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Andy McPhee’s 4-week Acting Bootcamp at Schoolyard Studio
by Social Staff 16 Mar '26

16 Mar '26

Andy McPhee’s 4-week Acting Bootcamp at Schoolyard Studio is an immersive, in-person training program designed for actors at all stages, as well as creatives looking to build confidence, presence, and communication skills. Past mentees: Sydney Sweeney, Kodi Smit-Mcphee,Dylan Sprayberry, Taysha Hill, Joe Carbo- some of his mentees are now A-list award winners, others had never acted before training with Andy and now have professional IMDb credits and agents. Two Weekends Bootcamp April 18-19 and April 25-26, 2026 2 Weekends Bootcamp April 18-19 and April 25-26,2026 DURATION: Two weekends COMMITMENT: 16 hours/week on Saturdays andSundays (8 hours 9am to 5pm) DATES: Two Saturdays and Two Sundays April 18 – 19and April 25 – 26 PAYMENT: $450/per person LIMITED TO 20 PEOPLE FOR AGES 16 AND UP Cancellation/Refunds until April 1, 2026 Snacks and lunch will be available for purchase A Boot Camp sounds like a blast! 🎉 Let's break itdown: Value: •⁠ ⁠For actors with experience: Refine techniques, gain confidence, and network with peers •⁠ ⁠For new actors: Build foundational skills, get comfortable on camera, and jumpstart their journey •⁠ ⁠For non-actors: Improve communication skills, boost confidence, and explore creativity Strategies to incorporate all levels: •⁠ ⁠Tiered exercises: Offer variations of exercises to suit each level, e.g., simple scene work for newbies, complex improvisations for experienced actors •⁠ ⁠Small group work: Break into groups based on experience or goals, allowing for tailored guidance •⁠ ⁠Mentorship: Pair experienced actors with newcomers for guidance and support ⁠Flexible assignments: Offer choices or adjustments to accommodate different levels Skills to teach: •⁠ ⁠Improvisation •⁠ ⁠Scene study •⁠ ⁠Character development •⁠ ⁠Communication and listening •⁠ ⁠Confidence building •⁠ ⁠Camera work and screen presence •⁠ ⁠Feedback and self-reflection Structure: •⁠ ⁠Week 1: Foundations and icebreakers and Building blocks (scene work, character development) •⁠ ⁠Week 2: Applying skills (improvisation, camera work)and Showcases and feedback (putting it all together) To make it work, consider: •⁠ ⁠Clear communication about expectations and goals •⁠ ⁠Encouraging collaboration and support among participants •⁠ ⁠Providing individualized feedback and guidance •⁠ ⁠Keeping the atmosphere relaxed and fun "Hey, let's get real for a sec. You think you're not creative? Newsflash: EVERYONE is creative. You might not see it, but trust me, you're a painter, a writer, an actor – you just might be rusty . When you say "I can't act," stop that thought right there! You're capable, you just need to tap into it. Start small, start weird, start awkward – just START. Write that scene, paint that picture, step into that character. You'll be surprised what happens when you give yourself permission to try. Let's ditch the self-doubt and get messy, get creative, and see what magic unfolds" https://schoolyardstudio.ticketspice.com/andy-mcphee-bootcamp This is also a link to get tickets: https://schoolyardstudio.net/events/ Click on "get tickets" at the bottom of the screen. Get Outlook for iOS<https://aka.ms/o0ukef>

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Audition slots are STILL available for FAME THE MUSICAL at The Fine Arts Association!
by Ann Hedger 16 Mar '26

16 Mar '26

The Fine Arts Association at 38660 Mentor Avenue, Willoughby, Ohio announces AUDITIONS for Fame the Musical Conceived and developed by David De Silva Book by Jose Fernandez Lyrics by Jacques Levy Music by Steve Margoshes Director: David Malinowski Musical Director: Jason Falkofsky Choreographer: Rose Lesak & Trinity Tyler The show follows the final class of New York City's celebrated High School for the Performing Arts from their admission in 1980 to their graduation in 1984. All of the struggles, fears and triumphs – from prejudice to substance abuse – are depicted with razor-sharp focus as the young artists navigate the worlds of music, drama and dance. AUDITION APPOINTMENTS NEEDED (5 minute timeslots): Monday, March 23, 2026 – from 6:00-8:00 pm Tuesday, March 24, 2026 – from 6:00-9:00 pm Callbacks & Dance Call: Sunday, March 29, 2026 – 2:00-5:00 pm BY Invitation Only at The Fine Arts Association, 38660 Mentor Ave., Willoughby, OH 44094 www.fineartsassociation.org<http://www.fineartsassociation.org> Click here to take you directly to the Sign Up Genius to make your appointment: https://www.signupgenius.com/go/8050D4FABA72BA1FA7-62737160-fame#/ Production Dates – June 5 - 20, 2026 Fridays & Saturdays at 7:30 p.m. and Sundays at 2:00 pm Rehearsals begin – Sunday, April 12, 2026 at 1:00 pm Rehearsals will GENERALLY be Mondays thru Thursdays 6:00-9:30 p.m. & Sundays 1:00-5:00 pm Casting Information:  - Needed: Cast of approximately 25+ - All roles are available, 6W & 6M principals plus ensemble - All roles are open to the RIGHT person, regardless of age, gender, race, etc. - Auditions are open to age 15 years and up - No AEA contracts available for this production. - Actors appearing in The Fine Arts Association productions do so as volunteers. Audition Requirements:  - Come prepared with a 16 – 32 bar cut of a musical theater song in the style of the show. - Bring sheet music in the proper key. - An accompanist will play for all auditioners. - Bring a detailed list of your conflicts beginning April 12, 2026. This includes any school or work activities/events, sports activities/events and classes that would cause a missed scheduled rehearsal. All cast members must be available for tech week (May 31-June 4) and ALL performances. - Résumés will be accepted (not required).   ROLES AVAILABLE: Serena Katz - A shy and timid, yet keen and enthusiastic actress. She is attracted to Nick. Gender: female - Age: 15 to 20 - Vocal range top: Eb5 & bottom: G#3 Nick Piazza - Ambitious, enthusiastic, classical actor who is very serious about his craft. He holds a hidden romantic interest for Serena. Gender: male - Age: 15 to 20 - Vocal range top: G4 & bottom: A2 Joe Vegas - An acting student. Loud, funny, and comical. He develops a crush on Carmen. Gender: male - Age: 15 to 20 - Vocal range top: C5 & bottom: C3 Carmen Diaz - A sexy and confident, but cocky, dancer with a big ego. Carmen is determined to make it big and is obsessed with the idea of fame, nearly to a fault. Gender: female - Age: 15 to 20- Vocal range top: F5& bottom: A3 Tyrone Jackson - A talented but dyslexic hip hop dancer who comes from a poor background. Shares a difficult relationship with Iris. *Alternate casting: JACK ZAKOWSKI - Headstrong, able, dancer. A functional illiterate from a poor background and Russian immigrant student from Brighton Beach in Brooklyn. Male, 15-20 yrs old - Gender: male - Age: 15 to 20 - Vocal range top: Bb4 & bottom: D3 Iris Kelly - A very talented, graceful ballet dancer who often comes across as snobbish and mean because of her insecurities with herself. She shares a difficult relationship with Tyrone. Gender: female - Age: 15 to 20 - Vocal range top: F5 & bottom: D4 Schlomo Metzenbaum - A classical violinist who starts a rock band. He is fed up with the strain of his famous violinist father's expectations. He is very wise and academically clever. Gender: male - Age: 15 to 20 - Vocal range top: F4 & bottom: C3 Grace Lamb (lambchops) - A loud, confrontational rock chick and tomboy who plays the drums for Schlomo's band. She often loses her temper, and it is implied that she does not take school seriously. Gender: female - Age: 15 to 20 - Vocal range top: B4 & bottom: A3 Goodman King - A musician who is in Schlomo's band. He is believed to be Schlomo's best friend. Gender: male - Age: 15 to 20 - Vocal range top: G#4 - bottom: F3 Mabel Washington - A loud and overweight dancer and singer who is desperate to shed the pounds but can't resist food. Often speaks her mind and gives out advice to others in their times of trouble. Gender: female - Age: 15 to 20 - Vocal range top: E5 & bottom: D4 Miss Esther Sherman - A strict, old-fashioned English teacher who loves her students despite the fact that she comes down hard on them. Gender: female - Age: 30 to 50- Vocal range top: E5 & bottom: F3 Miss Greta Bell - A dance teacher with a passion for different styles of dance. Believes that dance is a way of life and is very protective of her students. Gender: female - Age: 35 to 50 - Vocal range top: E5 & bottom: A3 Mr. Sheinkopf - European Music tutor with a love for classical music and dislike for all things rock and roll. Gender: male - Age: 35 to 50 Mr. Myers - A laid-back drama teacher with an obsession for human psychology. Gender: male - Age: 35 to 50 Ensemble/Students

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Dive into Drama: Rebecca & The Birds Performance!
by Margaret Reardon 16 Mar '26

16 Mar '26

Saturday March 28th 6:00-8:00 pm Dunham Tavern Museum and Gardens 6709 Euclid Avenue It's a double dose of Alfred Hitchcock - and author Daphne Du Maurier *Rebecca* is the Lux Radio Theatre adaptation of Hitch's Academy Award-winning 1940 film about a vulnerable young woman who marries a wealthy man with a mysterious past - and a strange connection to his late first wife. The second half of the program is ROTLT's adaptation of *The Birds*. Subtitled *An Audio Deconstruction.* We've taken Daphne Du Maurier's source material and stripped it down to the bare essentials of actors, sound effects and audio from various media. This is a project we first developed as part of Cleveland Public Theatre's Soft Launch program in January 2025. The performances will be followed by a discussion with the cast and crew. The show will be recorded for broadcast on WBWC 88.3 The Sting at a later date as part of ROTLT's ongoing series *Radio on the Lake Theatre Presents...* Sunday evenings at 5. Tickets for the Audio Gallery Series are $15 and are on sale through *Eventbrite.* <https://sjuvgy5ab.cc.rs6.net/tn.jsp?f=001HWHubVqsf-op_uBFSf1g9qOnXGaI50fRvd…> The Audio Gallery Series is made possible by support from The Cleveland Foundation and Ohio Arts Council. -- Margaret Reardon | she/her Development Coordinator Radio on the Lake Theatre (216) 272-4277 radioonthelaketheatre.org <https://www.radioonthelaketheatre.org/>

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AUDITIONS - INTO THE WOODS - Blank Canvas Theatre
by info blankcanvastheatre.com 16 Mar '26

16 Mar '26

BLANK CANVAS THEATRE Auditions for INTO THE WOODS Music & Lyrics by Stephen Sondheim Book by James Lapine Directed by Pierre Brault Musical Direction by Kenny Lear If Interested: Email Patrick(a)blankcanvastheatre.com<mailto:Patrick@blankcanvastheatre.com> (include "INTO THE WOODS" in your subject line) to sign up for an audition and include your ideal date and time for auditioning. Otherwise, we will just assign you the best available slot. We will do our best to accommodate you. *If you cannot make auditions, please email us your headshot and resume for consideration. If possible, submit a video audition for consideration. Please submit this video by Wednesday March 25th. We do our best to see and consider additional people, but attending auditions is always ideal. Audition Date: Tuesday March 24 or Wednesday March 25 Time: 7:00pm-10:00pm What to prepare: Please prepare one 32 bar selection of a musical theatre pieces of your choosing. We may ask you to sing a second song. No rock or pop songs please! Sondheim selections are welcome but not required. Please bring sheet music in the correct key. An accompanist will be provided. Please bring a headshot and resume to auditions. Headshots and resumes are appreciated, but not required. Performance Dates: May 8 - 23 Shows will be Thursday-Sunday. Thursdays, Fridays, and Saturdays at 8:00pm. Sunday performances will be at 7:00pm. Rehearsals: Begin April 8 Rehearsals will be Sundays-Thursdays. Typically 7pm-10pm, though Sundays are usually 6pm-10pm. Pay: Blank Canvas Theatre dedicates 20% of the net profit to the cast of each show. The cast splits this evenly. *We my explore AEA Contracts for this show. Location: Blank Canvas Theatre 1305 78th Street, Suite 211 (at 78th Street Studios) Cleveland, OH 44102 (Click here <http://www.blankcanvastheatre.com/directions/> for directions or visit our website at www.blankcanvastheatre.com<http://www.blankcanvastheatre.com/>) The Story Into the Woods brings together beloved fairy tale characters in a richly layered journey through a magical forest. A baker and his wife set out to break a witch's curse, crossing paths with Cinderella, Little Red Riding Hood, Jack (of beanstalk fame), and Rapunzel. As their wishes come true, the consequences of their actions begin to unravel, revealing that "happily ever after" isn't always what it seems. With a spellbinding score by Stephen Sondheim, this Tony Award-winning musical explores themes of desire, responsibility, and the power of community in the face of uncertainty. Character Breakdown All ages are flexible and we are open to casting actors under 18 years old for Little Red and Jack. We welcome and encourage all gender identities/expressions, body types, disabilities and races/cultural backgrounds to audition. * The role Baker has been precast and will be played by Patrick Ciamacco. Narrator/Mysterious Man- Narrator: Wry and commanding presence as the storyteller/outside observer. Orchestrating the plot. Mysterious Man: Broken, anxious and secretive. Trying to right a wrong. Emotionally resonant. Character Baritone (G2-E4) Baker: This role is cast and will be played by Patrick Ciamacco Baker's Wife: Smart, grounded, and resourceful. Wishes more than anything to have a child. She longs for more than her current life offers, but is not exactly sure what that is. Complex arc balancing humor, determination, and vulnerability. Mezzo-Soprano with belt (F3-G5) Cinderella: A kind, earnest, conflicted, and strong-willed woman with a warm gentleness who is consistently mistreated by her stepmother and stepsisters. Comedic ingenue and storyteller. Soprano (G3-G5) Jack: An endearing, naïve, enthusiastic, and impulsive boy. Capable of sincere emotional connection, but who is also misled by his lack of knowledge. Tenor (A2-G4) Little Red Riding Hood: A feisty, mischievous, bold, and surprisingly tough little girl. Strong-willed, quick witted and fearless. Comedic, with excellent timing and vocal articulation. Mezzo-Soprano with belt (Bb3-F5) Jack's Mother: A long-suffering, practical woman. Loving of her son, but frustrated by his naivety. Mezzo Soprano (Bb3-Gb5) The Witch: She has her own moral code and is unbothered by society's expectations. She's powerful but cannot accept the limitations of that power. More compassionate than she'll ever let on. (F3-G5) Cinderella's Prince/Wolf- Prince: A vain, dramatic, handsome, and comically overconfident man. He's the hero in his own life and was raised to be charming, not sincere. Must play exaggerated confidence and humor with ease. Wolf: Playfully conniving and humorous. Baritone (Bb2-F4) Rapunzel's Prince: A handsome, earnest, and competitive young man. Loves to spar and challenge his brother. With strong comedic sensibility. Baritone (C#3-F4) Rapunzel: Innocent, sheltered, and emotional, prone to fits of hysteria as the show progresses. Beautiful and floating Legit Soprano voice (B3-A5) Granny/Giant: Granny: tough and comedic. Giant: powerful and intimidating. Soprano (E4-F4) Cinderella's Stepmother: A snobbish and cruel woman, only looking out for her own agenda, even at the expense of her own daughters. Mezzo-Soprano (A3-F#5) Florinda: Stepsister to Cinderella, sister to Lucinda. Over the-top, vain, bratty and humorous woman (C4-Ab5) Lucinda: Stepsister to Cinderella, sister to Florinda. Also over the-top, vain, bratty and humorous woman (C4-Ab5) Steward: Bossy, rule-bound, somewhat cowardly. Comedic energy with a sharp edge. Baritone Cinderella's Father: Detached and timid. Baritone Milky White: A sad sickly cow.

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AUDITIONS: God of Carnage...next week at ACT
by Christopher Bizub 16 Mar '26

16 Mar '26

Aurora Community Theatre is excited to announce… AUDITIONS for God of Carnage By Yasmina Reza Translated by Christopher Hampton Directed by Chris Bizub PERFORMANCE DATES: June 12 - 28, 2026 Fri & Sat 7:30pm Sun. Matinee 6/21 & 6/28 at 2 pm AUDITION DATES: Monday, March 23rd, 2026 - 7pm-10pm Tuesday, March 24th, 2026 - 7pm-10pm *Auditions are by appointment only* Please sign up for your audition slot at the link below: https://www.signupgenius.com/go/30E0548ADAF2BA6F94-61401561-auditions#/ Please fill out an audition for at the following link: https://docs.google.com/forms/d/e/1FAIpQLScX03TfvN8LOnMz0JyXSjvKQjeXo7XXmR6… CALLBACKS: Saturday, March 28th, 2026 – 12pm-3pm [if needed] WHAT TO PREP: *Auditions will consist of cold reads from the script. *Please bring a current headshot/theatrical resume *Please bring a list of conflicts from April 20th, 2026 – June 28th, 2026 AUDITION/PERFORMANCE LOCATION: Aurora Community Theatre 115 E. Pioneer Trail, Aurora, OH 44202 SYNOPSIS: This internationally acclaimed comedy takes you deep into the most dangerous place on Earth: parenthood. What happens when two sets of parents meet up to deal with the unruly behavior of their children? A calm and rational debate between grown-ups about the need to teach kids how to behave properly? Or a hysterical night of name-calling, tantrums and tears before bedtime? Boys will be boys, but the adults are worse – much worse. Tony and Olivier Award-winning God of Carnage is a comedy of manners, without the manners. CHARACTERS: Any age, race, ethnicity, national origin, gender, body type, abilities, or other identities are encouraged to audition and will be considered equally in character casting, unless directly specified by the playwright as integral to their story. Age/age ranges, genders, and descriptions, if listed, are recommendations by the script but are flexible to interpretation. No roles for this production have been precast unless otherwise stated in marketing announcements regarding the auditions. VERONICA NOVAK (Female, Age Range 25+, All ethnicities) At first she seems like the most benevolent of the bunch. Instead of resorting to litigation regarding her son Henry’s injury, she believes that they can all come to an agreement about how Benjamin should make amends for his attack. Of the four principles, Veronica exhibits the strongest desire for harmony. MICHAEL NOVAK (Male, Age Range 25+, All ethnicities) At first, Michael seems eager to create peace between the two boys and perhaps even bond with the Raleigh’s. He offers them food and drink. He is quick to agree with the Raleigh’s, even making light of the violence, commenting on how he was a leader of his own gang during his childhood. ANNETTE RALEIGH (Female, Age Range 30+, All ethnicities) Ferdinand’s mother is constantly on the brink of a panic attack. In fact, she vomits twice during the course of the play. Unfortunately, the pressures of motherhood and household have eroded her self-confidence. Annette feels abandoned by her husband who is eternally preoccupied with work. Alan is glued to his cell phone throughout the play, until Annette finally loses control and drops the phone into a vase of tulips. Annette is the most physically destructive of the four characters. *Must be able to throw up believably onstage* ALAN RALEIGH (Male, Age Range 30+, All ethnicities) Alan might be the most stereotypical character of the group in that he is modeled after other slimy lawyers from countless other stories. He is the most openly rude because he frequently interrupts their meeting by talking on his cell phone. His law firm represents a pharmaceutical company that is about to be sued because one of their new products causes dizziness and other negative symptoms. He claims that his son is a savage and doesn’t see any point in trying to change him. He seems the most sexist of the two men, often implying that women have a host of limitations. OTHER DETAILS: Aurora Community Theatre is a 501c3 Non-Profit Organization. All actors cast are strictly volunteers. No AEA Contract(s) available. If you have any questions or would like to audition for this production, but are unable to attend regular auditions, please contact the director at bizchris85(a)gmail.com. Also feel free to reach out with any questions you may have regarding the production. -- Cell: 440-840-0667 Email: bizchris85(a)gmail.com

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Kent Trumbull Theatre Announces Auditions for "Adulteryhood"!
by Brian Westerley 15 Mar '26

15 Mar '26

*Kent Trumbull Theatre announces auditions for the spring production of * *“Adulteryhood”* *by Greg Smith* Directed by: Brian Westerley Audition Dates: March 16th & 18th from 7pm-9pm Auditions are open call, non-union, non-paid at the KSU Trumbull Campus, 4314 Mahoning Ave NW, Warren, OH 44483. Show Dates: May 1st-3rd, May 8th-10th Characters: Hugh: M. 35-50. Married to Gemma. Gemma: F. 35-50. Married to Hugh. Louie: M. 35-50. Married to Megan. Megan: F. 35-50 Married to Louie. Megan is married to Louis. Louis is having an affair with Gemma. Gemma is married to Hugh. Hugh is having an affair with Megan. And they're ringing in one hell of a new year. Set over four catastrophic holiday celebrations — from the world’s most awkward birthday surprise, to a nearly fatal Halloween — "Adulteryhood" is a comedy about love, happiness & the deeply questionable choices we make in their pursuit.

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Shakespeare Verse Coaching, $30/hour
by Tess Burgler 15 Mar '26

15 Mar '26

I am accepting private acting students who want to improve their understanding of Shakespeare verse technique. I use John Barton’s verse techniques and approach things from an applicable, actor-centric teaching method. I can help you choose and polish a monologue for auditions, or I can help your generally understanding of tackling Shakespeare’s language and characters. I can work with any age or ability levels. You are welcome to be in person at my home in Kent, or we can use zoom. $30 per session (60 min); $100 for 4 sessions purchased together. I have 35 years experience working as a professional Shakespeare actor and director and work full time as an actor, director, and educator at Ohio Shakespeare Festival in Akron. I have many years experience teaching in a Montessori environment as well. Please email me at tess(a)ohioshakespeare.com <mailto:tess@ohioshakespeare.com> with questions and/or to schedule.

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Registration for the Houde School of Acting's Online Beginner Class is Open!
by Houde School Of Acting 14 Mar '26

14 Mar '26

Every actor needs a strong foundation. Our Online Beginner Meisner Class is the perfect place to start your training. Learn the fundamentals of the Meisner Technique from Meisner teachers Jessica Houde-Morris and Diana Frankhauser, and begin developing the ability to listen, respond truthfully, and stay present in every moment. Thursdays 5:30–7PM ET Weekly classes + bonus Studio Hour Perfect for actors brand new to Meisner Start building your craft — from anywhere. Check out the video below/above, where Jessica and Diana provide you with insight into Stage 1 & 2 of the technique so you will know what to expect. Secure your spot for April: https://www.houdeschoolofacting.com/online-registration/beginner-meisner _ Be sure to subscribe to our YouTube channel for free lessons and acting tips! https://youtube.com/channel/loUCMH35ahx9Kx6O8lWn-p2NOw <https://youtube.com/channel/UCMH35ahx9Kx6O8lWn-p2NOw> Sincerely, Studio Assistant Houde School of Acting www.houdeschoolofacting.com 2310 E Superior Ave. Cleveland Oh 44114 <https://maps.google.com/?q=2310+E+Superior+Ave.+Cleveland+Oh+44114> <https://www.facebook.com/houdeschool> <https://www.instagram.com/houdeschoolofacting/>

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Cleveland-based Headshot and Performance Photographers!
by Tim Bates 14 Mar '26

14 Mar '26

🎭 *Hey Northeast Ohio Theater Community!* We’re Tim and Sara Bates—a husband-and-wife photography team with a passion for capturing the heart, grit, and magic of the stage. Whether you’re an actor looking for updated headshots, a theatre prepping for promo materials, or a director wanting powerful production shots, we’ve got you covered. With nearly a decade of experience, we specialize in professional, high-quality images that reflect your artistry—and we offer customizable packages to fit productions and budgets of all sizes. Let’s create something amazing together! 📸 Check out our work: Website: *www.timbatesphotography.com <http://www.timbatesphotography.com/>* Headshots & Portraits: *www.timbatesphotography.com/headshots-portraits/ <http://www.timbatesphotography.com/headshots-portraits/>* Performance & Event Photography: *www.timbatesphotography.com/performance-events/ <http://www.timbatesphotography.com/performance-events/>* Contact us: *www.timbatesphotography.com/contact <http://www.timbatesphotography.com/contact>* Instagram: *instagram.com/timbatesphotography <http://instagram.com/timbatesphotography>*

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Cleveland Shakespeare Festival is accepting Virtual Auditions for the 2026 Summer Season until 5pm on March 30th!
by Cody Swanson 14 Mar '26

14 Mar '26

CSF is Seeking Actors! Please prepare a video submission of two contrasting classical monologues, one of which being Shakespearean. Video auditions are accepted as an UNLISTED YouTube link. All roles are open and paid a stipend to the actor upon completion of the last performance. Please note we cannot offer AEA contracts or housing at this time. Cleveland Shakespeare Auditions (link below): Audition Form <https://docs.google.com/forms/d/e/1FAIpQLSdPTFuVFJtzd_NQ7R1rncuehjz7Zhddq9T…> Auditions - Video Submission (accepted as an *UNLISTED* YouTube link on the above audition form)* Callbacks - In Person** Upload a video of two* contrasting monologues. *If only auditioning for a single production, only one monologue is needed per audition. Please: Have all materials ready when filling out Audition Form: - Resume & Headshot - Audition Video Link - Contact/Audition Info - Conflict Sheet AUDITIONS ARE DUE: 5:00 pm EST Monday, March 30 *CALLBACKS (by invitation only):* *APRIL 11th & 13th* In-person callbacks will be held during the afternoon/evening of April 11 and/or evening of April 13. For more information please visit https://www.clevelandshakespeare.org/audition

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