May 2018 - NEohioPAL - lists.neohiopal.org

Event Videography For You!_Have an event that needs to be recorded?
by Cole Kornell 21 May '18

21 May '18

Hello there! Need an event videographer? Need to have someone record a special event of some kind? I can do that for you, all in high quality 4K Ultra HD. Can shoot up to two cameras at the same time (or more). I own my own 4K cinematic cameras, sound equipment, lights, and more. I have a B.F.A. in Film (with honors) from Ringling College of Art & Design and am an experienced and versatile filmmaker (event videography being one of my many skills). I also edit, do DVD design, and produce whatever you need for your video. My Website My work examples below: Micaela & Darcy - Wedding Teaser | | | Micaela & Darcy - Wedding Teaser | Carol Leslie - Guess I'll Hang Up My Tears To Dry | | | Carol Leslie - Guess I'll Hang Up My Te... | Carol Leslie - We Can Work It Out | | | Carol Leslie - We Can Work It Out | Nunsense, A-Men! - Theatre In The Circle | | | Nunsense, A-Men! - Theatre In The Circle | Blue Moon Musical - Performance October 13, 2017 at Theatre 815 | | | Blue Moon Musical - Performance October... | I Shoot: Weddings Theatre Plays/Musicals Live ConcertsAward CeremoniesGraduation/Birthday Parties, and more! See more about me and my work at www.colekornell.com CONTACT ME:Call: 440-477-3334Email: colekornell(a)gmail.com Thank you and I hope to work with you!

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REVIEW: HUNCHBACK OF NOTRE DAME, at Players Guild Theatre
by Tom Wachunas 21 May '18

21 May '18

A Prayerful Cry from Outcasts By Tom Wachunas …There are some days, dark andbitter / Seems we haven't got a prayer / But a prayer for something better / Isthe one thing we all share… - from the song“Someday” by Alan Menken and Stephen Schwartz Where is it etchedin stone that a work of musical theatre must always cheer up the house? Theseason-ending Players Guild production of TheHunchback of Notre Dame, based on the Victor Hugo novel and with songs fromthe 1996 animated Disney film, is a far cry from the giddy jubilance weexperienced last September in the Guild’s dazzling production of Disney’s Beauty and the Beast. There were momentsthroughout Hunchback when the famouspassage in T.S. Eliot’s poem “The Hollow Men,” crept into my head: “…This isthe way the world ends. Not with a bang but a whimper.” This is the way the Guild’s season ends? As a theatricalwork, The Hunchback of Notre Dame (book by Peter Parnell) is a mercilessly contemplative story – somber, brooding, andseemingly hopeless in its complexity – and arguably flawed by anover-indulgence in expository narrative passages muttered or chanted by robedpriests, choirs, and statues. Yet there’s something ineffably spectacular –even courageous - in how director Jonathan Tisevich has effectively let lightshine through such a dark tale. It’s a light bothsymbolic and literal, revealed in many ways, starting with the impressive set designed by JoshuaErichsen, in conjunction with the resplendent lighting design by Scott Suttonand offstage live orchestra conducted by Steve Parsons. All of it evokes the ritualizedmajesty and mystery of Gothic cathedrals in 15th century Paris.Throughout the proceedings, these hallowed halls and shadowy niches oftenreverberate with explosive choral performances from the ensemble, capturing theglorious polyphonic pomp and solemnity associated with the High Holy Mass ofold. The Latin texts and chants, peppered with Kyrie eleison ( Greek, actually, for “Lord Have Mercy”) and Dies irae (Day of Wrath), constantly portend trouble ahead. Archdeacon Frollo, played here by JimGraysmith, named his bastard nephew Quasimodo (meaning ‘half-formed’) andregards him as a simpleton to be disciplined in the ways of the Church. Frolloraised him from infancy and forcibly confined him to Notre Dame’s bell tower tosupposedly shield him from a morally corrupt world. Graysmith gives us a robustportrait of Frollo’s hypocricy and malevolence, beginning with hisguilt-riddled lust for the alluring young gypsy woman, Esmeralda. After being soundly rebuffed by her, hecondemns her to die as a witch and embarks on a murderous campaign to purgeParis of its sinful gypsy population. While the clarity of what Graysmith issaying is often diminished when he sings in his gristly lower register, there’sno mistaking his palpably sinister intent. Chilling. Matthew Heppeplays Phoebus, a cathedral soldier employed by Frollo. He’s a carousingwomanizer when we first meet him, but is soon drawn to Esmeralda enough topursue her in earnest. Just how earnest,exactly, is a lingering question, as his cavalier demeanor feels a bit tootentative at times. Interestingly, one could reasonably wonder if Clopin, theenergetic leader of the gypsies, might be the more sincere suitor. Or is hisinfectious passion more about loyalty to his community at large? In any case,Sean Flemming brings delightful ebullience to that role. And speaking ofebullience, there are some notable passages of mirth and magic amidst thedarkness, including the gypsy joie devivre evident in the ensemble numbers choreographed by Michael LawrenceAyers. And a particularly enchanting scene in Act Two transpires in the song,“Flight Into Egypt,” wherein a statue of the martyr, St. Aphrodisius, played byJake Sustersic, comes to life and directs Quasimodo to rescue Esmeralda. In aclever illusion, Sustersic appears to be holding his decapitated head in hishands as he sings. The undeniablybrightest lights in this story are the electrifying performances by DesireeHargrave as Esmeralda, and David Holbert as Quasimodo. What began asEsmeralda’s simple act of mercy in rescuing Quasimodo from the cruelties heapedupon him by Parisians during the annual Feast of Fools becomes a profoundlyincorruptible bond of hope and love between societal outcasts. Indeed, whenHargrave sings “God Help the Outcasts,” it’s a soaring, cathartic focal point,a gripping pledge of sympathy and an otherwise bittersweet melding ofselflessness, resolve, and achingly real supplication. And whenever Holbertsings, he sheds his contorted posture and slurred speech so that his voicebecomes a strong, piercing presence, invested at some points with boyish wonderand joy, at others with a compelling sadness and urgency. The story ends as itbegan, with a question: “What makes a monster, and what makes a man?” We might just as well wonder: What makes lustand what makes love? While the end isnot a happily-ever-after one by any worldly measure, it’s certainly not awhimper. It may be, for some, a dour finale, a mournful tolling of bells in aninapproachable tower. But the larger, more sobering realization here is ineffect a Divine revelation – a ringing reminder that the purest love is nothingif not sacrificial. It’s not so much a matter of Dies Irae as it is one of KyrieEleison. The Hunchback of Notre Dame / THROUGH June 3, 2018 / PlayersGuild Theatre, 1001 Market Ave N,Canton, OH / Single tickets: $29 / 17 and younger: $22 / Seniors: $26 / Order tickets : Box Office 330-453-7617, or at https://www.playersguildtheatre.com/ For other reviewsand commentaries by Tom Wachunas on the performing and visual arts in thegreater Canton area, please visit is blog, ARTWACH, at www.artwach.blogspot.com

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CANCER BENEFIT CONCERT
by ALANDA SALES 21 May '18

21 May '18

COME OUT THIS FRIDAY TO THE GROG SHOP FOR OUR 1ST REGGAE WOMEN ROCK AGAINST CANCER BENEFIT CONCERT! DOORS OPEN AT 7PM $10.00 TICKETS *For Immediate Release* *Women Rock Against Cancer* *Feminine Mystique Reggae* Phone: 856-335-5493/ (216) 215-3182 Email: mybody2body(a)gmail.com/ playmyice(a)gmail.com Web site: www.grogshop.gs *Feminine Mystique wants to bring Cleveland alive with the first and only known all female reggae show “REGGAE WOMEN ROCK AGAINST CANCER” featuring Cleveland's own Sista T, Ms. BBC, Mz. Ice, Mama Oladeji, Barbara Barrett, Jahtamarie, Charmel, Sister Ceco Salinas Queen Sameerah. Hosted by Ajoy Hood. Music by “Dj Janelle Jelli.”* *Cleveland, Ohio* - 5/25/2018 – Feminine Mystique presents *REGGAE WOMEN ROCK AGAINST CANCER*. This is an event to not only set forth a strong foundation that reggae women rock, but to stomp on cancer and show that no matter what, we will continue to fight, love, and heal through music. Many of the artists performing on this show have endured the fight through cancer with a family member or friend. All the amazing women on this show have donated their performances for this fight. A portion of the proceeds will be donated to two families as a surprise. The families have no idea. This all takes place *Friday May 25, 2018* doors open at *7pm*, at the *GROG SHOP 2785 Euclid Heights Blvd. Cleveland Hts, Ohio 44106.* Tickets can be purchased online: GROG SHOP, Ocho Rios, Engel’s bar and Grille, or from any of the artists who are slated to perform. “*Sista T*” the only female member of *Jah Messengers Reggae Band* brings light of melody and essence. She has been a part of the band for over 10 years and not only blessed their audience with soulful Reggae music, she also mixes in different genres of music to illuminate every culture. Previously singing with *Kool Runnin’s Reggae Band, Sisters of Love and Dub Flex Reggae Ban* “*Ms.BBC*” is one of Cleveland's trendsetters she has Reggae, Hip Hop, R&B, with a little of Soul, Jazz, and Blues. Starting from dancehall releasing her 1st album “*Untamable*” in 2015. Opening for *Tanya Stephens*, *Etana*, and *Carlos Jones*. She will be releasing her new single “I-*Rasta Valentine*” on May 25th. *“Mz. Ice” Founder of Iced Out Productions *Singer, songwriter extraordinaire *“Barbara Barrett” *Singer, songwriter well received on local and national stages, singing multi- genres of music. Barbara’s “*Dawning*” album is available through major online distributors. “*Mama Oladeji*” African born in America. Mama Oladeji a world renown Poet, expressing strong beautiful passionate Poetry, she is a African fashion leader, offering Headwrap workshops, home remedies, art, jewelry, and much more. “*Sister Ceco Salinas” *Standing strong with *Umojah Nation,* states her experiences with reggae bands started out with *Ras Matunji* and *The Earthforce Band, Istanu Black & The Sweets*, *Milton Blake* and *JR Blessington* with opportunities to open for *Luciano*, working with *Dub Flex*, *Carlos jones & The PLUS* Band and many more. “*Sister Sameerah” *One of the originals Sisters of Love from Ras. T Dub Flex Reggae Band. Singer and Songwriter. Original songs, “*One Lover Man*”, “*Jah Jah Keep Dem Blessings Coming*”, and many more… “*Jahtamarie*” Songwriter, reggae artist. known best for her song “*Africa* ”. “*Charmel”* Songwriter, international artist. known for her song “*Twist Your Locs*” and many more. *“Vendors” - *Fighting Soldiers, Queens & Kings Fashions, Iced out Productions, Sacred Inside, Myrtle’s Loving Hands Crochets, Sister Leslie & Brother Omar, Caribbeans Eats by Ocho Rios & Ms.BBC! *It is an early event, with doors opening at 7:00 PM and show time at 9:00 PM. Tickets are pre-sold, $10 at the gate. We hope to make this event one that is enjoyable to everyone and to help spread the culture of good reggae music in Cleveland. Powered by Feminine Mystique. Press Release by BBC Promotions.* Click here to Reply or Forward Using 2.67 GB Program Policies <https://www.google.com/gmail/about/policy/> Powered by Google <https://www.google.com/> Last account activity: 2 days ago

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Berko special: Cleveland Musical Theatre, JANE EYRE, Miles Sternfeld
by Roy Berko 21 May '18

21 May '18

*•••••••••••••••••••••••••••* *To read a feature article about Cleveland Music Theatre, JANE EYRE and Miles Sternfeld go to: **www.royberko.info* <http://www.royberko.info> <http://www.clevelandtheaterreviews.com> <http://www.clevelandtheaterreviews.com> *••••••••••••••••••••••••••••••••*

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Youth Summer Theatrical Classes @ Theatre 8:15
by Dawna Kornick 21 May '18

21 May '18

YOUTH SUMMER THEATRICAL CLASSES INSTRUCTOR/DIRECTOR JIM VOLKERT JUNE 4 - 22, 2018 * MON - FRI AGES 7 - 11 10:00am - 12:00pm AGES 12 - 18 12:00pm - 2:30pm Develop stage presence, creativity, character development, vocalization, movement, improvisation, theatre etiquette Students will perform a public performance play June 22 PRICE: $130 10% DISCOUNT PRE REGISTERING BY MAY 25, 2018 THEATRE 8:15 4740 MASSILLON RD. GREEN, OH 44232 www.theatre815.com<http://www.theatre815.com> For more information and registration forms visit our website www.theatre815.com<http://www.theatre815.com>, call (330) 896-0339 or email: info(a)theatre815.com<mailto:info@theatre815.com> HAVE FUN THIS SUMMER! MEET NEW FRIENDS EXPLORE YOUR CREATIVITY

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Thrive Arts Center offering 1/2 day summer camps for ages 3-8!
by Rachel Stoneking 21 May '18

21 May '18

This summer Thrive Arts Center will be offering various week-long 1/2 day summer camps. Camps are themed and each day students will get an hour of art, an hour of dance, and an hour music class. Camps are split up into age groups 3-6, and 5-8 so be sure to check which one will work best for you and your family! Our themes and dates are all listed on our website here <https://www.thrivearts.center/summer/#summer_camps_anchor>. Rachel Stoneking Studio Facilitator Dance Program Coordinator Thrive Arts Center www.thrivearts.center p. 216.991.1063

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Stage Combat Workshop (single sword) "Acting the Fight" this weekend
by tess＠ohioshakespeare.com 21 May '18

21 May '18

Acting the Fight 2 DAY STAGE COMBAT WORKSHOP MAY, 26 4-6PM & MAY 27, 12-2PM Ages 14+ Two days of training, 4 hours total Participation in both days is required, as we will be building on skills and choreography covered on the first day. Suit the action to the word... in this stage single sword workshop, we will look past the pure mechanics of the fight and begin to layer character choices into the movement, telling the story of your struggle from moment to moment. Only 10 spots available. Small class environment allows us to meet students at their own skill level and provide quality weapons and gloves for class participants. A full-ride scholarship is available. Please contact [ tess(a)ohioshakespeare.com ]( mailto:tess@ohioshakespeare.com ) if you would like to be considered for a scholarship. [ REGISTER NOW ]( https://www.showclix.com/event/act-the-fight )

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Educators and teaching artists, join us Sunday for our "Theatre in the Classroom, " workshop
by TCT Intern 21 May '18

21 May '18

A series of workshops for adults, 18 and over, on how to create challenging, engaging, intelligent, and playful theatre. TCT theatre artists are combining what they have learned with her TCT’s special method of theatre creation, which involves letting your imagination PLAY. These workshops are open to adult theatre artists with any experience. RSVP REQUIRED. TO REGISTER: email tix.tctorg(a)gmail.com REMAINING 2018 WORKSHOP SCHEDULE All workshops run Sundays from 10am-1pm MAY 27 Theatre Arts in the Classroom Learn the principles of “mind, body & voice,” and ways in which the arts can work with Ohio education standards and core curriculum. Instructor: TCT Director of Education & Outreach Katelyn Cornelius Limit: 20 participants JULY 29 Movement in the Making Theatre movement and dance through improvisation and collaboration for people of all abilities. Instructor: TCT Choreographer Andrea Belser McCormick Limit: 15 participants SEPTEMBER 18 Moving as an Ensemble Build a strong ensemble through movement applying individual work to a team setting. Instructor: TCT Movement Specialist Stephanie Wilbert Limit: 15 participants NOVEMBER 11 Build a Profession, Feed Your Passion The nuts and bolts, dos and don’ts of being a professional theatre artist in our time. Instructor: TCT Founder and Executive Artistic Director Alison Garrigan Limit: 30 participants Workshop Passes: Full Series Pass : $80 (save $20) Single Class Pass : $20 TO REGISTER: email tix.tctorg(a)gmail.com Marketing and Box Office Talespinner Children's Theatre *2018 Season:* *The Oba Asks For a Mountain** (A Tale of Nigeria)* April 7 - 29 By Gail Nyoka, Directed by Chennelle Byrant Harris, Movement by Andrea Belser *The Princess and the Nightingale (A Tale of Thailand)* June 9 - July 1 By Marian Fairman, Directed by Tim Maca, Movement and Music by Devon Turchan *Jan and the Trickster (A Traveling Tale of Poland)/Stay & Play Matinees * July 20-22 By Krysia Orlowski, Directed by Charles Hargrave *The Boy Who Stole the Sun (An Inuit Creation Tale)* Sept. 15 - Oct. 7 In partnership with L.E.N.A.C., Adapted & Directed by Alison Garrigan *A Song in the Flame (A Tale of Israel) *Nov. 24 - Dec. 16 By Margi Herwald Zitelli, Directed by Alison Garrigan, Movement by Stephanie Wilbert Reinberger Auditorium | 5209 Detroit Ave. - Cleveland, Ohio 44102 | 216.264.9680 www.talespinnerchildrenstheatre.org

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RCT Season Auditions - Equity/Non-Equity
by Dane Leasure 21 May '18

21 May '18

Rubber City Theatre auditions for the 2018/2019 Mainstage Season: WHEN: PLAYS - Saturday, June 9 from 10:00am - 5:30pm Monday, June 11 from 6:00pm - 9:30pm Season Callbacks on Tuesday, June 12 from 6:30pm - 9:30pm (by invitation only) MUSICAL - Saturday, June 23 from 10:00am - 5:30pm Sunday, June 24 from 6:00pm - 9:00pm Callbacks on Monday, June 25 from 6:00pm - 8:00pm (by invitation only) WHERE: The Black Box at Fort Romig 2207 Romig Rd Akron, OH 44320 TO SCHEDULE AN AUDITION: APPOINTMENTS CAN BE MADE BY E-MAIL to casting(a)rubbercitytheatre.com. Please include your name, union status, phone number, an attachment of your headshot and resume, and your preferred day and/or time. You will receive a response within two business days. We will endeavor to schedule you as near as possible to your requested time, pending availability. AEA contracts: 1 AEA Contract is available for either A Streetcar Named Desire or Romeo and Juliet. (Special Appearance Level 1). There is 1 AEA contract for Shakesqueer Project: Play (Auditions will announced at a later date) Non- AEA contracts: Adult Non-AEA Contracts will pay $75 - $100 stipend, depending on role and production. Young Actor stipends vary by role and production Plays - Preparation: Please prepare two contrasting monologues of no more than 90 seconds each. You will be auditioning for Dane CT Leasure, Artistic Director of Rubber City Theatre (director of A Christmas Carol and Shakesqueer Project: Play), Christine McBurney (director Romeo and Juliet), and Rachael Endrizzi (director A Streetcar Named Desire). Please bring two copies of your most current headshot and resume. Musical - Preparation: Please prepare 32 bars from a musical. You will be auditioning for Dane CT Leasure, Artistic Director of Rubber City Theatre (director of Guys and Dolls), Sarah Bailey (Choreographer), and Sharon Alberson (Music Director). Please bring two copies of your most current headshot and resume. See Breakdown on our website (www.rubbercitytheatre.com/auditions) for Rehearsal and Show Information.

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Sketch Comedy Writing Class Starts THURSDAY 05/24 - Instructor Michael Busch (FunnyorDie, Conan, UCB)
by Michael Busch 21 May '18

21 May '18

*Comedy Writing 8-Week Workshop* *Starts Thursday 05/24* *Instructor - Michael Busch (Conan, FunnyorDie, Upright Citizens Brigade)* *This class is for both experienced comedians and people just starting out - as long as you have a desire to write your own material, you are welcome. We will cover basic building blocks of sketch/comedy writing, different styles/types of sketches, and simulate a writers room working environment. This 8-week course meets Thursday evenings 7pm at Cube Workspace in Lakewood. About the instructor - Michael Busch is a Cleveland native who has been a working actor/writer/producer for over ten years in the Los Angeles entertainment industry including UCB, Comedy Central, CollegeHumor, and Conan. For more information and to sign up visit https://www.themichaelbusch.com/comedy-writing-1-sketch-comedy <https://www.themichaelbusch.com/comedy-writing-1-sketch-comedy> and email michaelbuschclasses at gmail with any questions. * -- For class information please visit: https://www.themichaelbusch.com/classes

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