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Professional Auditions and Weekly Classes with The Movement Project
by Irene Honora via NEohioPAL 12 Apr '17

12 Apr '17

*Professional Summer Intensive Auditions* TMP will be having an audition tour for potential dancers for our Professional Summer Intensive July 17-July 21. All auditions are FREE! This one week intensive is geared for professional and college dancers interested in furthering themselves as creative thinkers and who wish to deepen and grow their technical and performance knowledge. This intensive provides a rigorous daily schedule in professional training and creative practice taught by TMP artistic directors, company members, as well as notable guest artists in the dance community. Here is the tour: *APRIL 22ND* University of Akron 1:00pm - 1:30pm (Registration) 1:30pm - 2:30pm (Audition) Location: Guzzetta Hall, Akron, OH 44325 (Guzzetta Hall - Studio 191) *APRIL 23RD* Kent State University 11:30am - 12:00pm (Registration) 12:00pm - 1:00pm (Audition) Location: Kent, Ohio 44242 B141 Center for the Performing Arts (Studio - TBD) For more information, visit our website: http://www.themovemen tproject.org/summer-intensive16/pro-1/ *Weekly Dance Classes for Professionals* TMP will be offering classes for professional and college movers! Here is the schedule: Monday 10:15-11:30am Modern/Contemporary Wednesday 10:15-11:30am Modern/Contemporary Thursday 10-11:30am Pilates and Stretching (bring mat) Friday 9:30am-11am Ballet *PRICING* 10-Class Card $80 ($8/class) 5-Class Card $50 ($10/class) Single Class $12 *Class cards good through 2017. Classes can also be purchased at the door. For more information and class descriptions, visit our website here: http://www.themovementproject.org/weeklyclasses/ If you have any questions contact me at irene(a)themovementproject.org or Rebecca Leuszler at rebecca(a)themovementproject.org. Thank you! -- *Irene Honora* Professional Dancer The Movement Project http://www.themovementproject.org/

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CAUSING A SCENE workshop for budding actors ages 6-9
by Sarah Coon via NEohioPAL 12 Apr '17

12 Apr '17

Causing a scene!APRIL 22 & 2310:00AM-1:00PM BOTH DAYS Budding actors will learn the building blocks of theatre in this fun, play-centered workshop. With OSF educator Sarah Coon, Students will explore how to create a character and react to their environment, while learning theatre basics such a stage directions and common phrases. Other activities will focus on transferable skills including teamwork and concentration. *Ages 6-9* *$75 for two days *(6 hours total), discounts available for families with more than one student. Small class environment. Held on the Henry C. Bishop Stage REGISTER NOW <https://www.showclix.com/event/weekend-workshop-causing-a-scene> OHIO SHAKESPEARE FESTIVAL WEEKEND WORKSHOPS Our talented company members and educators want to share their skills and expertise with the community. These fun and intensive programs are masterclasses in some of the most exciting elements of theatre. *Classes are suitable for all skill levels! * Whether you are a dedicated actor hoping to hone her classical acting skills or the curious beginner looking to have some fun with the Bard, we have the class you're looking for. Small class environment, two days of training, and on the actual Greystone Stage. At $75-$100 per student (depending on the course), these classes are a steal! See below for detailed descriptions, or start shopping right away. SHOP ALL CLASSES <https://www.showclix.com/events/20068> Private tutoring also available; call 330-374-7574 <(330)%20374-7574> for details. *Scholarship applications are available upon request. *OSF wants to make our art accessible to the entire community. Please reach out to us if you feel your student may qualify for one of our need-based scholarships.

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An unsolicited opinion- Cabaret
by Melissa Day-Miller via NEohioPAL 12 Apr '17

12 Apr '17

I did NOT want to see Cabaret at the Players Guild. Not because they don't put on great productions. Not because I don't like the show. Not because someone else said it was bad. But because I saw the cast list. I was so angry to see that my favorite role of all time in my favorite show of all time was being played by a woman. I was so angry. And I was so wrong. I want to start with the rest of the show before I get there. I have never seen a show in the arena theater at Players Guild so I did not know what to expect of the space. IT. IS. INCREDIBLE. The space gives the director and design team an opportunity to include their audience in the action and that is exactly what Jon Tisevich and Micah Harvey have done. Harvey's set design is unique yet simple. With simple furniture and creative staging, Tisevich is able to create new settings without depending on wingspace for storage. The orchestra, led by music director Steve Parsons sounded flawless. Because I don't know where they were hidden, I almost would have thought they were pre-recorded. The cast is small yet mighty. The Kit Kat boys and girls are attractive, yes, but they're also BEYOND talented. Particularly the girls, who are a collective unit in their choreography yet manage to let their individual characters shine through. Speaking of choreography-Wow! Again. WOW!!! Not only is Michael Lawrence Akers' choreography SUPER IMPRESSIVE, but it is executed flawlessly by this talented ensemble. Knowing they had a short rehearsal window makes this even more amazing. Featured standout Ralph Cooley is charming and quite perfect as Herr Schultz. His chemistry with Wendy Schanz as Fraulein Schneider is lacking however as the duo are not evenly matched. Vocally, Schanz is good but did not deliver with her inconsistent accent and a few clearly flubbed lines. Jacob Sustersic is strong as Ludwig, tackling the difficult dynamic of an often underplayed role. As Fraulein Kost, Brittany Racano is not to be overlooked. Her voice is lovely and almost sweet in "Married" and raw and a little menacing in "Tomorrow Belongs to Me". This severe triple (quadruple?) threat even plays the accordion in the Act 1 finale. Truly a standout. As Cliff, Matthew Heppe is young for the role. Not necessarily in age, but in mood. His optimistic approach to the character at the beginning of the show works brilliantly but the darker dynamic required as the show progresses is not as strong, which makes for an uneven character balance. Similarly, Sarah Marie Young gives 200% to Sally Bowles yet doesn't win my heart. Her lovely singing voice is gone and instead she seems to focus too hard on being this raw, broken woman with no sincerity. This in no way takes away from her absolute dedication to the role and she deserves the highest praise for her wonderful work in this production. And now to Olivia Wimberly as the Emcee. The show belongs to her. This is not a light role. Not an easy task. And Wimberly is as good as and in many cases, better than some of the very talented men I have seen play this role. The word "good" is lazy because I cannot find a word to describe my reaction to her exceptional performance. She is funny. She is playful. She is mischievous. She is sincere. She stole my heart five seconds into the show. In case you may think it can't be that impressive, it must also be mentioned that she SINGS this music in the original keys-which was written for a man. THANK YOU Mr. Tisevich and your team for taking this risk. THANK YOU Olivia for bringing beautiful life to such an amazing character. GO SEE THIS. I think it's mostly sold out. Find a way to see this. This runs until April 15th. Melissa Miller Sent from Outlook<http://aka.ms/weboutlook>

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An unsolicited opinion- Titanic the musical
by Melissa Day-Miller via NEohioPAL 12 Apr '17

12 Apr '17

Soon we will be at the 105th anniversary of the sinking of the "largest moving object in the world". 105 years ago thousands of men and women gathered on the Titanic, sailing for America, unaware that more than half of them would not finish the journey. Going into a show knowing how it's going to end sometimes clouds an audience's vision, but Titanic is something special and this production is no different. I was excited from the very beginning when I sat in my seat and saw the simple yet detailed set. The porthole doors looked awesome and there was even a crow's nest! Then I noticed the railings on the steps leading onto the stage and realized that the passengers would be "boarding" through the audience and I could NOT wait. The lights came up, the show started and I was hooked from the beginning. The band sounded awesome-loaded with strings and hauntingly beautiful and well blended. However, because most of the cast did not wear body mics, sometimes they overpowered the singers. For the most part, the costumes are stunning. There was a costume or two that seemed to be a bit lazy, especially in contrast the the vast majority of accurate and beautiful costumes. The lighting design was exceptionally effective, highlighted in act 2 by the stark beauty of "stars" shining behind the ship as it sank. Right off I was in love with Neil Scheibelhut as Andrews. He is strong but not overbearing in the role, appealing effectively to the humanity of the character, urging us to cheer for him and his masterpiece-even if we do know how the story ends. Alongside him is Don Disantis, who looks and embodies the role of Captain EJ Smith, and Kevin Kelly as Bruce Ismay-imposing, forceful, a little sneaky, and so very very well performed. Of course, everyone's favorite song in the show goes to supporting actors Jacob Wadenpfuhl and Robert Kowalewski as Barrett and Bride singing the beautiful duet "The Proposal/The Night Was Alive". These two delightful tenors don't just sing marvelously but create a strong contrast to each other with their equally brilliant portrayals of their respective characters. Kowalewski also plays Wallace Hartley, and while his voice seems to soar more naturally in Bride's tenor range, his baritone in "Autumn" is just as stunning. Other supporting characters who deserve to be recognized for their performances include Stuart Landes, who expertly conquers the demands of the quietly dynamic Murdoch; the unflappable and perfectly cast Joel Fenstermaker as head of waitstaff Etches; the very talented Tony Heffner as Fleet (whose "Iceberg, right ahead" sent chills down my spine) and David Turner, who is charming as second class passenger Charles Clarke. There are a few casting choices that don't quite fit and most of the actors using accents are inconsistent or not even close to sounding authentic. Some staging was unclear as well. At one point, the bellboy went running for safety and was halted by another crew member, then minutes later he was standing with the captain to update him on the loading of the lifeboats. Another confusion was the large number of actors playing several roles while not always being clearly defined as to their purpose in the scene. In a show like this, where the progress so heavily relies on everyone working together to tell the story, I also must call out the brilliant ensemble work. First of all, as Madeline Astor, Kristina Zielinksi gets very little stage time yet manages to leave a lasting impression. You don't forget dazzling stage presence like that. Did I mention she really IS 7 months pregnant? Did I also mention that she DANCES (while 7 months pregnant) in the show's one dance number and is simply radiant? Simply wonderful. I must also point out, without saying or singing any solo lines, 3rd class ensemble Tara Corkery managed to skillfully capture my attention with her lovely and hopeful storytelling in "Lady's Maid". Later, this same actress broke my heart with her genuine desperation when she tried to run to safety. When Pitman (Anthony Salantino) dragged her back (1st and 2nd class first!), both seemed to unravel at the realization of what is going to happen to them. And then when triple threat Sydney Stone (Kate Murphy) comforts them (and adorable bellboy Chase Zadd), I was sobbing. This scene is already SO devastating watching the men leave their wives (and children) but I loved how many stories were being told at the same time. Everywhere I looked there were hearts breaking and lives about to end and every single person on that stage was 100% engaged and dedicated to telling this story. THIS ENSEMBLE IS BEAUTIFUL. The very best thing about this show is the tight bond between the actors. It is apparent to the audience that this cast genuinely cares for each other and for the memory of those they are representing. There was so much affection on that stage that, while I am saddened by the tragedy, my heart was so very moved by the deep connection between each member of this cast. I don't know what Ms. Netzband does to build a show family like this, but it affected me greatly. Incredible work. Do NOT miss this show. It runs through April 23rd. No show on Easter. Melissa Miller Sent from Outlook<http://aka.ms/weboutlook>

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Karamu House presents YOU CAN'T TAKE IT WITH YOU @Tri-C East
by Nathan Lilly via NEohioPAL 12 Apr '17

12 Apr '17

KAUFFMAN & HART'S PULITZER PRIZE-WINNING COMEDY BOOKENDS KARAMU'S SEASON OF DIVERSITY, INCLUSION Karamu House, the oldest African-American theatre in the country, continues its mission to produce socially-relevant, professional-quality entertainment. You Can't Take It With You will close Karamu's 2016-2017 season and will run from April 20 through May 7, 2017. All performances will be held at Cuyahoga Community College Eastern Campus Mandel Theatre. YOU CAN'T TAKE IT WITH YOU written by Moss Hart & George S. Kaufman directed by Fred Sternfeld APRIL 20 - MAY 7, 2017 Tri-C East Campus Mandel Theatre 4250 Richmond Road, Highland Hills, Ohio When a wealthy Wall Street family collides with a slightly-batty but "eccentric" NYC family, the hilarious hijinks that ensues is nothing short of explosive. This Pulitzer Prize-winning play written by Moss Hart and George S. Kaufman is a classic American romantic comedy that smartly arranges farce, wit, and social commentary, with optimism and compassion. One of the most popular and successful plays of modern times, this quintessential play takes you on a wild romp you won't soon forget. The original production premiered on Broadway in 1936 at the Booth Theatre and played for 837 performances, winning the 1937 Pulitzer Prize for Drama. Adapted for the screen in 1938, the film starred James Stewart, Jean Arthur, Lionel Barrymore, Ann Miller and Eddie "Rochester" Anderson, and garnered the Academy Award for Best Picture. The most recent 2014 Broadway revival, directed by Scott Ellis, starred James Earl Jones, Rose Byrne, Elizabeth Ashley, and Annaleigh Ashford earning a Tony Award nomination for Best Revival of a Play in 2015. For tickets to this smart side-splitting comedy, visit us online at www.karamuhouse.org or call 216.795.7077. The ACTING COMPANY for You Can't Take It With You includes: BOB ABELMAN as Mr. De Pinna CHRIS BIZUB as Boris Kholenkov DAVID BOYCE as G-Man 2 "Jim" SYRMYLIN R. CARTWRIGHT as G-Man "The Man" SUE COHEN as Duchess Olga Katrina JEANNINE GASKIN as Rheba GREGORY DYLAN as G-Man 3 "Mac" MAYA JONES as Essie JOSHUA MCELROY as Ed ANNE J. MCEVOY as Penny Sycamore MIGUEL OSBORNE as Donald CARLA PETROSKI as Gay Wellington CHRIS RICHARDS* as Tony Kirby LUTHER PETE ROBINSON as Paul Sycamore PROPHET SEAY as Henderson CORLESIA SMITH as Alice Sycamore LAURA STARNIK as Mrs. Kirby GREG WHITE as Grandpa LOU WILL as Mr. Kirby * Denotes member of Actors' Equity Association, the union of professional actors and stage managers in the United States The CREATIVE TEAM for You Can't Take It With You includes: Director ......................... FRED STERNFELD** Stage Manager ............ MEGAN MINGUS* Scenic Designer ............ RICHARD MORRIS, JR. Lighting Designer ......... ROBERT PECK Costume Designer ....... INDA BLATCH-GEIB Sound Designer ............ STAN KOZAK Props Mistress. ............. CLIFFIE JONES Technical Director ........ PROPHET SEAY Resident Costumer ....... BRIELLE MCGREW Choreographer ............. BEBE WEINBERG KATZ * The stage manager is a member of Actors' Equity Association, the union of professional actors and stage managers in the United States. ** The director is a member of the Stage Directors and Choreographers Society, a National Theatrical Labor Union. Tickets range in price from $15 - $37. Groups of 10+ save more on single ticket prices. Visit Karamu 2.0 online at www.karamuhouse.org.

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2017 Play Lab & Spring Workshops April 12 & 15
by Playwrights Local via NEohioPAL 12 Apr '17

12 Apr '17

PLAYWRIGHTS LOCAL Presents 2017 Play Lab + Spring Workshops Staged readings of new plays from our annual incubator program Open playwriting workshops for students of all skill levels Post-show discussions and receptions Wednesday & Saturday April 12 & 15, 2017 FREE! (Suggested Donation: $10) Intended for adults & teens http://playwrightslocal.org/2017playlab/ https://www.facebook.com/events/777308945751320/ This year’s featured plays: TWICE TOLD TALES Written by Simone Barros Directed by Terrence Spivey Dramaturgy by Lenora Inez Brown THE UNEXPECTED ADVOCATE Written by Mary Wilkinson and Deb Dyer Directed by Nick Hrutkay Dramaturgy by Eileen O’Leary THE PANTHER DANCER Written by Logan Cutler Smith Directed by Tyson Douglas Rand Dramaturgy by David Todd This year’s open workshops: THE PAST IS NEVER PAST: WRITING HISTORY PLAYS Led by Arwen Mitchell FIFTY WAYS TO START A PLAY Led by Mike Geither VENUE FOR ALL EVENTS Creative Space at Waterloo Arts 397 E. 156th Street, Cleveland, OH 44110 For more information, visit playwrightslocal.org/ or call (216) 302-8856 This event was made possible by support from The Cyrus Eaton Foundation.

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Olmsted Falls Middle School Presents, "Fantastic Mr. Fox"
by Eric Bartkowski via NEohioPAL 12 Apr '17

12 Apr '17

45 Cast members. 9 Folk musicians. 6 Foley artists. 26 Crew members. 1 Fantastic Production! The Olmsted Falls Middle School Bulldog Theatre Company is proud to present its production of *Fantastic Mr. Fox*, Roald Dahl's fantasy adventure about a displaced family of foxes and the clever ways they and other woodland creatures outwit three bumbling farmers. Performances are Thursday April 27, Friday April 28, and Saturday April 29 at 7:00pm in the Olmsted Falls Middle School Cafeteria (27045 Bagley Rd, Olmsted Falls, OH 44138). Tickets prices are: $5 for adults $3 for Students (4th grade and up) Free for Senior Citizens and Students 3rd grade and lower. Thank you for supporting the Arts in our schools! For further information, please contact Eric Bartkowski ( ebartkowski(a)ofcs.net) -- *In the end we will conserve only what we love. We will love only what we understand. We will understand only what we are taught.* -Baba Dioum

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French Creek Cinema presents MIGHTY MORPHIN POWER RANGERS
by fctheatre via NEohioPAL 12 Apr '17

12 Apr '17

French Creek Cinema presents... MIGHTY MORPHIN POWER RANGERS See the original 1995 classic on the big screen! $1 admission includes popcorn! April 19th, 3:00pm For more info call (440) 949-5200 x226 French Creek Theatre<http://metroparks.cc/theatre.php> is located within the French Creek Nature & Arts Center / 4530 Colorado Ave / Sheffield Village / 44054

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Dancing Wheels Company Audition
by kelly clymer via NEohioPAL 12 Apr '17

12 Apr '17

Want to be a part of The Dancing Wheels Company? Our next audition is approaching very quickly!WHEN: May 20, 11:00amWHERE: The Dancing Wheels Company & School3615 Euclid Ave, Cleveland, OH 44115Dancers should bring a current resume and headshot. Please register for the audition by emailing Artistic Director Mary Verdi-Fletcher at vfletcher1(a)aol.com. The Dancing Wheels Company, America's first professional physically integrated dance company, is holding an audition for qualified male and female dancers. Dancing Wheels is a nationally touring company that works with highly acclaimed choreographers each year. Most recent works include full length pieces from Donald McKayle, Dianne McIntyre, Nai-Ni Chen, Christopher Fleming, Michael Uthoff, Peter Kalivis, and David Rousseve.

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Final weekend! HARM'S WAY, a dark comedy by Mac Wellman
by convergence-continuum via NEohioPAL 12 Apr '17

12 Apr '17

DARK, HUMOROUS & STRANGE: “HARM'S WAY” BY MAC WELLMAN FINAL WEEKEND THIS THURS-SAT AT CONVERGENCE-CONTINUUM "There is more cussin' and shootin' and killin' than a Quentin Tarantino movie....By the way, it's a comedy" (Mark Horning, Talkin' Broadway [1]) "...we are plunged into the distorted world of playwright Mac Wellman, a world where common aspects of our lives – violence, con games, dead Presidents – appear as if reflected in a fun house mirror. And then you realize maybe this view isn't so distorted after all." (Christine Howey, Rave and Pan [2]) Harm’s Way, the darkly humorous fable of an angry man on a rampage through a fantastical wilderness, follows the exploits of very angry Santouche as he tries to make sense of law and order in a nation of other very angry people. Filled with Wild West and circus sideshow imagery, the action doesn’t take place in any specific time or place. But all the characters drink from the same poisoned well, which is definitely American. It might be anytime in the last 70 years, or even possibly in the next. Harm’s Way is directed by convergence-continuum’s Artistic Director, Clyde Simon, and features actors Wesley Allen, Robert Branch, Gideon Lorete, Joseph Milan, Michael Regnier, Beau Reinker, Brian Westerley, Hillary Wheelock, Carrie Williams and Monica Zach. This is the seventh Mac Wellman play presented by convergence-continuum, having previously produced Sincerity Forever, 7 Blowjobs, Cleveland, Whirligig, A Murder of Crows and The Hyacinth Macaw. Harm’s Way has its final three performances this Thu-Sat at 8 pm at convergence-continuum’s Liminis Theater, 2438 Scranton Rd, Cleveland 44113 in the historic Tremont neighborhood. Tickets are $20 general admission, $15 seniors (65+), $10 students. Reservations at http://convergence-continuum.org [3]or 216-687-0074. Links: ------ [1] http://www.talkinbroadway.com/page/regional/cleveland/cleve164.html [2] http://raveandpan.blogspot.com/ [3] http://convergence-continuum.org/

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