January 2018 - NEohioPAL - lists.neohiopal.org

CORRECTION: Press Release: Lakeland's Merrily We Roll Along with corrected dates
by Martin Friedman 30 Jan '18

30 Jan '18

*Lakeland Civic Theatre* *Lakeland Community College* 7700 Clocktower Drive, Kirtland, Ohio 44094 *PRESS RELEASE: Immediately* *CONTACT: Dr. Martin Friedman, **216-233-5441* <216-233-5441> *RELEASE DATE: January 1, 2018* *Lakeland Theatre presents Stephen Sondheim and George Furth’s Merrily We Roll Along* Lakeland’s 2017-18 season concludes with the passionate and oft-misunderstood musical by Stephen Sondheim and George Furth *Merrily We Roll Along *which opens on *February 2, 2018 *and runs for three weeks at Lakeland Community College’s Rodehorst Performing Arts Center. *Merrily. Merrily *isdirected by Martin Friedman and under the Musical Direction of by Jordan Cooper. *Merrily We Roll Along, *was first produced in 1981, and is based on a 1934 play by George S. Kaufman and Moss Hart. The musical (with a book by George Furth) was first produced in November of 1981, where it ran for 16 performances. Not very successful eh? It tells of the disintegration of the friendship of successful songwriter Franklin Shepard, his lyricist and best friend Charlie Kringas, and novelist Mary Flynn. The action moves backward through time, from 1976 to 1957. This is one of Stephen Sondheim’s most accessible and difficult scores. It is most certainly about friendship and its importance in the lives of three people. This is one great play. Merrily We Roll Along features sets by Austin Kilpatrick, lights by Adam Ditzel, sound by Eric Simna, choreography by Jennifer Justice and costumes by Ohio Shakespeare designer Kelsey Tomlinson. This production promises a terrific cast featuring Eric Fancher, Neeley Gevaart and Amiee Collier. Concluding his eighteenth season at Lakeland Civic Theatre, director Martin Friedman also continues his examination of the works of Stephen Sondheim. Call 440-525-7526 for ticket reservations and information about group discounts. For production information please email Martin Friedman at martinfriedman98(a)gmail.com and you can order tickets on-line at www.lakelandcc.edu/arts <http://www.lakelandcc.edu>. *Merrily We Roll Along**: February 2, 3, 9, 10, 16, 17 @ 7:30pm and 4, 11 and 18 @ 2:00 pm. * - 30 - On Tue, Jan 30, 2018 at 7:16 AM, Martin Friedman <martinfriedman98(a)gmail.com > wrote: > *Lakeland Civic Theatre* > > *Lakeland Community College* > > 7700 Clocktower Drive, Kirtland, Ohio 44094 > > *PRESS RELEASE: Immediately* > > *CONTACT: Dr. Martin Friedman, **216-233-5441* <216-233-5441> > > *RELEASE DATE: January 1, 2018* > > *Lakeland Theatre presents > Stephen Sondheim and > George Furth’s Merrily We Roll Along* > > Lakeland’s 2017-18 season concludes with the passionate and > oft-misunderstood musical by Stephen Sondheim and George Furth *Merrily > We Roll Along *which opens on *February 2, 2018 *and runs for three weeks > at Lakeland Community College’s Rodehorst Performing Arts Center. *Merrily. > Merrily *isdirected by Martin Friedman and under the Musical Direction of > by Jordan Cooper. > > > *Merrily We Roll Along, *was first produced in 1981, and is based on a > 1934 play by George S. Kaufman and Moss Hart. The musical (with a book by > George Furth) was first produced in November of 1981, where it ran for 16 > performances. Not very successful eh? It tells of the disintegration of the > friendship of successful songwriter Franklin Shepard, his lyricist and best > friend Charlie Kringas, and novelist Mary Flynn. The action moves backward > through time, from 1976 to 1957. > > This is one of Stephen Sondheim’s most accessible and difficult scores. It > is most certainly about friendship and its importance in the lives of three > people. This is one great play. > > Merrily We Roll Along features sets by Austin Kilpatrick, lights by Adam > Ditzel, sound by Eric Simna, choreography by Jennifer Justice and costumes > by Ohio Shakespeare designer Kelsey Tomlinson. This production promises a > terrific cast featuring Eric Fancher, Neeley Gevaart and Amiee Collier. Concluding > his eighteenth season at Lakeland Civic Theatre, director Martin Friedman > also continues his examination of the works of Stephen Sondheim. > > > Call 440-525-7526 for ticket reservations and information about group > discounts. For production information please email Martin Friedman at > martinfriedman98(a)gmail.com and you can order tickets on-line at > www.lakelandcc.edu/arts <http://www.lakelandcc.edu>. > > > *Merrily We Roll Along*: *February 2, 3, 8, 9, 15, 16 @ 7:30pm and 4, > 10 and 17 @ 2:00 pm. * > > > > > > > - 30 - > >

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There is still time to sign up for Adult Classes at Weathervane Playhouse
by Fred Gloor 30 Jan '18

30 Jan '18

USE THE PROMO CODE NEOHIOPAL TO RECEIVE A $50 DISCOUNT ON ENROLLMENT Weathervane Playhouse is offering Adult Acting Classes beginning February 5th. You can go to www.weathervaneplayhouse.com/adults<http://www.weathervaneplayhouse.com/adults> to sign up. Beginning Acting for Adults This class will explore the theory and practice of the basic tools of acting: body movement, vocal production, and imagination. This class will also include an introduction to character analysis, audition basics, monologue work, scene study, and improvisation. The class will culminate with a final performance in our intimate Dietz Theater. Wednesdays 7-9 p.m. Beginning February 7 (10 weeks) Advanced Acting/Scene Study This class will be the continuation of the Beginning Acting Class. The focus will be on continued scene and monologue work in an effort to strengthen acting skills, audition techniques, and the business of acting. The class will culminate with a final performance in our intimate Dietz Theater. Mondays 7-9 p.m. Beginning February 5 (8 weeks). Improvisation for Adults Explore and practice the skills and techniques required to perform short-form improvisation. The course utilizes the communal/ensemble exercises provided in Spolin's 'Improvisation for the Theatre' and other texts, to explore spontaneity and the creation of narrative improvisations. The course also explores concepts of character, behavior in the environment, creating the who? what? and where? of dramatic scenes, created from given circumstances. The course is primarily active and participatory in nature and culminates with a public performance based on this exploration and discovery. Tuesdays 7-9 pm starting February 6 (8 weeks) About the instructor: FRED GLOOR is currently the Associate Artistic Director and Marketing Director at Weathervane Playhouse. He has directed four shows at Weathervane: It's Only a Play, You Can't Take It With You, The Lyons and 4000 Miles. A graduate of Kent State University, Fred's other directing credits include Cleveland Public Theatre, Dobama, TitleWave, Charenton, The Second City Cleveland, CVLT, and Tri-C West. As an actor, he has performed at The Cleveland Play House, Great Lakes Theater, Dobama, The Beck Center, Cain Park, The Second City Cleveland, The Ensemble Theatre, and as a cast member of Something Dada. A member of AEA and SAG-AFTRA, he has appeared in numerous commercials and such films as The Dream Catcher and Pirates with Leslie Nielsen, Eric Idle, and Rodney Dangerfield. Adult Dance Class Get moving and challenge yourself at Weathervane Playhouse! This fun and interactive dance class will focus on varies styles including Jazz, Ballet, Tap, and Modern dance found in your favorite Broadway shows. Build your technique, learn choreography, and get some exercise. Bring your friends and have a great time! You can pay for the full 8-weeks or $30.00 a class. About the Instructor: LAUREN SPROWLS is a graduate of The University of Akron where she received her B.A. in Dance with a Business Cognate and will receive her MA in Arts Administration in May 2018. She has performed in a number of student choreographed projects, with The University of Akron Dance Company, and as a representative of Ballet in Cleveland, doing promotional performances and video shoots. Lauren has also participated in Akron Children's Hospital Dancing for the Kids fundraiser for the past four years. She shares her love for dance through dance education and has been teaching dance and other arts classes for almost 10 years. She has attended teacher conventions such as the Pulse convention in New York City and has taken many classes at BDC. She is always striving to be become a better teacher by continuing to educate yourself. She is currently the Education Director at Weathervane Playhouse and has supervised educational outreach programs, created curricula, established an arts ambassador program, and has coordinated performances with experience in the studio setting, in school programs, and with community organizations.

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Akron Symphony to present Petrushka with Neos Dance Theatre on Feb. 9
by Thomas Moore 30 Jan '18

30 Jan '18

Good morning: Here is a submission for the daily digest. This is our first submission, so please let me know if anything is missing. The Akron Symphony Orchestra welcomes Neos Dance Theatre and The University of Akron's Dance Institute to the stage for Petrushka on Feb. 9 at 8 p.m. The performance will take place at The University of Akron's E.J. Thomas Performing Arts Hall. The first half of the evening will feature Berlioz' Roman Carnival Overture and Nino Rota's La strada from the 1954 Federico Fellini film of the same name. For this premiere of Petrushka, Robert Wesner, Neos' artistic director, takes a different direction with the ballet. While remaining true to the questions the original production raised about how we, as humanity, find purpose for existing, the vision for this performance is to reflect on who the characters are today. The work of the late Mikhail Fokine, a groundbreaking Russian choreographer and dancer, inspired Wesner to strip the world of Petrushka down even further from its now deemed "traditional setting" and allow each character within the ballet to build the archetype of greater self-awareness. As Wesner "tips his hat" to certain elements of the original story and characters, the larger purpose of the new production dwells within the whirling marvel of Stravinsky's score, and the freedom it allows all listeners to hear within it their own life story. In many ways, as we move through the ballet we are all Stravinsky's puppets. The characters will be portrayed by Neos' dancers Matthew Roberts (Petrushka), Kaleb Reilly (Moor), Brooke Wesner (Ballerina), Mary-Elizabeth Fenn (Magician), Carson Sandiford-Hoxie (Dancing Bear), Juliana Freude & Anna Trumbo (Soloists), and the Townspeople will be portrayed by members of The University of Akron's Dance Institute. A Preview from the Podium, featuring Maestro Christopher Wilkins discussing the evening's program, will begin at 7 p.m. Following the concert, the Akron Symphony will hold an After Party at Jilly's Music Room, located at 111 N. Main St. The After Party will feature drink specials and live music. There is no cover charge. Single tickets for Petrushka start at just $25. Tickets are available online or by calling the Symphony Box Office at 330.535.8131. E.J. Thomas Performing Arts Hall is located at 198 Hill St. on the campus of The University of Akron. Doors open at 6:30 p.m. -30- Thanks and have a nice day. Thomas Moore Director of Marketing Akron Symphony Orchestra 92 N. Main Street, Akron, OH 44308 O 330.535.8131 C 440.478.0603

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Press Release: Lakeland's Merrily We Roll Along
by Martin Friedman 30 Jan '18

30 Jan '18

*Lakeland Civic Theatre* *Lakeland Community College* 7700 Clocktower Drive, Kirtland, Ohio 44094 *PRESS RELEASE: Immediately* *CONTACT: Dr. Martin Friedman, **216-233-5441* <216-233-5441> *RELEASE DATE: January 1, 2018* *Lakeland Theatre presents Stephen Sondheim and George Furth’s Merrily We Roll Along* Lakeland’s 2017-18 season concludes with the passionate and oft-misunderstood musical by Stephen Sondheim and George Furth *Merrily We Roll Along *which opens on *February 2, 2018 *and runs for three weeks at Lakeland Community College’s Rodehorst Performing Arts Center. *Merrily. Merrily *isdirected by Martin Friedman and under the Musical Direction of by Jordan Cooper. *Merrily We Roll Along, *was first produced in 1981, and is based on a 1934 play by George S. Kaufman and Moss Hart. The musical (with a book by George Furth) was first produced in November of 1981, where it ran for 16 performances. Not very successful eh? It tells of the disintegration of the friendship of successful songwriter Franklin Shepard, his lyricist and best friend Charlie Kringas, and novelist Mary Flynn. The action moves backward through time, from 1976 to 1957. This is one of Stephen Sondheim’s most accessible and difficult scores. It is most certainly about friendship and its importance in the lives of three people. This is one great play. Merrily We Roll Along features sets by Austin Kilpatrick, lights by Adam Ditzel, sound by Eric Simna, choreography by Jennifer Justice and costumes by Ohio Shakespeare designer Kelsey Tomlinson. This production promises a terrific cast featuring Eric Fancher, Neeley Gevaart and Amiee Collier. Concluding his eighteenth season at Lakeland Civic Theatre, director Martin Friedman also continues his examination of the works of Stephen Sondheim. Call 440-525-7526 for ticket reservations and information about group discounts. For production information please email Martin Friedman at martinfriedman98(a)gmail.com and you can order tickets on-line at www.lakelandcc.edu/arts <http://www.lakelandcc.edu>. *Merrily We Roll Along*: *February 2, 3, 8, 9, 15, 16 @ 7:30pm and 4, 10 and 17 @ 2:00 pm. * - 30 -

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Lighting Designer Needed - Blank Canvas Theatre
by info＠blankcanvastheatre.com 30 Jan '18

30 Jan '18

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COSTUMER NEEDED: "The Coroner's Assistant" Upcoming Historical TV Series
by Angeline Walsh 30 Jan '18

30 Jan '18

Costumer needed on short notice to provide historical costume pieces (Victorian era) for a Feb. 10th shoot and a Feb. 17th shoot in the Cleveland area. This is an independent production with a tight budget, so we would prefer to be able to be loaned costumes and costume pieces instead of pay for them. Measurements for actors can be supplied upon request. Particular costumes/costume pieces needed: shirts/blouses for extras (approx. 5), a skirt, a policeman uniform, Victorian ladies' boots, Victorian ladies' dresses (working class/casual attire, not elegant ballroom dresses). Please contact the director at modernvictorian(a)yahoo.com for more information.

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Auditions for "Dividing The Estate" at Spotlights Theater
by Annette Phelps 29 Jan '18

29 Jan '18

Auditions for "Dividingthe Estate" by Horton Foote Sunday, February 11 from 7:30 – 9:00 p.m. Monday,February 12 from 7:30 – 9:00 p.m. TheBroadview Heights Spotlights will hold auditions for "Dividing the Estate" by Horton Foote on Sunday, February 11 from 7:30 p.m.to 9:00 p.m. and Monday, February 12 from 7:30 p.m. – 9:00 p.m. No appointment isneeded, but auditioners must arrive by 8:00 p.m. and plan on being inattendance for the full length of auditions. Auditions will takeplace at the Broadview Heights Cultural Arts Building, located on the BroadviewCenter Property, next to the Police Station, 9543 Broadview Road, Bldg. 22, BroadviewHeights, OH 44147. Thisproduction will be directed by Brenton Cochran, and co-produced by Adam Bowersand Jean Brennan. Rehearsalswill begin near the end of the February and typically run Sunday – Thursdaybased on cast availability. The showruns April 27, 2018 – May 12, 2018. Please bring a list of conflicts between February 26 and May 12. For additionalinformation please visit www.broadview-heights-spotlights.org. Additional questions may be emailed to thedirector at fashionlovestheatre(a)gmail.com. Play Synopsis: Dividing the Estate is the story of the Gordon clan, a Texas family who hasbeen hard hit by the precipitous drop in oil prices in 1987. Family matriarchStella rules over the family, but she is 85 years old, and her family smellstheir inheritance coming. Her younger daughter, Mary Jo, comes to visit for theday along with her husband, and their two daughters, prompting a familyget-together. Mary Jo is deeply in debt and wants to divide the estate beforeher mother dies. Various members of the family, including the servants, takesides in the debate, and wonder how much, if anything, there actually is toinherit. The family bickers as only a Southern family can, mentioning everyslight and insult that has occurred over the past 80 years. For more information about characters and author, visit the Spotlights' website: www.broadview-heights-spotlights.org

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AUDITIONS: Exit the Body, by Fred Carmichael
by James Charpie 29 Jan '18

29 Jan '18

East Cleveland Theater is hosting auditions for “Exit the Body”, by Fred Carmichael. *Director: Christopher Bizub* *Synopsis:* A mystery writer rents a New England house that is the rendezvous point for some jewel thieves. The focal point of the set is the closet which opens into a living room and a library. A body found in the closet promptly disappears only to be succeeded by another. The hunt for the jewels reaches a climax at two A.M. when four couples unknown to each other turn up to search. Not since the days of Mack Sennett has there been such an hilarious series of entrances and exits. *The Roles:* *Crane Hammond**: *Female, 30s to 50s A successful mystery writer, she is bright, gay, witty and an altogether likeable person. *Kate Bixley**: *Female, 30s to 50s Crane Hammond's secretary, she has an irrepressible sense of humor that often borders on the sarcastic, but she doesn't really mean it. *Helen O’Toole**: *Female, 30s to 40s A very efficient real estate saleswoman, perhaps a trifle too folksy and straight-laced, but she means well. *Lillian Seymour**: *Female, 30s to 50s A top-flight fashion designer. *Jenny**: *Female, 20s to 30s Young country girl, rather loud, but the epitome of innocence. *Lyle Rogers**: *Male, 30s to 50s Attractive trophy husband of Lillian Seymour. *Vernon Cookley**: *Male, 30s to 60s A middle-aged New Englander, who has never traveled more than ten miles outside his hometown, emotionless and leery of everyone and everything. *Randolph**: *Male, 20s to 30s An inept small time crook, and proud of it. *Philip Smith**: *Male, 30s to 50s A nice, honest-looking guy with amnesia. *Richard Hammond**: *Male, 30s to 60s Crane's husband, average businessman type. *Audition Dates:* Sunday, February 11, from 7 to 10pm. Thursday, February 15, from 7 to 10pm. Callbacks on Saturday, February 17, from 3 to 6pm (by invitation only). All roles are open. All ethnicities considered, and the stated age ranges can be somewhat flexible. Auditioners should be prepared to read from the script. *Show Dates:* Shows on Friday, Saturday, and Sunday, 9 shows total Opening: Friday, May 04, 2018 Closing: Sunday, May 20, 2018 Friday and Saturday shows start at 8pm Sunday shows start at 3pm *Rehearsals:* Rehearsals will begin the end of March 2018. Exact dates have not been determined. We typically have rehearsals Sundays thru Thursdays (5 days / week), but again that is not yet set in stone. If you are concerned about dates and timeframes, please show up at auditions and tell us your limitations. East Cleveland Theater is a community theater celebrating its 49th Season. Our actors, like most of our personnel, are unpaid volunteers. We hope you will join us as we entertain and challenge our audiences. If you have questions, please call James Charpie at 330-416-1311 <(330)%20416-1311>, or email me at jcharpie(a)eastclevelandtheater.org. East Cleveland Theater 14108 Euclid Avenue East Cleveland, OH 44112 216-851-8721 <(216)%20851-8721> www.eastclevelandtheater.org Thank You, James Charpie Stage Manager East Cleveland Theater

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JELLY BELLY Opens @Ensemble Theatre February 9th!
by Ensemble Theatre 29 Jan '18

29 Jan '18

ENSEMBLE THEATRE CONTINUES ITS 2017-2018 MAINSTAGE SEASON *WE THE PEOPLE* *JELLY BELLY* By *Charles Smith* Directed by *Ian Wolfgang Hinz* A powerful story of a convict returning from a brief prison stay to resume his position as the neighborhood kingpin. Mike is at a crossroads in his life and when Jelly Belly returns, decisions need to be made that will effect these characters for a long time. The Chicago Defender wrote “Employing gritty poetry of the streets, Smith introduces us to Jelly Belly, who attempts to regain the service of Kenny, a former drug runner who has gone straight. Kenny is torn between the hope of prosperity through hard work shared with his friend Mike, or the opportunistic life of a drug pusher Jelly Belly offers.” Jelly Belly don’t mess with nobody. *“Its unblinking, almost matter-of-fact depiction of a world whose values have turned upside down is credible and at moments, even funny in a ghastly way.” *– Stephen Holden, New York Times *“Smith’s dramas are persuasive without being didactic, and without suggesting simple conclusions. They are eloquent and poignant, but with a punch.”* – ForeWord Reviews This is the 5th collaboration between Smith and Ensemble including the plays Knock Me a Kiss, A Free Man of Color, The Gospel According to James, and Golden Leaf Rag Time Blues. Charles Smith’s plays have been produced Off-Broadway and from coast to coast by theaters such as Indiana Repertory Theatre, Goodman Theatre, New Federal Theatre, The Acting Company, People’s Light & Theatre Company, Penumbra, Ensemble Theatre in Cleveland, Crossroads Theatre Company, Penguin Repertory Theatre, Ujima Theatre Company, The Colony Theatre, St. Louis Black Rep, Seattle Repertory Theatre, Jubilee Theatre, Ensemble Theatre in Houston, and Berkeley Repertory Theater. As alumnus playwright of New Dramatists, graduate of the University of Iowa Playwrights Workshop, and one of the founding members of the Playwrights Ensemble at the Tony Award-winning Victory Gardens Theatre in Chicago, he has taught playwriting at Northwestern University, for the Prague Summer Program in Creative Writing in the Czech Republic, and for the Center for Dramatic Art in Groznjan, Croatia. He currently head of the Professional Playwriting Program at Ohio University, Distinguished Professor of Playwriting, and Ohio University Presidential Research Scholar in the Arts and Humanities. *FEBRUARY 9 – FEBRUARY 25* *Fridays & Saturdays* @8pm. *Sundays *@2pm. *Mainstage*Theatre. *Sunday February 11th performance is SOLD OUT!* With a great CAST of* CLEVELAND ACTORS:* *LaShawn Little* as Mike *Greg White* as Jelly Belly *Jabri Little* as Kenny *Mary Francis Miller* as Barbara *Robert Hunter* as Bruce Tickets $12-$25. Senior, Student, & Group discounts. -Special BOGO for opening weekend. (Except for 2/11) -Pay What YOU Can performance Saturday February 10th! WHERE 2843 W. Washington Blvd Cleveland Heights, OH 44118 PARKING Parking can be found in the Coventry School parking lot to the south of the theatre, also along Washington Blvd and surrounding streets. *216.321.2930 | tickets(a)ensemble-theatre.org <tickets(a)ensemble-theatre.org>* *www.ensembletheatrecle.org <http://www.ensembletheatrecle.org>* to purchase tickets online! *Please Note: *This production does contain STRONG LANGUAGE and THEMES and may not be suitable for younger audiences. Executive Artistic Director: *Celeste Cosentino* Associate Artistic Director: *Tyler Whidden* Director: I*an Wolfgang Hinz* General Manager/Production Stage Manager: *Becca Moseley* Set Design: *Walter Boswell* Technical Director: *August Scarpelli* Costumes: *Kayla Davis* Box Office: *Amy J. Strumbly & Kayla Davis. * *We look forward to seeing you in our audience!* -- *Information* info(a)ensemble-theatre.org 2843 Washington Blvd. Cleveland Hts., OH 441118 216-321-2930/216-202-0938 *www.ensembletheatrecle.org <http://www.ensembletheatrecle.org>*

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AUDITIONS: "The Explorers Club" next week Feb. 6 & 7 at 7pm
by Clague Playhouse News 29 Jan '18

29 Jan '18

*The Explorers Club* by Nell Benjamin Directed by Anne McEvoy *Auditions:* Tuesday, February 6, 2018 and Wednesday, February 7, 2018 at 7:00 p.m. *Show Dates:* May 4-27, 2018 on Thursday, Friday and Saturday at 8pm and Sunday at 2pm *SYNOPSIS: * London, 1879. The prestigious Explorers Club is in crisis: their acting president wants to admit a woman and their bartender is terrible. True, this female candidate is brilliant, beautiful, and has discovered a legendary lost city, but the decision to let in a woman could shake the very foundation of the British Empire, and how do you make such a decision without a decent drink? Grab your safety goggles for some very mad science involving deadly cobras, carnivorous plants, irate Irishmen, and gravity-defying libations. We are looking to cast all Roles, all ethnicities: 1 woman - 20ish to 45ish, and 8 men in a variety of ages, 20’s and up. The director is looking for actors who are comfortable handling an RP British Dialect. Descriptions of the characters and additional information can be found on our Audition Page. <http://clagueplayhouse.org/index.php/auditions/> Please bring resume and head shot, if available. If you don't have a head shot, Clague will take one at auditions. No appointment is necessary. Auditioners will be asked to read from the script. Clague Playhouse is located at 1371 Clague Road, Westlake, Ohio 44145. For more information, call the Clague Playhouse Box Office, 440-331-0403 <(440)%20331-0403>, Wednesday - Saturday 1:00-6:00pm and leave a message for the director.

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