January 2018 - NEohioPAL - lists.neohiopal.org

Beck Center GYPSY Auditions {Adults/Kids/Singers/Non-Singing Actors}
by Scott Spence 26 Jan '18

26 Jan '18

Beck Center in Lakewood is thrilled to announce open call auditions for our Summer 2018 production of..... * GYPSY* * Book by Arthur Laurents* * Music by Jule Stein* * Lyrics by Stephen Sondheim* Considered by many to be THE gold standard of American Musical Theatre, *GYPSY* spins the tale of a time where the death of Vaudeville was imminent, and its much more lascivious cousin Burlesque was poised to take the reins. Mama Rose is determined to vicariously live the star-branded life she never had through daughters June and Louise as they go from town to town searching for their big breaks. Once it finally happens for Louise (having adopted the stripper persona of Gypsy Rose Lee) Rose's life begins to crumble as she comes to terms with the answer to 'Who was it all for?' Director Scott Spence, Musical Director Larry Goodpaster and Choreographer Martin Cespedes are seeking a diverse company of actors, singers and dancers to give light to this masterpiece of Musical Theatre. *Open Call Auditions will occur at the following times, and appointments can be made by calling the Beck Center Box Office at 216-521-2540 x10 <(216)%20521-2540> during normal business hours.* * Sunday February 18th {6PM to 9PM}* * AND* * Monday February 19th {6PM to 9PM}* *GYPSY* is one of those rare musicals that feature BOTH singing and non-singing roles. So--- if you are a character actor/non-singer who has been seeking opportunities in Musical Theatre, this could be your chance! It is also a show that caters to a wide age range {9 to 75}. All actors 18 and older receive a stipend for their participation. It is anticipated that Two AEA contracts will be offered {SPT---Small Professional Theatre Contract}.* EMC (Equity Members Candidacy) Points/Weeks ARE available for this production! (likely 11 or 12 total)* * Performances* *{July 6th through August 12th}* * Rehearsals Begin* * {Approximately May 26th}* *What To Prepare* If you are auditioning for a singing role, please prepare one brief song (60 to 90 seconds) ideally from the Musical Theatre canon. Bring sheet music in your key. An accompanist will be provided for you. If auditioning ONLY for non-singing tracks, please either prepare a brief (60 seconds is fine) monologue *OR* be prepared to sight read a provided piece at your audition. Any dance for the show will be done as part of the *callback process, which will be the weekend of Feb. 24/25, times TBD.* *Roles* {All roles for this production of *GYPSY* are open. No early casting has occurred} *{Adult Roles. Age indicates ideal character range}* **Mama Rose* (age 45 to 55) **Herbie *{Act Manager and Rose's love interest. 45 to 60} **Older June* (Rose's darling. 16 to 21. Must dance well, incl. splits and tap} **Older Louise* {Who will become Gypsy Rose Lee. 17 to 22} **Tulsa* {Part of the Vaudeville act. Elopes with June. Male. 17 to 22. Strong tap skills} *+L.A.* {Part of the vaudeville act. Male. 16 to 21. Solid dancer. Some tap} *+Yonkers* {Part of the Vaudeville act. Male. 16 to 21. Solid dancer. Some tap} *+Angie* {Part of the Vaudeville act. Male. 16 to 21. Solid dancer. Some tap} *+Agnes* {Hollywood Blonde act. Female. 17 to 22. Solid dancer} *+Marjorie May* {Hollywood Blonde act. Female. 17 to 22. Solid dancer} *+Dolores* {Hollywood Blonde act. Female. 17 to 22. Solid dancer} *+Thelma* {Hollywood Blonde act. Female. 17 to 22. Solid dancer} *+Gail* {Hollywood Blonde act. Female. 17 to 22. Solid dancer} **Tessie Tura* {Burlesgue stripper w/ Ballet Gimmick. 30 to 45} **Mazeppa* {Burlesque stripper with Trumpet Gimmick. 30 to 45} **Electra* {Burlesque stripper with Electrics Gimmick. 30 to 45} **=Principal Singer +=Some vocals required* *{Adult Character roles. No singing required}* *Uncle Jocko *{Male. 40 to 60. Washed up Vaudeville Master of Ceremonies} *Georgie* (Male. 18 to 35. Jocko's Assistant} *Pop* (Male. 65 to 75. Rose's Father} *Rich Man* {Male. 35 to 50. Driver of touring car} *Weber* {Male. 40 to 65. Los Angeles Theatre Manager} *Kringelein* {Male. 45 to 65. Akron Hotel Manager} *Mr. Goldstone* {Male. 45 to 65. Representative of the Orpheum Circuit} *Miss Cratchit* {Female. 30 to 45. Secretary at Grantziger's Palace} *Cigar* {Male. 40 to 60. Theatre Manager in Wichita} *Pastey* {Male. 20 to 35. Stage Manager in Wichita} *Renee'* (Female. 20 to 35. Louise's Maid} *Phil* {Male. 30 to 45. Louise's Press Secretary} *Bourgeron-Cochon* {Male. 30 to 50. Photographer} *Various Other Ensemble as well *(Male and Female. 17 to 70} *NOTE: Most Adult roles (aside from Rose, Herbie, Adult June and Adult Louise) will be doubled.* *{Kid's Roles. Ages 9 through 12}* *Baby June* {Female. Must sing and dance, incl. splits and tap} *Baby Louise* {Female. Must sing and be a capable mover} *Balloon Girl* {Female} *Clarinet Boy/Boy Scout Vaudeville act* {Male. Must sing and move well. Clarinet a plus, but will teach} *Tap Dancing Urchin/Boy Scout Vaudeville act* {Male. Must sing and move well. Some tap} *Little Boy Scout/Boy Scout Vaudeville act* {Male. Must sing and move well} *Dutch Boy/Boy Scout Vaudeville act* {Male. Must sing and move well} *Dutch Girl* {Female} *Assorted Audition Kids* (Male and Female} *{Note: Kids may possibly only be in Act One. This is TBD}* *If you have any further questions, please direct them to Scott at scottdavidspence(a)gmail.com <scottdavidspence(a)gmail.com>. *

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STAGE COMBAT workshops at Ohio Shakespeare Festival
by Tess Burgler 26 Jan '18

26 Jan '18

Ohio Shakespeare Festival’s Resident Fight Director Ryan Zarecki is offering many stage combat professional development opportunities this February and April. Blizzard Bash: Stage Combat Sundays (Unarmed, Rapier and Dagger, Sword Tricks) and an Actors’ Stage Combat Intensive (single sword, unarmed, and weapon-of-choice). Private lessons also offered-- http://www.ohioshakespearefestival.com/private-lessons/ Blizzard Bash: Stage Combat Sundays FEBRUaRY 4, 11, & 18 2:00-4:00 EACH DAY Ages 14+ The Ohio Shakes fight team recently attended the Winter Wonderland Workshop stage combat intensive in Chicago--and we want to show some of our new skills to you! Beginners and experienced combatants welcome--our small class environment allows us to cater to your skill level. (Please note: while this workshop will be an excellent professional development opportunity, it does not qualify toward SAFD sanctioned contact hours.) 3 Day Registration--$60 2 Day Pass--$45 1 Day Pass--$30 February 4--Unarmed Combat. Every actor needs to know safe practices for unarmed combat. Learn slaps, punches, kicks, falls, and more. February 11--Rapier and Dagger. This swashbuckling combo is important material for all Shakespeare actors. February 18--Stupid Sword Tricks. Exactly as it sounds, these tricks are great for actors, and are pretty ridiculous. Register now: https://www.showclix.com/event/blizzard-bash-stage-combat-sundays Actor Stage Combat Intensive APRIL 7, 14, & 21 12:00-2:00 EACH DAY Ages 16+ This extended stage combat workshop is geared toward actors with previous stage combat experience. It's spring in NE Ohio--prepare for audition season with all those local Shakespeare companies by sharpening your stage combat skills. Small class environment allows us to meet students at their own skill level. This workshop will be more fast-paced and challenging than our normal FIGHT NIGHTs. 3 Day Registration--$75 2 Day Pass--$55 1 Day Pass--$35 April 7--Single Sword. Great prep for any swashbuckling shows--Single sword is a much needed skill set for any actor looking to tackle the classics. April 14--Unarmed. Whether it's West Side Story or As You Like It or everything in between, every theatre has a moment of unarmed combat in their season. Brush up on slaps, punches, falls, kicks, and more. April 21--Class Choice. For the final day of this intensive, we will poll the class to see which weapon the majority prefers to work on. We will choose among: Quarterstaff, Knife, Broadsword, Sword & Shield, Smallsword, or Rapier & Dagger. (Please note: while this workshop will be an excellent professional development opportunity, it does not qualify toward SAFD sanctioned contact hours.) Register now: https://www.showclix.com/event/actor-stage-combat-intensive

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FINAL WEEKEND of All in the Timing at Show Biz!
by Christopher Bizub 26 Jan '18

26 Jan '18

Medina County Showbiz Company is proud to present.. ALL IN THE TIMING: Six One-Act Comedies Written by David Ives Directed by Chris Bizub PERFORMING: January 19-28 Fridays & Saturdays at 7:30pm Sundays at 2pm LOCATION: Haddad Theatre 144 N. Broadway St. Medina, OH (Located inside the Medina County Administration Building) TICKETS: $12 ADULTS $10 SENIORS and STUDENTS Tickets are available at Buehler's or online at www.medinacountyshowbiz.org <https://l.facebook.com/l.php?u=http%3A%2F%2Fwww.medinacountyshowbiz.org%2F&…> Questions? Call 330-722-5776 CAST: "Sure Thing" Bill - B.J. Halsall Betty - Anna-Jeannine Herman "Words, Words, Words" Milton - Anna-Jeannine Herman Kafka - Emily Beck Swift - B.J. Halsall "The Universal Language" Don - Joe Pisido Dawn - Caralyn Doerge Man - Vincent DelCalzo "Phillip Glass Buy a Loaf of Bread" Phillip Glass - Joe Pisido Baker - B.J. Halsall Woman 1 - Elaine Sicking Gritti Woman 2 - Anna-Jeannine Herman "The Philadelphia" Al - Vincent DelCalzo Mark - B.J. Halsall Waitress - Anna-Jeannine Herman "Variations on the Death of Trotsky" Trotsky - Vincent DelCalzo Mrs. Trotsky - Elaine Sicking Gritti Ramon - Joe Pisido SYNOPSIS: SURE THING. Two people meet in a cafe and find their way through a conversational minefield as an offstage bell interrupts their false starts, gaffes, and faux pas on the way to falling in love. WORDS, WORDS, WORDS recalls the philosophical adage that three monkeys typing into infinity will sooner or later produce Hamlet and asks: What would monkeys talk about at their typewriters? THE UNIVERSAL LANGUAGE brings together Dawn, a young woman with a stutter, and Don, the creator and teacher of Unamunda, a wild comic language. Their lesson sends them off into a dazzling display of hysterical verbal pyrotechnics—and, of course, true love. PHILIP GLASS BUYS A LOAF OF BREAD is a parodic musical vignette in trademark Glassian style, with the celebrated composer having a moment of existential crisis in a bakery. THE PHILADELPHIA presents a young man in a restaurant who has fallen into "a Philadelphia," a Twilight Zone-like state in which he cannot get anything he asks for. VARIATIONS ON THE DEATH OF TROTSKY shows us the Russian revolutionary on the day of his demise, desperately trying to cope with the mountain-climber's axe he's discovered in his head.

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2018 Open Submissions of New Plays
by Playwrights Local 26 Jan '18

26 Jan '18

PLAYWRIGHTS LOCAL Announces its 2018 OPEN SUBMISSION PERIOD New ten-minute, one-act, full-length, and radio plays by writers from Northeast Ohio accepted from January 1 - April 30, 2018. No fee for submitting! Playwrights Local seeks original, unproduced plays for our 2018-2019 season and events, including: - The 4th Annual Cleveland Playwrights Festival - Play Lab development program - Roundtable staged reading workshop - Our new podcast play series - ...and more! Playwrights may submit up to three pieces: - One ten-minute play - One one-act (30-60 pages) or full-length play (60-120 pages) - One radio/podcast play (25-60 pages) All unproduced, original plays for adult audiences are accepted, including one-person plays. (Not accepted: children’s plays, musicals, adaptations of copyrighted material, and translations.) Find more information at http://playwrightslocal.org/submissions/. NO SUBMISSION FEE Open to all playwrights age 18 or older who are permanent residents of any county in Northeast Ohio, as pictured at http://wikitravel.org/upload/e n/6/69/NE_Ohio_Counties.png. Submissions open at 12:01am on January 1, 2018, and close at midnight on April 30, 2018. Early submissions are encouraged. Selections will be announced by August 31, 2018. For guidelines and additional information, see http://playwrightslocal.org/submissions/. ABOUT US Playwrights Local is a 501(c)(3) theater company based in Cleveland. As a playwrights’ center, our goal is to provide a home base for all novice and experienced dramatic writers in Northeast Ohio—that is, to serve as a creative outlet for anyone interested in writing for the stage and screen. We offer free classes, produce original plays, provide networking opportunities, and engage the community through outreach projects. Playwrights Local strives to increase the impact of original theater on the community and to raise the profile of area playwrights both within Greater Cleveland and beyond.

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Underground Railroad Reenactment Seeks Actors (PAID)
by fctheatre 26 Jan '18

26 Jan '18

Lorain County Metro Parks is seeking actors for... ROAD to FREEDOM an historical underground railroad reenactment Looking for actors to portray real and imagined characters as you escort or hinder a large group of participants along an actual site of the Underground Railroad. Roles available for black males and females, and white males NOTE: Actors must have reliable transportation, and will be required to perform outdoors for extended periods of time. Actors must be available for the following dates: Monday, April 9th / 10AM-2PM Tuesday, April 10th thru Thursday, April 12th / 8AM-3PM Saturday, April 14th / 3PM-9PM Monday, April 16th thru Wednesday, April 18th / 8AM-3PM Rehearsals begin February, based on actors' availability Auditions are by appointment only. Interested parties please submit your resume and headshot to Cultural Arts Programmer Brian McNally<mailto:bmcnally@metroparks.cc> or call (440) 949-5200 ext. 226 French Creek Nature & Arts Center / 4530 Colorado Ave / Sheffield Village / 44054

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Workshop Players Seeking Directors For 2019 - 2020 Season
by Workshop Players 26 Jan '18

26 Jan '18

Dear Director, We at Workshop Players are launching into the process of planning for our 72nd season (2019-2020). As the longest running theater-in-the-round in the state of Ohio, we are pleased to invite you to apply to direct for and with us during that time period. For several years we put together our season based solely upon submission by directors choosing shows that each had a vision to direct. Though I stand by this process and philosophy, we are sending along a list of shows with NAME RECOGNITION. Many are taken from compilations of “The Best Plays of the Past 100 years”. Many are dramas or musicals. There are few comedies, yet we want to maintain a balance of genres and styles, so we are still interested in including comedies. Indeed, comedies have been our bread and butter, so we are eager to learn of those you may be interested in directing. Please note that though we are presenting a list, we have not thought through the technical aspects of presenting any of these shows in our unique space. That is, as always, the job of the director. We invite you to peruse the list to see if any of the titles intrigue you as a director, get a copy and think through those production elements. We further invite you to make a combination of suggestions to us, perhaps choosing 1-2 from the list below, plus 1-2 suggestions of your own. Beyond the list below, we are especially interested in FAMILY FRIENDLY SHOWS, AND SHOWS SPECIFICALLY AIMED AT CHILDREN (not necessarily including children in the cast — could be adults performing a show that would bring children into the theater). We welcome musicals, potentially Christmas offerings, more modern shows (though those with a lot of foul language may not work for our audiences). If you have already directed at Workshop Players, you need not submit a resume or application, merely your list of play submissions that include and overview of the play and WHY and HOW you believe each would fit into our space. If you have not directed with us, please submit a resume along with your submissions. Send them to joeandpatprice(a)centurytel.net. <joeandpatprice(a)centurytel.net>These “applications” are due April 1, 2018 (no fooling!). Directors will be interviewed the second week of April by the Board of Trustees, when 5 directors will be chosen. The play reading committee will then read all of the plays submitted and meet with each director in August to finalize a balanced, interesting season. Thank you for your potential interest in working with us. Please recall that Workshop Players Theater is a volunteer organization and there is not stipend for directing, just the joy of making a script come alive in an intimate space. Sincerely, Pat Price Play Reading Committee Chair (see list of plays below) Musicals: Chicago Godspell Little Shop of Horrors Man of La Mancha Honk! (a musical for children) Seussical Pippin Baby The Last Five Years Dramas: Glass Menagerie Who’s Afraid of Virginia Wolf? Streetcar Named Desire Death of a Salesman Bus Stop Crimes of the Heart Lion in Winter Doubt Proof Lost in Yonkers—dramatic comedy Comedies Odd Couple—but change it up to do the female version Harvey Clybourne Park The Humans Vanya and Sonia and Masha and Spike The Play that Goes Wrong Additionally, these are plays that the play reading committee “slept” (in other words, liked but did not choose in the past) Hail Mary, by Tom Dudzick Comedy 2m 3f Playscripts , Inc. Life With Father by Lindsay/Crouse (done in 1978) 8m, 8f 5 teens Comedy, Dramatists Boeing, Boeing by Marc Campletti, Comedy, 2m. 4f Samuel French Butterflies Are Free, by Leonard Bersne Comedy, 2m, 2f, Samuel French First Night, by Jack Neary, Comedy, 1m, 1f Samuel French Philadelphia Story, by Philip Barry, Comedy, 9m, 6f, Samuel French Sunshine Boys, by Neil Simon, Comedy. 5m, 2f, Samuel French The Good Doctor, by Neil Simon, Comedy, flexible cast, Samuel French -- Workshop Players 44820 Middle Ridge Road, Amherst, OH 44001 Box Office: 440-988-5613 (Box Office hours: 9 a.m. to 7 p.m.) contact(a)workshopplayers.com www.workshopplayers.com "If all the world's a stage, I want better lighting"

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Stow Players winter musical
by Thomas Mark Stephan 26 Jan '18

26 Jan '18

Stow Players presents THE SPITFIRE GRILL Music and Book by James Valcq Lyrics and Book by Fred Alley Director - Brian Westerley Music Director - D. Keith Stiver Starring Korinne Courtwright ---Theresa Benyo-Marzullo---Jim Marzullo---Jennifer Matas---William Shanabarger---Annie Meyer-Steinheiser---Adam Yankay Heritage Barn - Stow Silver Springs Park - 5238 Young Road January 26-27, Feb. 2-3-4, 9-10-11 Gen. Admission - $15 Seniors & Students - $13 Call 234-206-0128 for reservations and information www.stowplayers.net

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2018 Asian-Pop Cover Dance Competition at the Cleveland Asian Festival
by Yin Tang 25 Jan '18

25 Jan '18

Hello All, The Asian-Pop Cover Dance Competition is returning to the Cleveland Asian Festival in 2018! Please note the deadline to submit is April 7th, 2018. Rules and release forms can be found here: http://clevelandasianfestival.org/2018/index.php/get-involved/kpop-dance-co… *Requirements for the 2018 Cleveland Asian Festival’s Asian-Pop Dance Competition.* 1. Your dance crew must be between 2-10 people (allowances might be made for larger groups) 2. You must use a mix of songs in your routine, a minimum of 2 but do not surpass 6 songs. 3. Each submission must be between 4-6 minutes in length. 4. Please limit your music selection to the following genres: Bollywood (India), C-Pop (China), J-Pop (Japan), K-Pop (South Korea), and Nepali Hip Hop. You may cover dances or choreograph your own routine. 5. All songs must be found in at least one database of the following music licensing companies or their affiliates: ASCAP, BMI, SESAC. 6. At least one member or representative must be 18 years of age and a legal resident of the United States. 7. If selected as a finalist, you must be available on May 19th, 2018 for a live performance/competition of your video compilation. If you do not appear, your position will be offered to the runner up(s). A complete W9 form will be required to claim monetary prizes. 8. Costume and music choices must be appropriate for a family friendly audience. *How to submit for the 2018 Cleveland Asian Festival’s Asian-Pop Dance Competition.* 1. Record a video of your routine and upload it to youtube.com. Please refrain from excessive video editing; we would like to see the performance as if it were live. Email the direct link to yintang(a)clevelandasianfestival.org. By submitting the video, you agree the Cleveland Asian Festival will be allowed to share this video until May 20th, 2018. 2. Along with your link, please submit the names of each participant, the titles of the songs used and the following methods of contact: primary cell phone, primary email, mailing address. All submissions must be sent to yintang(a)clevelandasianfestival.orgin a *single email*. 3. Each member must download and complete the release form (see above). All signed released forms must be submitted to yintang(a)clevelandasianfestival.orgbefore 11:59PM EST April 7th, 2018 IN A SINGLE EMAIL. You may also upload to dropbox, or google drive and share documents- in a single email. 4. Submissions will be open until 11:59PM EST of April 7th, 2018. Videos submitted after this time might not be considered. *Judging and voting process* 1. Up to 8 videos (semi-finalists) will be selected by the Cleveland Asian Festival Executive Committee and shared May 1st, 2018 on the Cleveland Asian Festival’s facebook page and website. Viewers will be able to vote for their favorite cover routines until May 12th, 2018. PLEASE NOTE: only votes made through the Cleveland Asian Festival website will be counted. 1. On May 13th, 2018 top three videos with highest votes, plus two CAF save choices will be announced and invited to compete live on May 19th, 2018. 2. If you are one of the four finalist groups, you must submit your music in MP3 format to yintang(a)clevelandasianfestival.org by 11:59PM EST May 16th, 2017 or risk disqualification. 3. All live judging will be based on following criteria: 1. Dance technique 2. Diversity in mash-up 3. Stage Presence 4. Live audience appreciation (applause) 4. Winners will receive cash prizes: 1st-$2,000; 2nd-$1000; 3rd-$500; Only one check will be made to each group. -- Thank you! Yin Tang Cleveland Asian Festival Executive Committee Member Chair of Performance Committee Marketing Committee Member website: http://www.ClevelandAsianFestival.org email: yintang(a)clevelandasianfestival.org phone: 440.600.1084 fb: http://www.facebook.com/clevelandasianfestival

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2d Flash Animator Wanted
by dustin nowlin 25 Jan '18

25 Jan '18

Looking to partner with an animator for a 30 sec insert clip for an Independent short film already in post production! Please Apply with reel! Paid Pos. ! Examples of what we are looking for is given in the link below! To Build a Fire | | | | | | | | | | | To Build a Fire TO BUILD A FIRE a film by Fx Goby In the harshness of midwinter, a trapper is crossing the Yukon with his dog. ... | | | The Noise of Licking (A nyalintás nesze) | | | | | | | | | | | The Noise of Licking (A nyalintás nesze) Animated short about a voyeur cat, a woman with excessive love for her plants, and a peculiar visitor in a fur h... | | | Please send inquires to DustinNowlin(a)gmail.com !

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NEXT WEEKEND: Pinch and Squeal's WIZBANG! at Cleveland Public Theatre
by Caitlin Lewins 25 Jan '18

25 Jan '18

Cleveland Public Theatre presents Pinch and Squeal's WIZBANG!<http://www.cptonline.org/performances/seasons/2017-2018/wizbang-2/> Cleveland's very own variety circus theatre filled with ridiculous acts, world class circus, and professional misbehavers. FEBRUARY 2 and 3 at 9:00pm CPT is proud to present Pinch and Squeal's WIZBANG! - Cleveland's very own variety circus theatre! Two spectacular nights of absolute holiday madness filled with ridiculous acts, world class circus and professional misbehavers! Shoving vaudeville kicking and screaming into the 21st century, Pinch and Squeal invite you into their absurd world where the nonstop entertainment unfolds all around, in your lap and even above you! Come and laugh with us! ABOUT PINCH AND SQUEAL (P&S) Pinch and Squeal are a musical neo-vaudeville duo that bring you whimsical hilarity, clichéd sentimentality, knee-jerk patriotism and old-wheeze jokes. Pinch and Squeal knockout songs you wish you didn't love, tell jokes you wish you couldn't laugh at, and even worse, perform magic. A modern twist on comedy duos throughout history, hailing from Cleveland, Ohio, P&S have been honored to share stages with incredible performers such as Sabrina Chap, Brian Newman, Murray Hill, Piff the Magic Dragon, Puddles Pity Party and The Bindlestiff Family Circus. For more information about Pinch and Squeal, visit www.pinchandsqueal.com<https://www.pinchandsqueal.com/>. Tickets are $30. Students/Seniors receive $3 off on Friday and Saturday nights. 6415 Detroit Avenue, Cleveland OH 44102 CPT is located in the heart of the Gordon Square Arts District. Tickets available at www.cptonline.org<http://www.cptonline.org> or CPT Box Office (216) 631-2727 ext. 501. (Order early at CPT - no ticket fees, ever.) Caitlin Lewins Director of Audience Engagement & Media Relations Cleveland Public Theatre 6415 Detroit Ave Cleveland OH, 44102 (216) 631-2727 x211

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