- NEohioPAL - lists.neohiopal.org

Tartuffe opens at Western Reserve Playhouse Friday
by Western Reserve Playhouse 17 Jan '19

17 Jan '19

Western Reserve announces its 2019 Mainstage Season Opener “Tartuffe” by Molière and translated by Richard Wilbur Directed by August Scarpelli Opens FRIDAY 01/18/19 Western Reserve Playhouse opens its exciting 2019 Mainstage Season with Tartuffe, a daring and witty classic comedy that tells the story of a crafty trickster who uses religion as a guise to flatter the vulnerability of a wealthy patriarch. Initially censored following its 1664 premiere, the play is one of Molière’s most famous works. Translated into English verse by Richard Wilbur, and directed by August Scarpelli. A con-man disguised as a pious spiritual leader wheedles his way into the home of a gullible, affluent man in the midst of a mid-life crisis—and promptly sets the household topsy turvy. If not for the quick witted Dorine, grounded Elmire, and infinitely patient Cléante, all might be lost! Deception, lechery, egotism, young love, and delusion collide in Tartuffe. Molière’s classic work skewers religious hypocrisy and self-inflated egotism. Tartuffe hits the heart of present and historical events. “I think it’s a perfect play for current times; this very moment in our history,” observes Artistic Director, Dawn Sniadak-Yamokoski. “In this production of Tartuffe, we can see a fresh outlook on this play. August Scarpelli magically breathes to life this play with humor and passion balancing the relevancy to our current times while keeping the history of this show intact. It does make one wonder what a good con-man could make the naïve believe and see.” WRP’s production of Tartuffe is filled with an extremely talent cast: Tartuffe - Brian Pedaci, Orgon - Jim Fippin, Dorine - Kelsey Tomlinson, Elmire - Mia Radabaugh, Madame Pernelle - Harriet DeVeto, Flipote - Hannah Hilty, Damis - Daniel Hunsicker, Mariane - Kayla Lehman,Valere - Zach Manthey, Cleante - Jay Hill, Monsieur Loyal - Steven Schuerger, Officer - Jeff Bixby Stage Managed by Brianna Laybourn Light Design by Daniel Hunsicker Costume Design by Harry James Set Construction by James Gremba and Justin Herman. *Tartuffe runs January 18-February 2, 2019. Tickets are $15 to $17 and can be purchased online at WesternReservePlayhouse.org * TITLE: Tartuffe WRITTEN BY: Molière and translated by Richard Wilbur DIRECTOR: August Scarpelli VENUE AND ADDRESS: 3326 Everett Road, Bath, Ohio 44268 RUN DATES: January 18-February 2, 2019 TIMES OF SHOWS: Friday and Saturdays at 8PM, Sunday January 27 at 2PM TICKETS: $17 for Adults and $15 for Students/Seniors BOX OFFICE: 330-620-7314 WEB:WesternReservePlayhouse.org

1 0

REVIEW: The Lion, The Witch, and The Wardrobe, at Canton Players Guild Theatre
by Tom Wachunas 17 Jan '19

17 Jan '19

Their Kingdom Come By Tom Wachunas “Wrong will be right, when Aslan comes in sight, At the sound of his roar, sorrows will be no more, When he bares his teeth, winter meets its death, And when he shakes his mane, we shall have spring again.” ― C.S. Lewis, from The Lion, the Witch and the Wardrobe "The Narnian books are not as muchallegory as supposal. Suppose there were a Narnian world and it, like ours,needed redemption. What kind of incarnation and Passion might Christ besupposed to undergo there?” – C.S. Lewis As of this writing,The Players Guild Theatre (PGT) production of The Lion, the Witch, and the Wardrobe is sold out. Still, I’m movedto gratitude, and to my continuing celebration of how blessed we are to havethe PGT in our midst. The Lion, the Witch and the Wardrobe isa fantasy novel written by C. S. Lewis in 1950, and generally regarded as thebest known of seven novels comprising TheChronicles of Narnia (1950–1956). The story opens in World War II-eraEngland and follows the adventures of the four Pevensie siblings after theystumble through the backside of a wardrobe closet and into a most unexpectedplace – the magical world of Narnia, populated by all manner of mythicaltalking animals. There, the children meet and aid the great lion named Aslan,who has returned to reclaim his kingdom from the evil White Witch and her cruelminions. After his victory, he departs for other realms and rewards thechildren for their trust and bravery by making them - whom he has called hisSons of Adam and Daughters of Eve – heirs to his kingdom, the new Kings and Queensof Narnia. Writing a really invigorating story, andthen making really invigorating theatre from it, are both very much aboutsurrendering, or stepping through a portal deeply embedded in the human soul.Call it what you will – imagination, intuition, or faith – it’s the portal ofdesire to see beyond the merely apparent and the willingness to go there. Trueartists, as well as children, are especially adept at reporting what happensupon crossing the threshold of that portal. Right from thestart of this dramatization by Joseph Robinette, directed here by JonathanTisevich, it was eminently clear that the storytellers are indeed the children.As they flee from wartime air raids on a train ride to their rural refuge, theywalk in a circle around the stage of the Guild’s arena theater, holding theirsuitcases above their heads, gently rocking them up and down to magicallybecome rail cars rolling along country hillsides. So there’snothing here of the glitzy special effects or breathtaking landscapes thatdazzled us in the 2005 Disney film version. Instead, everything feels like it’shappening in, say, a dusty attic. Still, throughout this pared-down iterationof the story, the visual austerity of the set designed by Joshua Erichsen,together with the clever simplicity of the costumes by Stephen Ostertag,effectively conjure just enough alluring otherworldliness. Among the mostthrilling aspects of this production is the riveting authenticity which Sarah Dubinsky, MeshalAlsunaid, Tehilah Caviness, and Logan Peters bring to their respective roles ofLucy, Edmund, Susan, and Peter. These performers are youthful adults, to besure. Yet for the lion’s share of the proceedings, so to speak, they’re soemotionally invested in their characters’ distinctive personalities that I thoughtat times I was observing actual children. They’re that credible and endearing. And in navigating the play’s deeperthemes of fear, betrayal, forgiveness, and sacrifice, they seem to grow upbefore our very eyes. Equally endearing intheir effusive and giddy energy are Michael Burke and Morgan Brown as Mr. andMrs. Beaver. Additionally, Jeremy A. Clarke brings enchanting tenderness to hisrole of the friendly faun, Tumnus. On the other end of the behavioral spectrum,Charli Habingreither is deliciously vicious in her role of Ulf, thewolf-captain of the White Witch’s police force. She’s all too eager to carryout her boss’s every murderous command. As the WhiteWitch, Shley Snider is charming and seductive in the darkest, most deceptivesense of the words. With a voice sometimes searing enough to peel paint, she’salso literally chilling, considering how her character’s cold-heartedmaleficence has wreaked permanent winter on Narnia. Interestingly, themost understated presence here is Aslan, played by Eric Dubinsky. But in thegrand scheme of things, it’s a very sensible understatement. Call it royalserenity. Or loving surrender. Dubinsky convincingly gives us Aslan’sunswerving compassion and confidence. Such qualities become all the morepalpable and bittersweet as we witness his moment of real anguish when he’sabout to die by the Witch’s hand. In the end,consistent with so many past occasions, I simply marveled at the exquisitelyappointed portal to compelling art that The Players Guild Theatre keeps openfor us. The Lion, The Witch, and The Wardrobe – atthe Players Guild Theatre, THROUGHJANUARY 27, 2019 /1001 Market Avenue N., Canton, Ohio https://www.playersguildtheatre.com/ For othercommentaries by Tom Wachunas on the visual and performing art in the greaterCanton area, please visit his blog, ARTWACH, at www.artwach.blogspot.com

1 0

Looking for a Stage Manager & Light/Sound board op
by Ian Zainea 17 Jan '19

17 Jan '19

A Clear View at Independence Community Theater is looking for a stage manager and light/sound board operator. The show is currently in rehearsals and runs the first 3 weeks in March. Stage manager duties: - Mark blocking in script - Provide lines for actors - Organize back stage - Manage back stage during shows - Call a limited number of cues - Begin as soon as possible, rehearsals are generally sunday, Tuesday, Wednesday, with 3 mondays, Jan 21, 28, feb18 -Show dates are: Mar 1, 2, 8, 9, 10, 15, 16 Light/Sound Op duties: - Run light cues (they will be programmed for you) - Run sound cues (they will be programmed for you) -Begin Tech Sunday (feb 24), (tech week feb 24-28), show dates Show dates are: Mar 1, 2, 8, 9, 10, 15, 16 If you're interested, send your experience/resume to contact(a)independencetheatre.org Thanks, Ian

1 0

Independence Community Theater - Program ads on sale now
by Independence Theater 17 Jan '19

17 Jan '19

ICT program ads on sale now for 2019-2020 Promotional offer available! Submit by February 4, 2019 & *get the final 3 shows* of the current season *at no extra cost*. Thanks to your continued support, Independence Community Theater is able to bring quality entertainment to the community. This year we are pleased to offer four unique productions that are sure to entertain everyone. We are selling ads currently for the 2019-2020 season to be placed in our programs. When you buy the ad, it will appear in the program for the entire season and all four shows. But if you submit your design and payment by February 4th you can get your ad in the final three shows of the current season at no extra cost. Listed below is size and cost of each type of ad available. - $100 - Full Page Ad - $50 - Half Page Ad - $25 - Quarter Page Ad - $10 - Angel of the Theater Add $25 to have us design an ad for you (applies to A,B,C only) If you choose the Angel of the Theater ad, your name will be placed in a list with other Angels in the program. Please call (216) 447-0443 <1-216-447-0443> or visit http://www.independencetheatre.org/advertise.php for futher information. You can send designs or artwork to contact(a)independencetheatre.org. Sign up now with this form: http://www.independencetheatre.org/advertise.php#formtop Again we thank you for supporting your community theater with an ad. Sincerely, *ICT Board*

1 0

Pro Readers Only: Coverage needed
by Joseph Bauer 17 Jan '19

17 Jan '19

I will pay you $25 for your professional coverage and critique of my screenplay. Joeybauer1967(a)gmail.com.

1 0

SCAB by Sheila Callaghan @ Baldwin Wallace University Jan 24 - 26
by sara＠sarawhale.com 17 Jan '19

17 Jan '19

1 0

Near West Theatre is Hiring!
by Brant Duda 17 Jan '19

17 Jan '19

Hello! I'm reaching out with an exciting opportunity at Near West Theatre! We are seeking an Artistic Director. Please see below for more information. *POSITION SUMMARY: * The Artistic Director is responsible for conceiving, developing, and implementing the artistic and community building vision and focus of Near West Theatre’s mission. In collaboration with the Managing Director, the Artistic Director will also participate in major decisions about the ongoing development and delivery of the organization’s mission, values and activities, with input from NWT staff, stakeholders, and the community. NWT’s Artistic Director must be a compassionate, passionate, and dynamic leader with extensive experience producing high quality musical theatre while facilitating an individual and communal transformational process with people of diverse racial, ethnic, economic, sexual, and spiritual backgrounds. *KEY RESPONSIBILITIES:* *Productions / Mainstage Season:* • Directs, at minimum, two shows per season and acts as choreographer, music director, or assistant director for remaining shows • Secures mainstage choreographers, and musical directors for all shows and additional directors for shows which s/he is not lead director • Provides direct supervision and oversight to all production staff • Researches and selects shows for upcoming seasons in partnership with the Associate Artistic Director and Managing Director • In collaboration with the production manager, secures or approves all show directors, designers, and paid crew members • Oversees and monitors all auditions, weighs in and approves all casting decisions, and seeks the feedback of others while casting own shows • Has ultimate oversight over productions and works with the individual directors as needed • Oversight on all production schedules and calendars, ensuring enough time and planning can occur within a strategic and collaborative environment • Fiercely advocates for and embraces NWT’s mission of casting non-traditionally and creatively • Must adhere to NWT’s commitment of blending individual and community skill-building exercises and traditions into rehearsal schedules • Works with production team to create visibility for all NWT programs • Develops and implements external programs and performances to better build relationships and awareness in the Detroit Shoreway community *Education / Programs:* • Provides supervision and oversight to program managers, curriculum, activities and outcomes for participants. • Responsible for the timely submission of reports, documentation, and assessments from program managers and teaching artists. • Responsible for staffing and training for all program facilitators • Aligns all programs to mission and overall production season • Works with production team to create opportunities for exposure for participants and programs on the mainstage • Develops and implements external programs and performances to better build relationships and awareness in the Detroit Shoreway community *Administrative, Special Events, & Fund Development * • Conducts annual performance reviews for all direct reports • Responsible for the timely submission of reports, documentation, and assessments from program managers and teaching artists • Works closely with Managing Director to develop and adhere to budgets (production and program related) and advance organization goals • Ability and desire to represent the organization and mission externally • Attends and reports at Board meetings • Oversees documentation and reporting of outcomes to ensure organization financial sustainability • Coordinates annual benefit production, acquiring production team and talent • Responsible for entertainment on all company functions including donor events • Works closely with, and provides final approval to the Marketing Manager to advance goals through digital and collateral materials • Provides direction, oversight, and final approval on all production artwork for the season *REQUIRED SKILLS: * • A commitment to the values and mission of the organization • An understanding of music direction, choreography and/or technical theatre • A natural and welcoming leader and mentor with a commitment to community building • Ability and passion to work inclusively with all ages and diverse populations • Passion for community, social activism, and civic engagement • Experience staging large productions (40-60 people) • Experience in conflict resolution and facilitating conversations about art and healing • Ability to develop skills and knowledge for our participants • Excellence in writing, messaging and communications. • Proficiency in messaging using the voice and brand of the organization. • Ability to multi-task and manage time effectively. • Strong attention to detail and accuracy • Proficiency Microsoft Windows, Microsoft Office Suite, Basecamp (or other task management platform) *REQUIREMENT: * B.A. in theatre, musical theatre, music, dance or other related fields required. *EXPERIENCE: * Minimum of 7 years experience in theatre production as a director (employee or freelance). Experience with multiple ages, populations and abilities preferred. *JOB CLASSIFICATION: * This is a Full-Time, exempt position with many evening and weekend responsibilities. NWT offers a salary commensurate with qualifications and experience. *PHYSICAL: * Normal or corrected vision and manual dexterity sufficient to perform work on a personal computer and other office equipment such as a copy machine and computer printer. Must be comfortable working in many environments. Long hours particularly during Applications are due by *February 15th* and should be sent to Brant Duda at bduda(a)strategydesignpartners.com. Thank you! -- *Brant Duda*Manager of Strategy & Communications Strategy Design Partners 3500 Lorain Ave. Suite 302 Cleveland, OH 44113 bduda(a)strategydesignpartners.com c:724.554.3145

1 0

Adult and Teen Meisner in Hudson Starts February Second!!
by Barbara Stitzer 17 Jan '19

17 Jan '19

Teen Meisner classes start Sunday, February 2nd in Hudson. Teen class is 10-1130 and adult class is 1130-1. I studied directly with Sandy Meisner and he then taught me to teach his method, which led to my getting my SAG, AFTRA and Equity cards and being a working actor. Come learn this sustainable method that’s applicable to every situation! -- All my best, Barb Barbara Stitzer Stalk me: http://www.barbstitzer.com Instagram: http://www.instagram.com/barbstitzerphotography Snapchat: barbstitzer

1 0

Stage Write: Comedy Class for Youth
by Jill Levin 17 Jan '19

17 Jan '19

Lake Erie Ink is offering a comedy writing class for youth grades 6-12 on Monday eves January 28 - March 18. Stand up and sketch comedy writing and performance are explored, with a live performance on the final day. Cost is $75 and scholarships are available. Go to lakeerieink.org/register/. (Scroll down for Stage Write). Call 216.320.4757 for more info Jill Levin

1 0

Welcome Home Weathervane with John Magaro this Saturday!
by Lauren Sprowls 17 Jan '19

17 Jan '19

Weathervane Playhouse presents Welcome Home Weathervane! Saturday, January 19, 2019 Weathervane is excited to be hosting our first Welcome Home Weathervane event, celebrating our alumni working in the field. This month, we will be welcoming John Magaro, professional actor. John left the Akron area to pursue a successful career on Broadway, and as a film and television actor, with appearances on "Orange is the New Black", "The Big Short", "Jack Ryan", and many more! Q&A and Talk with John Magaro Saturday, January 19, 2019 1:00-2:00 p.m. FREE for all Weathervane Families, Students, and Community Members John will discuss his experience as a young performer, acting at Weathervane, and how to obtain a successful career in the performing arts. Students and parents will be able to ask questions and get an autograph from John as well. To reserve your spot: Email lsprowls(a)weathervaneplayhouse.com or call 330-836-2626 Master Class with John Magaro Saturday, January 19, 2019 2:00-4:00 p.m. Ages: 16 and up Tuition: $10.00 Join us for our first Welcome Home Weathervane Master Class with John Magaro! Through this 2-hour class, john with share some of his tips and tricks on getting into to the business and maintaining a successful career. Whether it's the transition from stage to film or good auditioning practices, this hands-on class will provide knowledge and new perspectives on living as a professional actor. For more information and to register for the class: http://weathervaneplayhouse.com/master-classes- Pre-Show Reception with Educators Saturday, January 19, 2019 6:00 p.m. Educators and Community Members will enjoy a pre-show reception with John and receive $10.00 discounted tickets to the production of Almost Maine that evening. The reception will include light refreshments and appetizers. You may purchase tickets for the show online using the code MAGARO or call the Box Office. To reserve your spot: Email lsprowls(a)weathervaneplayhouse.com or call 330-836-2626 Lauren Sprowls Education Director Weathervane Playhouse 330-836-2626 xt 35 [facebook1]<https://www.facebook.com/WeathervanePlayhouse>[twitter1]<https://twitter.com/WeathervanePlay>[instagram1]<https://www.instagram.com/weathervaneplay>[linkedin1]<https://www.linkedin.com/company/weathervane-playhouse-akron>[youtube1 (1)]<https://www.youtube.com/user/weathervaneplayhouse>

1 0