond the boundaries of death. One of the greatest tragedies of all time, Shakespeare’s tale of passion and calamity is performed outdoors as Big Creek Park is transformed into “fair Verona, where we lay our scene…” PERFORMANCES July 19th, 20th, 21st 26th, 27th, 28th Fridays - Sundays at 6:30pm (outdoors at Big Creek Park<https://www.geaugaparkdistrict.org/park/big-creek-park/>) Frances Hall Amphitheater 9160 Robinson Rd Chardon, OH 44024 AUDITIONS Monday, February 12th, 2024 7:00PM-10:00PM Monday, February 19th, 2024 7:00PM-10:00PM Looking for actors ages 16 and up (this is not a youth production) AUDITION APPOINTMENTS *Auditions are by appointment only* Please sign-up for a 5-minute slot at the link below: https://www.signupgenius.com/go/30E0548ADAF2BA6F94-46940821-auditions WHAT TO PREPARE *Actors should bring a headshot or recent picture, and resume (if you have one) *a list of conflicts from June 10th to July 28th *prepare a one-minute Shakespearean monologue/sonnet *Actors may be asked to read from the script. AUDITION/REHEARSAL LOCATION The Church of Jesus Christ of Latter-day Saints 12455 Merritt Rd Chardon, OH 44024 CALLBACKS Saturday, February 24th from 10am-12pm [if Needed] VIDEO AUDITIONS Actors unable to attend in-person auditions are welcome to submit a video audition to the director! If you are planning to send in a video audition, please send an email to director Chris Bizub at cmb164(a)1870.uakron.edu<mailto:cmb164@1870.uakron.edu> by Monday, February 19th, 2024 at 9:00pm. Please include the following information: *an unlisted Youtube link to your audition video. *a current headshot/resume *which characters you are interested in portraying *a list of your conflicts from June 10th to July 28th CHARACTERS * Romeo - (Male, Late teens - 20s) - the son and heir of Montague and Lady Montague. A young man of about sixteen, Romeo is handsome, intelligent, and sensitive. Though impulsive and immature, his idealism and passion make him an extremely likable character. * Juliet - (Female, Late teens - 20s) - the daughter of Capulet and Lady Capulet. A beautiful thirteen-year-old girl, Juliet begins the play as a naïve child who has thought little about love and marriage, but she grows up quickly upon falling in love with Romeo. * Lord Montague - (Male, 30s - 50s) - The father of Romeo. He has the same social status as Lord Capulet, with whom he is in feud, and is also extremely wealthy. Loves his son Romeo deeply and is far more empathic than Capulet. * Lady Montague - (Female, 30s - 50s) - The matriarch of the house of Montague, and the mother of Romeo and aunt of Benvolio. She is fiercely protective of her son Romeo. * Lord Capulet - (Male, 40s - 50s) - The patriarch of the Capulet family, the father of Juliet, and uncle of Tybalt. He is a very wealthy and controlling businessman. * Lady Capulet - (Female, 30s) - The matriarch of the house of Capulet and Juliet's mother. She's determined to see Juliet married off to someone of good standing...like Paris. * Tybalt - (Male/Female, Late teens - 20s) - a Capulet, Juliet’s cousin on her mother’s side. Vain, fashionable, supremely aware of courtesy and the lack of it, he/she becomes aggressive, violent, and quick to draw his/her sword. Loathes Montagues. * Mercutio - (Male/Female, Late teens -20s) kin to the Prince, and Romeo’s close friend. Mercutio overflows with imagination, wit, and, at times, a strange, biting satire and brooding fervor. Mercutio loves wordplay, especially sexual double entendres. He/she can be quite hotheaded, and hates people who are affected, pretentious, or obsessed with the latest fashions. * Benvolio - (Male/Female, Late teens - 20s) - Montague’s niece/nephew, Romeo’s cousin and thoughtful friend. Makes a genuine effort to defuse violent scenes in public, though Mercutio accuses him of having a nasty temper in private. * Paris - (Male, 20s-30s) - a kinsman of Prince Escalus and seeks to marry Juliet. Handsome, somewhat self-absorbed, and very wealthy. * The Nurse - (Male/Female, 30+) - Juliet’s nurse and closest friend. A vulgar, long-winded, and sentimental character, the Nurse provides comic relief with her frequently inappropriate remarks and speeches. * Prince Escalus - (Male/Female, 30s - 50s) - The Prince of Verona. A kinsman of Mercutio and Paris. As the seat of political power in Verona, he is concerned about maintaining the public peace at all costs. * Balthasar - (Male/Female, Any Age) - Romeo’s dedicated servant, who brings Romeo the news of Juliet’s death, unaware that her death is a ruse. * Abram - (Male, Late Teens - 30s) - Montague’s servant, who fights with Sampson and Gregory in the first scene of the play. * Apothecary - (Male/Female, 30+) - An apothecary in Mantua. Had he been wealthier, he might have been able to afford to value his morals more than money, and refused to sell poison to Romeo. * Peter - (Male, Late Teens - 30s) - A Capulet servant who invites guests to Capulet’s feast and escorts the Nurse to meet with Romeo. He is illiterate, and a bad singer. * Sampson - (Male/Female - Late Teens - 30s) - Servant of the house of Capulet, who, like their master, hate the Montagues. * Gregory - (Male/Female - Late Teens - 30s) - Servant of the house of Capulet, who, like their master, hate the Montagues. * Friar Laurence (Male, 30+) - a Franciscan friar, friend to both Romeo and Juliet. Kind, civicminded, a proponent of moderation, and always ready with a plan, Friar Lawrence is also an expert in the use of seemingly mystical potions and herbs. * Rosaline, Valetine, Petruchio, Anthony, Potpan, Friar John, Chorus, Old Capulet, Servant - (Any age, 20s+) - Various servants/citizens who appear throughout the play OTHER DETAILS Geauga Center for the Arts is a 501c3 Non-Profit Organization. All actors cast are strictly volunteers. No AEA Contract(s) available. If you have any questions or would like to audition for this production, but are unable to attend regular auditions, please contact the director at cmb164(a)1870.uakron.edu<mailto:cmb164@1870.uakron.edu>. Also feel free to reach out with any questions you may have regarding the production.

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YOU'RE invited to Beck Center Alumni Gathering
by Julie Gilliland 21 Dec '23

21 Dec '23

Happy Holidays NEOhioPAL! Join Beck Center for the Arts in Lakewood on December 28th, after the performance of Joseph and the Amazing Technicolor Dreamcoat, for an evening of holiday cheer! Catch up with your fellow Beck Center Alumni. Soft drinks, sweet treats, finger foods, and a Hot Chocolate Bar will be provided! Get a guided behind-the-scenes look at all the updates Beck Center has gone through since you last walked through our doors. This will be a FREE event and while it is not necessary to buy a ticket to Joseph to attend, consider supporting future Beck Center alumni as they light up the stage. If you have any questions please feel free to email blewis(a)beckcenter.org<mailto:blewis@beckcenter.org>. For more details, please visit Beck Center's Facebook.<https://fb.me/e/3g2PUqnpY>

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Workshop Players' Auditions: Twelve Angry Jurors
by Workshop Players 20 Dec '23

20 Dec '23

Auditions! Auditions! Auditions! *Get ready to be part of a classic drama. **12 Angry Jurors* *will include male and female actors and actresses. Auditions will consist of cold readings from the script. Director, Dave MacKeigan is looking for ANY age, but must be or look 21 or older.* *Friday, January 5 at 7 pm; Sunday, January 7 at 1 pm, at the theater, 44820 Middle Ridge Rd., Amherst, OH* *Performances are March 14, 15, 16, 17, 22, 23, 24* *For more information, contact the director: dave(a)davenjudy.net <dave(a)davenjudy.net>* -- Workshop Players Theatre 44820 Middle Ridge Road P.O. Box 1193, Amherst, OH 44001 Box Office: 440-634-0472 Find us on Facebook, YouTube and Instagram!

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Paid Choreographer Opportunity
by Anna Cerveny 20 Dec '23

20 Dec '23

Cleveland Dance Project is seeking choreographers for our Season 13 showcase! We welcome all styles of dance for our showcase, seeking to create the most diverse show we can. Dances must be short works, under 4 minutes. Choreographers are expected to hold 90 minute rehearsals consisting of 20-30 minutes warm up/technique and 60 minutes of rehearsal for 9-12 weeks. *Compensation includes:* *monetary stipend *small costume budget ($15/dancer) *professional video & photo from performance *free rehearsal space during allotted time period and discounted access to CDP studios for other personal projects *50% off CDP tuition if they choose to perform in other pieces All rehearsals are held at CDP's studio in Independence. Dances are cast with adult dancers who show up to open auditions, broken down by level from beginner to professional. Pieces will be showcased on Saturday April 20 to an audience of approximately 1000. Applications & more info are at www.clevelanddanceproject.com/choreoapp and are due by 12/31 at 11:59pm. Questions can be directed to clevelanddanceproject(a)gmail.com Anna Cerveny Director Cleveland Dance Project clevelanddanceproject(a)gmail.com web <http://www.clevelanddanceproject.com> / facebook <http://www.facebook.com/clevelanddanceproject>/ instagram <https://www.instagram.com/clevelanddanceproject/?hl=en>

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Beck Center Announces Open Call Auditions for August Wilson's "Jitney"
by Scott Spence 20 Dec '23

20 Dec '23

Beck Center for the Arts in Lakewood is pleased to announce Open Call auditions for August Wilson's "*Jitney*" directed by Jimmie Woody. Auditions will be by appointment only, and will take place at Beck Center. Interested performers should schedule their appointments by calling the Beck Center Box Office during normal business hours at *216-521-2540*. Open Call auditions will occur *Tuesday, January 16th and Wednesday, January 17th* with slots beginning at 6PM each of those days. Callbacks will occur the weekend of January 17th/18th TBD. Director Jimmie Woodie requests one brief (90 seconds or less) contemporary monologue. If auditioner does not have a prepared piece readily available, a monologue or cutting from the play will be provided at the time of the audition. "*Jitney*" opens on April 5th and closes May 5th. Performances are Fri/Sat evenings and Sunday afternoons only. Rehearsals will begin circa late February. It is anticipated that 2 AEA contracts (Special Appearance) will be offered. All other non Equity performers 18 and over receive a stipend for their participation. *Show/Roles: * Regular taxi cabs will not travel to the Pittsburgh Hill District of the 1970s, and so the African-American residents turn to jitneys—unofficial, unlicensed taxi cabs—that operate in the community. This play portrays the lives of the jitney drivers at the station owned by Jim Becker. Cast - Jim Becker, the well-respected manager of the jitney station. In his 60s. - Doub, a driver, cautious and slow going, a Korean War veteranIn his 50’s - Fielding, a driver, an alcoholic, formerly a tailor who clothed Billy Eckstine <https://en.wikipedia.org/wiki/Billy_Eckstine> and Count Basie <https://en.wikipedia.org/wiki/Count_Basie>. In his 50's/60's - Turnbo, a driver, notorious for being a gossip. In his late 30's/40's - Youngblood (Darnell Williams), a driver. Recently returned from Vietnam, working several jobs to provide for his family. In his late 20s. - Rena, Youngblood's girlfriend and the mother of his young son, Jesse. In her late 20’s - Shealy, a flamboyant bookie <https://en.wikipedia.org/wiki/Bookie> who uses the jitney station as the basis of his operations. In his 30/40's - Philmore, a local hotel doorman and a frequent jitney passenger. In his 40's - Booster (Clarence Becker), Becker's son, who has just completed a 20-year prison sentence for murder. In his late 30s. Extended SYNOPSIS *Jitney* is the eighth play in August Wilson’s Pittsburgh Cycle. It takes place in The Hill District of Pittsburgh in 1977, in a gypsy cab station, during Pittsburgh’s period of so-called “urban renewal.” As the city tries to shut down businesses, including the cab station, to make way for new buildings, we meet five gypsy cab drivers struggling to survive. Wilson’s ensemble piece puts human faces to the process of gentrification seizing the United States, telling of the specific human struggles of Becker, Youngblood, Turnbo, Fielding and Doub as they cling to a nostalgic past, while reaching for an uncertain future. Becker, the owner of the cab station, descends into an emotional spiral when his son, Booster, comes out of jail, where he served time after murdering his ex-girlfriend who falsely accused him of raping her. Youngblood has saved up enough money to buy a house for himself, his girlfriend, and their two-year-old son, Jesse, but even this grand gesture fails to redeem him in the eyes of his girlfriend, Rena, who refuses to forgive him for his unfaithful past. Turnbo is an older man who is distressed with the manners of the young people today, especially those of fellow cab driver, Youngblood, and is obsessed with comparing their actions to those he remembers from his happier past. Recovering alcoholic Fielding, who used to be a tailor, is waging an ongoing battle against his alcoholism, even as his continued drunkenness threatens his job. Doub is a Korean War Veteran, and a longtime jitney driver, who equates his time at war where ‘they never paid him no mind’ to the experiences he and his black colleagues have with white men today. Over the course of the play, all five of these men and the characters that come in and out of their lives pose questions about how we can heal past wounds and leap into a less-than-certain future. *About The Director:* *Jimmie Woody (DIRECTOR)* Some of his most recent directorial credits include: ‘To Kill A Mockingbird’ by Harper Lee, ‘Clybourne Park’ by Bruce Norris and ‘Raisin in the Sun’ by Lorrainne Hansberry (Weathervane Playhouse), ‘The America Play’ by Suzan-Lori Parks (University of Akron), ‘The Split Show’, ‘How Blood Go’, and ’The Bomb’ by Lisa Langford (Convergence Continuum & Cleveland Public Theater), ‘Glass Menagerie’ by Tennessee Williams, ‘For Colored Girls…’ by Ntosake Shange, ‘Jitney’, ’Two Trains Running’ & ‘Joe Turner’s Come and Gone’ by August Wilson (Cuyahoga Community College (Tri-C Metro)), ‘365 days/365 Plays’ by Suzan-Lori Parks (Cleveland Public Theater), ‘MLK Day’ by Jimmie Woody, ‘The Colored Museum’, by George C. Wolfe & ‘When the Chickens Came Home to Roost’ by Laurence Holder (Karamu House), ‘Seedfolks’ by Paul Fleischman (Tri-C JazzFest Cleveland, Cleveland Public Library and the Cleveland Botanical Garden), ‘Underground Griots’ by Natalie Parker & Keith Josef Adkins (Cleveland Public Theatre, The National Black Theater Festival and Here Café NYC), ’Wilberforce’ & ’Hollis Mugley’s Only Wish’ by Keith Josef Adkins and (Cleveland Public Theatre, The National Black Theater Festival & New York Hip Hop Festival), ‘The Baachae’ written by Wole Soyinka (Cleveland Public Theatre and Columbia University), ‘Song’ by Daniel Gray Kontar and ’InCogNegro’ by Lisa Langford (Cleveland Public Theatre). Jimmie received his M.F.A. in acting from Columbia University. He is a 2012 Creative Workforce Fellow and is currently a Resident Teaching Artist of Theater and Digital Media at Center for Art-Inspired Learning and he’s an acting professor at Cuyahoga Community College.

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Beck Center Announces Auditions for "A Doll's House Part 2" by Lucas Hnath
by Scott Spence 20 Dec '23

20 Dec '23

NE OHIO PREMIERE!!! Beck Center and Guest Director Donald Carrier will hold Open Call Auditions for Lucas Hnath's award winning "*A Doll's House, Part 2*" on *Monday, January 8th and Tuesday,* *January 9th* by appointment only. Appointment slots will be available beginning at 5PM each day and can be scheduled by calling the Beck Box Office at *216-521-2540* during regular business hours. Auditioning actors are asked to prepare a brief (no more than 90 second) contemporary monologue. Auditioners may also choose to read a provided monologue or cutting from the show. "*A Doll's House Part 2*" opens May 31st and plays in Beck's intimate Studio Theatre until June 30th with performances on Friday/Saturday Nights and Sunday afternoons. Rehearsals will begin in very late April. It is anticipated that 2 AEA contracts (Special Appearance Tier 2) will be available for this production. In addition, all non Equity performers 18 and over are paid a stipend for their participation. Callbacks for this production will occur sometime during the weekend of January 13/14 TBD. *Show/Role Info:* *Written as a sequel to Ibsen’s A Doll’s House, Lucas Hnath's A Doll’s House Part II is an intermission-less relentless reunion of Nora with her daughter, husband and housekeeper. Comedic and passionate, the characters advocate for their point of view as they excavate the past and try to find a way to the future. * *SEEKING:* *NORA – Female, 40 – 45, any ethnicity. Nora returns to the life she left behind 15 years after she slammed that door. Strong, independent and determined to stay free and unencumbered. Like any one who is opinionated she will have her admirers and detractors. Not sentimental. * *TORVALD – Male, 45 - 50, any ethnicity. Has Torvald changed over the years since Nora’s departure? We see him as a mellow middle aged man who was bewildered with his wife’s departure those 15 years ago. He is genuinely astonished at her return and allows the bitterness he has held, to finally explode. * *ANNE MARIE – Female, 55 – 70, Caucasian. Anne Marie took on the role of “woman of the house” after the departure of Nora. She is wise, wry and pretty tired after years of work from being the nanny and later the surrogate mother. She holds a certain amount of resentment towards Nora as well. Frank and wry. * *EMMY - Female, 20 - 25, any ethnicity. Just a little girl when her mother left 15 years earlier, Emmy still possesses many of Nora’s traits: confidence, saying what she wants, a certainty. She is conflicted: she needs her mother’s help but also has anger around her mother leaving her as a young girl. That she prioritized her needs above her daughters. * *ABOUT THE DIRECTOR:* DONALD CARRIER is an actor, teacher and director who has worked extensively in theatre and film across North America. He spent nine seasons at the Stratford Festival, three seasons at the Old Globe under renowned director Adrian Noble and two seasons at the Shaw Festival. He has worked at the Shakespeare Theatre, Studio Theatre, the Huntington Theatre, the Chicago Shakespeare Theatre, the Intiman Theatre, the Great Lakes Theatre, the Wilma Theatre, Notre Dame Shakespeare Festival, The National Arts Center, CanStage, Maltz Jupiter Theatre and TheatreWorks, among many others. For the Cleveland Play House, he has appeared in SHAKESPEARE IN LOVE, ALL THE WAY, LUNA GALE, THE CRUCIBLE, THE LITTLE FOXES, LINCOLNESQUE, NOISES OFF!, TEN CHIMNEYS, IN THE NEXT ROOM, OR THE VIBRATOR PLAY AND YENTL. Film and TV credits include: TWICE IN A LIFETIME, THE PASSION OF AYN RAND, HOLLYWOOD OFF-RAMP, THE WIVES OF WINDSOR, DEAD BY MONDAY AND EARTH: FINAL CONFLICT. Directing credits include: MIDDLETOWN, THE LIAR, PASSAGE, FIFTH OF JULY, CLYBOURNE PARK, THE MISANTHROPE AND TOO TRUE TO BE GOOD, CWRU/CPH MFA Acting Program; THE TWO GENTLEMEN OF VERONA, Notre Dame University; TWELFTH NIGHT, Colorado College; Assistant Director for CYRANO DE BERGERAC, Stratford Festival; THE CRUCIBLE, AS YOU LIKE IT, CYMBELINE, CWRU Theater Department; WHO’S AFRAID OF VIRGINIA WOOLF?, REALLY, REALLY, SEMINAR, Beck Center; BECKY SHAW, Dobama Theatre; OTHELLO, Texas Shakespeare Festival; ELLIS ISLAND: AN AMERICAN DREAM, VIOLINS OF HOPE AND DISCOVERING ROMEO AND JULIET with the Cleveland Orchestra. Don is a 2016 Lunt Fontanne Fellow. Don is the Director of the CWRU/CPH MFA Acting Program.

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Millennial Theatre Project Presents: F Scott Fitzgerald's The Beautiful and Damned
by Millennial Theatre Project 20 Dec '23

20 Dec '23

AUDITION NOTICE FOR AKRON CIVIC THEATRE’S MILLENNIAL THEATRE PROJECT Looking for actors 18 years of age (must be out of high school) or older. Non-Union. Unpaid. Casting for: The World Premiere of F. Scott Fitzgerald’s “The Beautiful & Damned” An adaptation written and directed by Abbey Marshall. AUDITION LOCATION: Akron Civic Theatre’s Knight Stage - 182 S. Main St., Akron, OH 44308 AUDITION DATES: Tuesday, January 23rd from 6 PM -9 PM. CALLBACKS: Wednesday, January 24th, from 6 PM – 9 PM SHOW INFORMATION: F. Scott Fitzgerald’s “The Beautiful and Damned,” adapted by Abbey Marshall, follows 25-year-old Anthony Patch, the unambitious and braggadocious presumptive heir to his wealthy grandfather’s fortune. He and his wife, Gloria, enjoy the spoils of youth and beauty in American cafe society during World War I, until their reckless pursuit of happiness ultimately ruins them. CHARACTER BREAKDOWN: ANTHONY PATCH: 20s, male. A Harvard alumnus and heir to his grandfather's large fortune. He is unambitious and unmotivated but believes he is superior to those around him and destined for greatness. GLORIA GILBERT: 20s, female. A vain society girl who values beauty over all else. ADAM "CROSS" PATCH: 60s/70s, male. Anthony's wealthy grandfather who values hard work. RICHARD "DICK" CARAMEL: 20s, male. Anthony's Harvard friend. A writer, obsessively dedicated to his craft. JOSEPH BLOECKMAN: 30s/40s, male. A sure-of-himself Hollywood producer who courts Gloria. MAURY NOBLE: 20s, male. Anthony's Harvard friend. Similar to Anthony, he doesn't take much seriously and loves debauchery. DOROTHY RAYCROFT/ensemble: Late teens/early 20s, female. A pretty, simple country girl. MRS. GILBERT/ensemble: 40s/50s, female. Gloria's excitable mother. MR. GILBERT/ensemble: 40s/50s, male. Gloria's disproving father. MURIEL KANE/ensemble: Gloria's friend. Other ensemble members will be cast to play additional roles. Performances: March 22nd, 23rd, and 24th 2024. WHAT TO PREPARE: Two, one-minute contrasting monologues. Any questions or if you are unable to attend auditions in person, please reach out to the Millennial Theatre Project to sign up for a virtual audition. (civicmtp(a)gmail.com (mailto:civicmtp@gmail.com)) TO SCHEDULE YOUR AUDITION: Please sign up using the following link - https://www.signupgenius.com/go/10C0E48A4A629A2F9CF8-46331776-auditions#/ ( https://www.signupgenius.com/go/10C0E48A4A629A2F9CF8-46331776-auditions#/) FOR MORE INFORMATION VISIT: https://www.facebook.com/millennialtheatreproject/ ( https://www.facebook.com/millennialtheatreproject?__tn__=-%5dK*F) https://www.facebook.com/AkronCivic/ ( https://www.facebook.com/AkronCivic?__tn__=-%5dK*F) https://www.akroncivic.com (https://www.akroncivic.com/) Akron Civic Administrative Office: 330-535-3179

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BorderLight Fringe Festival Q & A + Open Call for Artists
by Dale Heinen 19 Dec '23

19 Dec '23

Is BorderLight Theatre Festival's Call for artists for you? Find out at our virtual Q & A on Jan. 11 @6pm! Are you an artist who is curious about BorderLight Theatre Festival? We invite you to our interactive (and virtual) Artist Q & A, an opportunity to ask questions of BorderLight staff about the festival, get advice from fellow creatives, and share your ideas for self-producing and marketing your work. We hope to see you on 1/11/24! RSVP and get the Zoom link from our Facebook event page: https://www.facebook.com/events/760509125896205 Call for Artists for the 2024 Fringe Festival is Open until February 4th The BorderLight Fringe Festival is programmed through an open call for submissions. The Festival, which will take place July 24-27, 2024, welcomes work from established and emerging companies that are local, non-local, and international. To see a Sample Application, get more information, or apply, click here: https://www.borderlightcle.org/apply/. Applications close February 4. We look forward to hearing from you!

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Call for Submissions - Akron Based Choreographers
by Elyse Morckel 18 Dec '23

18 Dec '23

CDF | AKRON CONCERT SERIESCHOREOGRAPHIC FELLOWSHIP APPLICATIONS <https://www.themovementproject.org/choreographic-fellowship2024>APPLICATIONS DUE JANUARY 5TH, 2024 The Movement Project is excited to announce our first annual CDF | Akron Concert Series set for May 3rd & 4th, 2024 at the beautiful Akron-Summit County Public Library Main Auditorium! Northeast Ohio’s leading dance companies are coming together to present 2 evenings of new works, highlighting the emerging choreographers within our companies. *Inlet Dance Theatre, Dancing Wheels Company, Ohio Contemporary Ballet, GroundWorks DanceTheater, and The Movement Project* are making a commitment to ensure that dance thrives through the next generation of choreographers, looking internally to support the young artists within our ranks, as well as share the stage with dance makers based in Akron. Fellowship applications for Akron area dance makers go live starting November 13th. *Choreographic Fellows will receive rehearsal space, marketing support, mentorship, compensation, and the opportunity to present a new work alongside NE Ohio’s major companies.* *SUBMISSION GUIDELINES & QUALIFICATIONS* *WHAT WE ARE LOOKING FOR: *We are looking for artists producing work that challenges perspectives, is diverse in thought/action and is reflective of themselves and people in their community. We encourage artists to submit proposed work that is challenging, explores complex topics, is relevant, and shows a strong understanding of dance composition. *WHO CAN APPLY: * - Northeast Ohio artists who live, work, or have a strong connection to the city of Akron. *(individuals/companies/collectives welcome to apply)* - Artists at all stages of their career (including college/undergraduate artists) - Must be 18 years or older - All cast participants must be 18 years or older, no exceptions. - Choreographic Fellows must reside & work within Northeast Ohio, as their fellowship includes free rehearsal space at the National Center for Choreography-Akron. *SUBMISSION REQUIREMENT: *Description of proposed work you would like to create as a choreographic fellow and 3 samples of recent choreographic works. (Accepting small and large group works (2 or more cast members) *HOW WE SELECT WORKS: *Fellowship applications are reviewed by the Cleveland Dance Fest Advisory Board, which includes members of The Movement Project and prominent dance artists in the northeast Ohio dance community. TMP is dedicated to providing an adjudication process that focuses on diversity, equity, inclusion and accessibility. The individuals of our board represent a wide range of communities, demographics and cultures. *WHEN SELECTIONS ARE MADE: *Artists will be notified by January 15th, 2024 on their application status. TO LEARN MORE OR APPLY FOLLOW THE LINK HERE <https://www.themovementproject.org/choreographic-fellowship2024> *Elyse Morckel (she/her/hers)* Associate Director | Company Member 330.962.9547 | elyse(a)themovementproject.org https://www.themovementproject.org/

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