March 2024 - NEohioPAL - lists.neohiopal.org

Kennelly Review of Ordinary Days at Playhouse Square
by Laura Kennelly 19 Mar '24

19 Mar '24

*Recipe for a musical:* *Mix four talented humans in huge city (yes, NYC).* *Allow them to meet.* *Step back to allow chemistry and fate to complete the work.* *Ordinary Days, with music and lyrics by Adam Gwon, does just that, and in doing so, weaves a simple tale spun by chance encounters into a meditation about life.* *For full review see * https://coolcleveland.com/2024/03/theater-review-ordinary-people-playhouse-…

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Cleveland Public Theatre is Hiring Teaching Artists for Summer
by Brooke Myers 19 Mar '24

19 Mar '24

CLEVELAND PUBLIC THEATRE IS HIRING TEACHING ARTISTS FOR THE SUMMER CPT is seeking *temporary, full-time Supporting Teaching Artists for summer CMHA CAN and STEP programming. *We are looking to build a strong core of artists who are dedicated to creating work to empower young voices, excite creativity, and further racial and economic justice. ------------------------------ CMHA CLEVELAND ACT NOW CMHA Cleveland Act Now (CAN) takes place in partnership with the Cuyahoga Metropolitan Housing Authority (CMHA) at community centers for children and families who live in public housing. Under the guidance of CPT Teaching Artists, young artists learn how to create and perform their own plays, dance, poetry, music, and visual art. These multidisciplinary performing arts activities improve academic skills, instill empathy and responsibility, build character, and enhance creative thinking. The students regularly perform at CMHA community centers as well as arts festivals throughout Cleveland. CMHA CAN is offered in four CMHA communities: Lakeview Terrace, Woodhill Homes, Outhwaite Homes, and Riverside Park. STUDENT THEATRE ENRICHMENT PROGRAM (STEP) Celebrating 30 years of empowering artmaking, CPT’s Student Theatre Enrichment Program (STEP) is an arts-based job training program that engages Cleveland teens in a powerful, 8-week intensive (4 weeks for Tech Team students) that focuses on excellence in performance, play creation, physical theatre, writing, production, and set design/construction. Students aged 14-19, presenting a wide range of performance experience, are eligible for participation and earn money while learning and practicing valuable job skills such as timeliness, communication, commitment, and teamwork. Under the guidance of CPT artists, teens develop an original play and then tour it to public greenspaces, theatres, and community organizations throughout the city of Cleveland. Since its beginning in 1994, STEP has received multiple awards and recognitions, including those from the City of Cleveland, The President’s Committee on the Arts and the Humanities, and the National Endowment for the Arts. STEP is the longest-running arts-based, job-training program in Cleveland and has been utilized as an international model for engaging youth. STEP ensembles, comprised primarily of Black and Brown artists, see themselves as a positive and inspirational force and are able to witness their work’s invaluable impact on the larger Cleveland community. Youth are onsite approximately 6 hours a day during creation and work through an adjusted schedule while on tour. ------------------------------ ------------------------------ SKILLS REQUIRED · Experience in at least one theatre-related arts discipline (dance, drumming, singing, acting, creative writing, etc.) · Experience teaching children and/or teenagers · Ability to travel to multiple sites · Demonstrated ability to be or become a strong role model for Cleveland youth · Energy, responsiveness, flexibility, creativity · Attention to detail, ability to work independently · Ability to lead both small and large group activities · Experience in devising theatre practices/performance OR openness to learning new techniques in the creation of original performance material *CMHA CAN SUPPORTING TEACHING ARTIST RESPONSIBILITIES INCLUDE:* · Completing training schedule (June 5th-June 14th, M-F, 9:00 am – 5:00 pm) · Supporting the successfully implementing curriculum for 6 weeks of CMHA CAN programming from June 17th-July 26th (M-TH from 9:00 am-5:00 pm; F from 10:00 am-4:00 pm) at 3 CMHA Community Center. During programming, youth will build storytelling skills (incorporating body and voice) and community. This role *may* serve as Point of Contact or Lead Teaching Artist at one of the three CMHA sites. o CMHA CAN ensembles meet twice weekly; each CMHA CAN STA would support six sessions each week. · Collaborating with CMHA CAN and CPT Staff from applicable departments to successfully present performances at assigned sites. · Attending meetings with CAN Team and/or Director of Education to share outline highlights, session progress, questions, and challenges of program implementation · Maintaining attendance records and creating session progress notes for the program as indicated by CMHA CAN Teaching Artist and Site Coordinators · Other duties that relate to the CMHA CAN program or Education Department as determined by CMHA CAN Teaching Artist and Site Coordinator and/or Director of Education · This position earns between $580-600/week, depending on experience *STEP TEACHING ARTIST RESPONSIBILITIES INCLUDE:* - Complete week of training (June 3rd -7th, 9:00 am-5:00 pm) - Attend work hours (June 10th-August 7th, M-F, 9:30am-5:30pm). - Hours will shift when on tour (July 25th-August 4th) and are tbd until the performance schedule is finalized - Following pedagogical practices as set forth by CPT Education leadership, creatively co- create a curriculum for and instruct youth in devised theatre and performing arts techniques - Assist STEP Director in all areas of program facilitation - Implement all notes and directions given by STEP Director - Support the creation and performance of a one-hour devised piece to be toured throughout Cleveland - Attend pre-and post-session meetings - Discuss class plans before implementation and make necessary adjustments - Document plans and implementation of programming - Evaluate students and the STEP program - Purchase materials as needed - Properly record expenses according to preset guidelines, as applicable · This position earns $600/week *STEP TECH ASSISTANT RESPONSIBILITIES INCLUDE:* - Supporting the implementation of curriculum and assisting during instruction around the basics of sound and stage setup from July 5th - no later than August 9th from 10am-5:30pm, M-F. - Hours will shift when on tour (July 25th-August 4th) and are tbd until the performance schedule is finalized - Leading and/or assisting in sound and stage setup - Supporting the management of a 2-week local tour with teens - Driving tour truck (small box truck—no special license required) - Basic set construction - Collaborating with the full STEP creative team - Acting as a strong role model for youth - This position earns between $500-600/week, depending on experience ------------------------------ *We are looking to fill these positions as soon as possible. * *CMHA CAN Supporting Teaching Artist candidates*, please send a resume, letter of interest, and information for (3) references to *Brooke Myers, Education Associate- *bmyers(a)cptonline.org *STEP Teaching Artist candidates*, please send a resume, letter of interest, and information for (3) references to *Melissa Crum, STEP Program Director*- mcrum(a)cptonline.org *STEP Tech Assistant candidates*, please send a resume, letter of interest, and information for (3) references to *Josh Smith, Tech Director- * jsmith(a)cptonline.org *ALL CANDIDATES:* In your email, the subject line should be *your last name* followed by CMHA CAN TEACHING ARTIST, STEP TEACHING ARTIST, or STEP TECH ASSISTANT, as applicable. *No phone calls, please.* ------------------------------ *CPT’S CORE EDUCATION PRINCIPLES* CPT education programs follow four guiding principles that reflect our pedagogical, political, and aesthetic approaches to education, and are deeply interrelated. *Empowerment:* Together we create original works of theatre, and our participants contribute to the spoken words, the movement, and the production elements. This layered approach engages participants dynamically, resulting in pride and ownership of the final product. *Equity:* We strive to bridge the gap between the heard and the unheard by centering rarely shared stories with a wider audience. Our work brings awareness to issues such as racial and economic justice, nurturing relationships that cross the invisible boundaries of race and class. We believe representation matters, and we are committed to engaging Teaching Artists who are representative of the communities with whom we collaborate. *Excellence:* We encourage the development of the whole artist, nurturing an artist’s personal, interpersonal, and artistic growth. This environment of self-mastery calls participants to own their greatness with pride, be accountable to their peers, and be engaged, curious, and connected to their community. *Enthusiasm:* We approach the artistic process with openness, rigor, intention, and joy! Our programs cultivate an enthusiastic learning environment that supports creative expression while nurturing a high degree of discipline and focus. We encourage our participants’ creativity, and we also challenge them to explore as many levels of their creative potential as possible.

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Berko review: ORDINARY DAYS by Baldwin Wallace University @ The Helen
by Roy Berko 18 Mar '24

18 Mar '24

*•••••••••••••••••••••••••••Capsule judgement: It’s a shame that the show only ran four performances. It is the type of production that develops a cult following and could have run on and on in an open-ended -format. Personally, I was enamored by the script, found the members of the Downtown cast wonderful (the show is double cast, with Anthony Maja, Kenna Wilson, Luke Henson and Jessi Kirtey being the Uptown cast), and not only would I have liked to see that cast, but would have excitedly encouraged everyone to see the show!To read the entire review go to: https://royberkinfo.blogspot.com/ <https://royberkinfo.blogspot.com/> To read the capsule judgements of the other Cleveland reviewers go to: https://clevelandtheaterreviews.blogspot.com/ <https://clevelandtheaterreviews.blogspot.com/>••••••••••••••••••••••••••••••••*

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Open Auditions for 2024-25 Ohio Shakespeare Festival season, equity and paid non equity
by tess＠ohioshakespeare.com 18 Mar '24

18 Mar '24

Ohio Shakespeare Festival, located in Akron, will begin casting for the 2024-25 season of shows: Much Ado About Nothing by William Shakespeare Othello by William Shakespeare The Woman In Black by Stephen Mallatratt; based on the novel by Susan Hill Romeo & Juliet by William Shakespeare A Gentleman’s Guide to Love and Murder Book by Robert L. Freedman, Music by Steve Lutvak 3 equity contracts per show available (special appearance tier 2); non union actors paid Please find all details and schedule appointments at [ www.ohioshakespeare.com/audition ]( http://www.ohioshakespeare.com/audition )

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CPT's Popular New Play Development Series Test Flight Continues this week with "How to Live in a House on Fire!"
by Kim Furganson 18 Mar '24

18 Mar '24

Cleveland Public Theatre Presents the Final Two Weeks of TEST FLIGHT 2024<https://www.cptonline.org/performances/seasons/2023-2024/category/series/te…> Through – March 30, 2024 Featuring workshop productions by Northeast Ohio artists as part of CPT’s New Play Development Program. Many of the Test Flight productions go on to have full productions at CPT and other theatres across the country. WEEK 3: March 21-23 <https://www.cptonline.org/performances/seasons/2023-2024/test-flight-week-3…> How to Live in a House on Fire Written and directed by Kari Barclay It’s 2020 in Berkeley, California, and wildfires are raging. As a gay couple prepares to evacuate, they decide what from the 50 years of their relationship to take with them and what to leave behind. Their preparations take them back to the night they met in a queer commune in Berkeley in radical 1970, when other fires raged through the community, and they dared to dream of a better future. WEEK 4: March 28 - 30<https://www.cptonline.org/performances/seasons/2023-2024/test-flight-week-4…> Tales of a Fat Man Written by Tyree J. Franklin Directed by Roy Tyrone James II As you can guess, the play follows the journey of a larger man's past, present, and future of navigating this world in the body he's had since childhood. It's a sort of coming-of-age retelling of the good, bad, & ugly tendencies of society. There's also a new age Greek style chorus that accompanies and sometimes antagonizes the 'Fat Man' on his journey to Self-love.  EVERY TICKET is “Choose What You Pay<https://www.cptonline.org/box-office/>” starting at $1 and can be purchased at https://www.cptonline.org/or through the CPT Box Office at 216.631.2727 ext. 501. Every Thursday is a Covid-conscious performance where masks are required, and every Friday is Free Bev (as in free beverage) Friday.

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Longform Improv Team Auditions are March 23rd!
by Imposters Theater 18 Mar '24

18 Mar '24

Announcing Spring 2024 Auditions for Imposters Theater House Longform Improv Teams Auditions will take place Saturday, March 23rd 12-3 PM at 4828 Lorain Avenue in Ohio City, Cleveland. Callbacks (if necessary) will take place Sunday, March 24th 3-5 PM All auditioners will be notified of our decision by Monday, March 25th at 8 PM. Please read this audition notice in its entirety before emailing info(a)imposterstheater.com with questions. AUDITION REQUIREMENTS Auditions are open to anyone, regardless of previous involvement with Imposters Theater. Knowledge of basic longform improv skills is expected. The Menagerie features our long form improv groups IKEA NEAR ME and Mischief LLC. We are looking for performers who can build strong relationship dynamics and character POV. CHAOTIC is our new Dungeons and Dragons inspired improv show. We are looking for performers who deliver deep characters and relationships. Both shows will be cast from the same audition. You can choose to audition for either or both shows. Performers are welcome to be a part of multiple shows at the theater as long as they can commit to all rehearsal and performance obligations. We are auditioning for a limited number of spots. We strive to guarantee that *everyone* has the opportunity to do improv at Imposters Theater. If you do not make a house team, we encourage you to continue attending our free jams, developing your skills in our classes and workshops, and submitting to community shows like Improv Death Match <https://forms.gle/u1bNN7w3caHUYxtM9> and Dynamic Duos. <https://imposterstheater.us17.list-manage.com/track/click?u=2b317370dae2166…> PERFORMER EXPECTATIONS House improv teams must be a priority for team members. Teams are expected to rehearse 2-3 times a month in order to improve and maintain the quality of performances. Rehearsal time will be determined after casting, according to cast availability. Team members with a pattern of poor attendance or lateness will be removed. Team members must show they are open to notes from their coach and the Artistic Directors, and be willing to work at implementing those notes. Each improviser is expected to be a supportive team member and follow our code of conduct. <https://www.imposterstheater.com/conduct-policy> This is a six month commitment. After those six months, the cast will be evaluated based on performance and attendance. PAY INFORMATION $15/show. Pay is doubled if the show sells out. AUDITION SPECIFICS The audition committee will consist of the artistic director, show directors, and producers. What to expect at the audition: You do not need to prepare anything. Please wear clothes you are comfortable moving around in and arrive ten minutes beforehand so we can start on time. 12pm - One of our show producers or directors will lead the group in a few warm-ups 12:30pm - Everyone will participate in at least one long form scene based on a one-word suggestion 1:15pm - BREAK 1:30pm - Performers will be divided into groups; each group will perform a set of scenes based on a monologue 2:30pm - Time permitting, character monologue line game 3pm - End Submit here. <https://forms.gle/xbYnncoDojvW3pxK8>

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Case Western Reserve Presents Vitromer
by Katherine Averill 18 Mar '24

18 Mar '24

Case Western Reserve University’s Department of Dance continues its 2023-2024 season with Vitromer, a thesis concert featuring Master of Fine Arts candidates Joel K. Linebach and Chengyao Zhou. Vitromer features the candidates in solos, duets, and ensemble works. Performances are March 21, 22, 23 at 7:30 p.m. and March 24 at 2:30 p.m. All performances are located at Mather Dance Center on the Case Western Reserve campus. Both candidates created ensemble works featuring graduate students and undergraduate dance majors and minors. Joel K. Linebach’s -MER utilizes selected concepts from polymer physics and biology to inspire the generation of a wide range of dynamic movements for a cast of nine dancers. Through spatial arrangements of groups of varying sizes and an interplay of dynamics across the groups, the work emulates Brownian dynamics of biochemical molecules and biological systems. Zhou’s Motion Ink is loosely inspired by abstract expressionist paintings, with music by Travis Lake. This sextet uses dancers’ sweeping movements and linear paths as well as shapes and tableaus to simulate a painter's brush strokes on a canvas. The interaction of different bodies generates a variety of unique images, exploring the endless possibilities that arise from the combination of movement and expression; yet unlike a canvas that can be viewed over and over, each movement is transient, existing only in the present moment. In addition to creating larger ensemble groups, both candidates will perform in their own choreography. Zhou dances a solo entitled The First Time Death which takes its inspiration from a line in an ancient Chinese poem: "Wildfires burn endlessly, but with the arrival of spring winds, life is reborn." Set to music by Chen Yi, this solo incorporates movements that inherently weave moments of regret and struggles with growth and revival to portray a journey of resilience and revitalization. Like Zhou, Linebach will be featured not only as a choreographer, but as a dancer. In his trio Cerulean, Linebach begins his ‘ode to the motion of water’ with a solo of sweeping movements that travel through space evoking qualities of water in various forms. As other dancers enter, the trio carves through the space, channeling and cascading in patterns with flowing movements, often swirling, bursting, and spouting like water itself. Kinetic Echoes, Linebach’s quartet in which he also dances, is a culmination of research funded in part under the auspices of the Baker-Nord Center for the Humanities at Case Western Reserve University with a Graduate Research Grant. Investigating the use of wearable technology in exploring the intersection of movement and sounds generated through movement in a contemporary dance was the cornerstone of Linebach’s creative research. Returning after its premiere in 2023, Shall we drink a cup of tea before we leave? choreographed by Zhou, is a quartet inspired by the traditional Sado tea ceremony. At the heart of the choreography is a sense of a "once in a lifetime" moment that we might all experience at some point in time. All knowing of the sense of impermanence, the host or hostess treats their guests with reverence and honor while the guests simultaneously reciprocate to create a harmonious atmosphere. Ticket Information Tickets are $10 for students with ID, $12 for seniors age 60+ and CWRU personnel, and $15 for general admission. Reservations are now open, and may be made by calling (216) 368-5246 or online at https://case.edu/artsci/dance/news-and-events/ticket-reservations

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Auditions for The Importance of Being Earnest and You Can't Take it with You!
by Christopher M Bizub 17 Mar '24

17 Mar '24

The Willoughby Summer Theatre Festival is proud to announce auditions for its 2024 season… *You Can't Take It With You by George S. Kaufman and Moss Hart *The Gin Game by Donald L. Coburn *The Importance of Being Earnest by Oscar Wilde Audition Information: Saturday, March 23rd from 3pm-6pm Sunday, March 24th from 3pm-6pm Audition Location: Andrews Osborne Academy 38588 Mentor Avenue Willoughby, Ohio 44094 Audition Preparation: *Auditions will consist of readings from the script. *Please bring a current headshot/resume. *Please bring any potential rehearsal conflict you may have between June 3rd-July 26th, 2024. Sign up for an audition appointment here: https://m.signupgenius.com/#!/showSignUp/10C0B4FABAB29A7F4C52-47528673-will… All roles in You Can't Take It With You and Importance of Being Earnest are open. All roles in The Gin Game have been pre-cast. Returning company members, if you are interested in spending the summer with us again but you are unavailable to attend auditions, feel free to contact either Darryl Lewis at dlewis(a)andrewsosborne.com from You Can't Take it With You inquiries, or Chris Bizub at cmb164(a)1870.uakron.edu for Importance of Being Earnest inquiries. Performance Dates are between JULY 26 TO AUGUST 11, 2024 You Can't It With You by George S. Kaufman and Moss Hart Directed by Darryl Lewis Performs: July 26th @ 7pm July 27th @ 7pm Aug 1st @ 7pm Aug 3rd @ 7pm The Gin Game by Donald L. Coburn Directed by Michael Rogan Performs July 28th @ 7pm July 31st @ 7pm Aug 2nd @7pm Aug 4th @ 5pm You Can’t Take it With You & The Gin Game Performance Location: Andrews Osborne Academy 38588 Mentor Avenue Willoughby, Ohio 44094 The Importance of Being Earnest By Oscar Wilde Directed by Chris Bizub Performs: July 27th @ 2pm July 28th @ 2pm Aug 3rd @ 2pm Aug 4th @ 2pm Aug 10th @ 2pm Aug 11th @ 2pm Performance Location: The Importance of Being Earnest will be presented outdoors in downtown Willoughby and downtown Chagrin Falls. This season is made possible by the generous people at the Chagrin Valley Little Theater and a generous grant from the Ohio Arts Council. ADDITIONAL INFO: You Can't Take It With You Character Breakdown Martin Vanderhof (Grandpa) - Martin Vanderhof is mainly called “Grandpa” in the play; he is the head of the family in every way. Penelope Sycamore - Penelope -- or Penny, as everyone calls her -- , is married to Paul, and is the daughter of Martin Paul Sycamore - Paul Sycamore is Penny’s husband, and Essie and Alice’s father. Essie Carmichael - Essie is the eldest daughter of Penny and Paul Sycamore, and granddaughter to Grandpa Alice Sycamore - Alice is the younger daughter of Penny and Paul Sycamore and granddaughter of Grandpa Vanderhof. Ed Carmichael - Ed is Essie’s husband and son-in-law to Penny and Paul. Tony Kirby - Tony is Alice’s boyfriend and eventual fiancé. He is the Vice President of Kirby and Company Mr. Anthony Kirby - Mr. Kirby is Tony’s father and the head of the Wall Street firm Kirby and Company Mrs. Miriam Kirby - Mrs. Kirby is the wife of Mr. Anthony Kirby and mother to Tony Boris Kolenkov - Russian. Kolenkhov is Essie’s ballet instructor. He admits that she is a horrible ballet dancer Donald - Donald is Rheba’s longtime boyfriend who frequently visits her where she works, Rheba - Rheba is the maid for the Vanderhof/Sycamore family, but she is treated like one of the family. Mr. De Pinna - Mr. De Pinna is a close friend of the family, who has lived with them for the last eight years. Wilbur Henderson - Mr. Henderson works for the IRS and comes to talk to Grandpa about owing 22 years of back taxes Gay Wellington - Gay Wellington is an actress who Penny invites to the house to read her plays. Grand Duchess Olga Katrina - Grand Duchess Olga Katrina was one of the Grand Duchesses of Russia before the Revolution G-Men - 3-5 actors who arrest the family at the end of Act 2 The Importance of Being Earnest About the show: The Importance of Being Earnest is the most renowned of Oscar Wilde’s comedies. It’s the story of two bachelors, John ‘Jack’ Worthing and Algernon ‘Algy’ Moncrieff, who create alter egos named Ernest to escape their tiresome lives. They attempt to win the hearts of two women who, conveniently, claim to only love men called Ernest. The pair struggle to keep up with their own stories and become tangled in a tale of deception, disguise and misadventure. The elaborate plot ridicules Victorian sensibilities with some of the best loved, and indeed bizarre, characters to be found on the modern stage. Requirements & Preparation: *Cold readings from the script. *Bring a current headshot/resume *Bring a list of any and all conflicts beginning June 3rd, 2024. Casting Information: John Worthington – Male, Age Late 20s-30s Algernon Moncreiff – Male, Age 20s-30s Gwendolen Fairfax – Female, Age 20s-30s Lady Bracknell – Male/Female, Age 50+ Rev. Canon Chasuble – Male, Age 50+ Miss Prism – Female, Age 40+ Lane – Male, Ages 30+ Merriman – Male, Ages 30+

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Dance call and Orchestra Auditions for The Little Mermaid
by Akron Civic 17 Mar '24

17 Mar '24

Hello, high school students! Are you a talented dancer? Do you love performing on stage? Then we have an exciting opportunity for you! We are inviting you to join our ensemble as featured dancers in our 11th Akron All-City Musical Disney's The Little Mermaid. We are holding a dance call on March 26th from 6:30-8 pm at the Akron Civic Theatre. This is your chance to show off your skills and potentially land a spot in our production! We are looking for dancers who are passionate about their craft and excited to be on stage. Whether you have years of experience or are just starting out, we welcome all levels of ability. Don't miss out on this amazing opportunity! Click the link to grab your slot today and join us at the dance call. We can't wait to see you there! Sign up here: https://www.signupgenius.com/go/10C0F45AAA922A4FAC43-48517268-akrons?fbclid… Audition Notice: Pit Orchestra Auditions for Akron All-City Musical "Disney's The Little Mermaid" Attention all high school students in grades 9-12 and graduating seniors! We are excited to announce auditions for the pit orchestra of the Akron All-City Musical production of "Disney's The Little Mermaid". We are looking for talented musicians to join our team and bring this beloved story to life through music. Our pit will be directed by Victor Anstine! Rehearsals will take place starting April 14th on Sundays (4-7 pm) and Tuesdays (6-9pm) at Journey Covenant Church in Cuyahoga Falls. Tech week begins June 2nd and performances are June 7, 8, and 9th. Audition Requirements: - Please prepare 2 songs to play. You may only be asked to play one. - All instruments are welcome except for piano. Audition Date and Time: - Date: March 26th - Time: 6-9 pm Audition Location: - The Akron Civic Theatre Main Stage (182 S. Main St. Akron OH) To sign up for an audition slot, please signup at https://www.signupgenius.com/go/10C0F45AAA922A4FAC43-48193493-akron?fbclid=…

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PAID DANCER CALL
by Tabitha Miner 17 Mar '24

17 Mar '24

PAID DANCER PERFORMANCE Looking for 2 adult Male Dancers who are comfortable doing lifts with a background in Ballet for a performance on June 23rd time TBD but most likely in the evening. This is a quartet performance happening as an opening for a fashion show here in Cleveland! This show has happened for the past 4 years in Cleveland with over 400 spectators and should be a fun event! This will be a collaborative piece with 4 dancers and we are in need of 2 Male Ballet dancers! Doesn’t have to be perfect Ballet but must have a basic understanding and background in ballet and contemporary! Since this is a 4 person piece we will audition dancers by appointment and then collectively find a time that works! Please contact Tabitha via email or text from below to book an audition time and please respond to this call before March 25th in order to be considered. Thank you Tabitha tabithainmotion(a)gmail.com 620-755-8392

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