September 2019 - NEohioPAL - lists.neohiopal.org

REVIEW: Chicago, at Players Guild Theatre
by Tom Wachunas 27 Sep '19

27 Sep '19

Cheeky Cellblock Shenanigans ByTom Wachunas For openers,here’s a few my closing ARTWACH thoughtsabout the Players Guild production of Chicagofrom back in April, 2018 : “… Maybe it’s a piquant metaphor. Reallife these days seems more than ever driven by insatiable social appetites fordebauchery and scandal, or for the rationalizing of our celebrities’ moralturpitude, or the self-congratulatory pleasure we take in witnessing theirdemise. Is the audience for such things as complicit as the perpetrators?...” OK, gratuitous moralizing aside, maybe I was overthinking it a little. The factof the matter is that the big, funny, sizzling spectacle that is Chicago was made, ironically enough, allthe bigger, funnier, and sizzling to the point of boiling, when it played inthe small, intimate confines of the Guild’s downstairs arena theater. So it'sinteresting that the musical is being presented again - this time on the Guild’smain stage - so seemingly soon after that eminently successful run. In anycase, it's always a real pleasure to see a show directed by Jonathan Tisevich,as this one is, and with a typically superb cast. I decided to revisit it,wondering if the bigger space could give a bigger bang. Bigger spaceindeed. The stage looks cavernous and empty but for the towering, two-tieredscaffold platforms spanning the entirety of the back wall (scenic design byJoshua Erichsen). Helped along by the generally tenebrous lighting (designed byReed Simiele) throughout the show, it’s all a somewhat Baroque-ishrepresentation of cellblock gloom in Cook County Jail - home to a bevy ofvaudeville showgirls awaiting trial for various crimes of passion.Additionally, the front of the stage has been extended by a wide ramp floatedover the orchestra pit and stretching into the second row of house seats. It’slike a fashion-show runway, installed, no doubt, to shoot some explosive energydirectly into the audience. Yet thesecontrivances don’t quite fully succeed in launching a consistent spirit ofgripping immediacy, despite the excellent playing by the live band conducted bySteve Parsons. And yes, the choreography by Brandon Leffler is itself, like themusic, delightfully scintillating, but could use a bit more polish andprecision as executed by the dancers. There are many moments on this stage, wideand deep as it is, when the action feels too diluted, too casual, too… routine.It tends to ramble when it should strut more with crackling intensity. The trueelectricity, the real power and saving grace here, is in the compelling performancesgiven by Serena Fronimo as Velma; Sarah Marie Young as Roxie; Mason Stewart asBilly Flynn; Allen Cruz as Amos; Korreca Moore as Matron ‘Mama’ Morton; and J.Ball as Mary Sunshine. Each member of this remarkable core ensemble iscertainly a skilled-enough singer. More importantly, each fashions somethingmore than a shameless burlesque, something more than a merely farcicalcaricature of a flawed or quirky individual. Theseperformers give us singularly memorable characters of credible humandimensionality, however lascivious, troubling or dark that may be. SerenaFronimo’s Velma is all prideful sarcasm and swagger until Roxie steals thetabloid spotlight from her. Korreca Moore’s Mama Morton, the cellblocksupervisor, is a gritty, fierce protector even as she glibly observes, “In thistown, murder is a form of entertainment.” Mason Stewart’s Billy Flynn is asuave, narcissistic crooner and a manipulative, greedy shyster attorney. Thehilarious J. Ball plays Mary Sunshine, a giggly gossip columnist in drag, andbrings down the house with a howling and hoarse pseudo-soprano aria, “A LittleBit of Good.” A more tender, though equally show-stoppingscene features Allen Cruz, playing Roxie’s hapless and timid mechanic husband,Amos, singing “Mister Cellophane.” In this self-deprecating, bittersweet moment,Cruz looks hard at his character’s social invisibility. And finally,Roxie. Aside from being a comedic powerhouse, Sarah Marie Young serves up adeliciously complex portrait that’s altogether riveting. She’s a lithe andlimber embodiment of sultry sensuality, nutty naiveté, and dauntless determinationto be a vaudeville icon. What a combination – salacious sass, slinky sashays,lusty laughs… and of course, all that Jazz. Chicago / Players Guild Theatremainstage THROUGH OCTOBER 6, 2019 / CulturalCenter for the Arts, 1001 Market Ave. N, Canton, Ohio / Shows at 8 p.m. Fridayand Saturday, 2 p.m. Sunday ( 2 p.m. and 8 p.m. on Saturday, Oct. 5) / TICKETS:$34 ($31 for seniors 65 and older), $27 for 17 and younger / may be ordered at www.PlayersGuildTheatre.com and 330-453-7619.

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EAD Position available at Talespinner Children’s Theatre
by Laurel Hoffman 27 Sep '19

27 Sep '19

Talespinner Children’s Theatre seeks an Executive Artistic Director. Apply at Talespinnerjobs(a)gmail.com----- The Executive Artistic Director will manage all aspects of the organization’s business and administrative operations through the Board of Directors, including marketing / communications, finance, and development. The EAD will also oversee the vision and successful implementation of artistic and educational programming and community engagement goals. This position is part-time and seasonal requiring evening and weekends during the mainstage season. TCT has a small staff and an ensemble of artists who support the company’s mission. We are looking for a dynamic leader who has both organizational and artistic vision and the skills to strategically execute that vision. Salary range is $30,000-$33,000, based on experience. Potential candidates should submit resumes to Talespinnerjobs(a)gmail.com.

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Lakeland Theatre presents Inspector General: Opens on Friday
by Martin Friedman 27 Sep '19

27 Sep '19

*Lakeland Theatre* >> >> >> >> *Presents* >> >> * Inspector General* >> >> By >> >> *Nikolai Gogol* >> >> >> >> >> >> *The Play:* >> >> This play is the epitome of a satire. Hollywood made a movie with Danny >> Kaye that bore no resemblance to the play. Written in 1836 in Russia, by >> Nikolai Gogol, *The Inspector General, *or as it is sometimes called, *The >> Government Inspector,* is a comedy of errors that ridicules political >> corruption, local corruption and indeed corruption at all levels; this play >> lampoons everybody and everything. Truth is always funnier than fake news. >> >> >> Directed by *Martin Friedman* >> >> Set Designed by *Craig Tucker * >> >> Lighting Designed by *Marcus Dana* >> >> Costumes Designed by *Jordan Cooper * >> >> Production Stage Manager* Jacqueline DiFrangia * >> >> Sound Design by * Patrick Ciamacco* >> >> >> >> *Production and Rehearsal Dates:* >> >> *The Inspector General **will open on Friday, September 13 and run >> through Sunday, September 29, 2019. There will be nine (9) shows; that is >> THREE (3) weeks of performances. Friday and Saturday shows are at 7:30pm >> while Sunday matinees are at 2:00pm. * >> >> >> *Tickets are $15 for adults, $13 for seniors and $7 for ALL students. >> Call 440.525.75426 for production information. * >> >> >> *Call 440.525.7134 for ticket purchases. Visit lakelandcc.edu/arts >> <http://lakelandcc.edu/arts> to order tickets online. * >> >> For more information please feel free to contact me, Martin Friedman at >> martinfriedman98(a)gmail.com >> >> >> >> >> _____________________________________ >> >> Please consider a voluntary contribution to support Neohiopal - >> http://www.fredsternfeld.com/support-neohiopal/ >> ______________________________________ >> >> NEohioPAL is SELF-SERVE. If you need to unsubscribe, change from digest >> to one-at-a-time delivery or vice-versa, go on hiatus while out of town, >> switch from mime to plain text or vice-versa, etc. check out the FAQS at >> http://www.fredsternfeld.com. >> ______________________________________ >> >> Disclaimer: The facts and/or opinions expressed in this message are >> solely those of the person in the 'from' or 'reply-to' header. The fact >> that this message is posted should in no way be taken as an endorsement by >> the administrator of this list. Subscribers should perform due diligence >> for all goods, services and activities promoted on NEohioPAL. >> ________________________________________ >> >> NEohioPAL mailing list >> post(a)neohiopal.org >> http://lists.neohiopal.org/listinfo.cgi/neohiopal-neohiopal.org >> >

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Using Acting Techniques To Help Companies with Team Building & Sales!
by Jessica Houde 26 Sep '19

26 Sep '19

Using Improvisation and Method Acting to build your team’s chemistry & bring your sales presentations to the next level. HI There, This is Jessica Houde-Morris from the Houde School of Acting, located right downtown at 2310 Superior Ave. I’d love the opportunity to speak with you in regards to a service we are providing for fellow local businesses like yours! We have crafted an extremely interactive workshop designed to bring your team closer together, and improve both presentation and communication skills in a fun and creative way. We utilize Improvisation and Method Acting to achieve outstanding results, all in a very unique and approachable manner, fit for everyone. We operate out of our new studio, Downtown, but are more than happy to take our workshop to you if preferred. Would you like to learn more about this? Please see more specifics below and give us a call or email at your convenience. We are confident your team will thoroughly enjoy this workshop and learn important skills for work and life. Interactive Team Building Workshop Using Icebreakers, Improvisation and Team Building Activities you and your team will learn how to: - Gain confidence and feel more comfortable around co-workers - Work more closely as a team - Communicate, listen, and be heard more effectively - Implement creative & adaptive problem solving Interactive Dynamic Presentation Workshop Using Improvisation, Method Acting and Confidence Building Activities you and your team will learn how to: - Be more dynamic while presenting - Become more engaging - Gain confidence and ease up in stressful situations - React quickly and positively in the moment Thanks for your time and I look forward to hearing form you soon! Sincerely, Jessica Houde-Morris (330) 348-1106 www.houdeschoolofacting.com | | | | Home - Houde School of Acting | | |

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CPH Behind-the-Scene: INTO THE BREECHES! | Mon., Sept. 30 @ 6:30 PM
by Marketing 26 Sep '19

26 Sep '19

Coming soon at Cleveland Play House... Behind-the-Scenes: Into the Breeches! Monday, Sept. 30 | 6:30pm - 8:00pm Location: CPH Educational Center, 1901 E. 13th Street, 5th Floor Cleveland Play House offers you ways to be a CPH insider all season long! With our InsideCPH programs, you'll get up-close-and-personal with the people and processes that make our work happen - all in a fun and informal setting. They're always open to the public, and always FREE of charge. Join us for our Behind-the-Scenes event for Into the Breeches! on Monday, Sept. 30th at 6:30 PM, and learn more about the rehearsal process from one of our actors. This intimate session is tied to the action on our stages! Whether it's a performance workshop, an enlightening discussion, or a rockin' demonstration of musical chops, you'll get a chance to rub shoulders with the talented performers you'll see right here at CPH. Learn something new and have a great time with new friends...all for FREE! The event will be held in the CPH Educational Center located at 1901 E. 13th Street, 5th Floor (in the CSU Theatre & Dance/Middough building). RSVP TODAY: https://www.clevelandplayhouse.com/calendar/2019/09/30/into-the-breeches

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Ohio Shakespeare seeks Stage Manager for DRACULA / FRANKENSTEIN rep *paid*
by tess＠ohioshakespeare.com 26 Sep '19

26 Sep '19

Ohio Shakespeare Festival seeks to immediately hire a stage manager for our Repertory productions of DRACULA and FRANKENSTEIN. Rehearsals have already begun. Rehearsal on Tuesday, Wednesday, Thursday, and Sunday evenings until September 29, then Tuesdays-Sundays evenings (Saturday afternoons) until performances. Performing October 11-26 Friday and Saturday evenings only. More production info here: [ http://www.ohioshakespearefestival.com/bonus-productions ]( http://www.ohioshakespearefestival.com/bonus-productions )[ ]( http://www.ohioshakespearefestival.com/bonus-productions ) Email [ tess(a)ohioshakespeare.com ]( mailto:tess@ohioshakespeare.com ) ASAP with a relevant resume.

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Aladdin, Jr. Auditions at 82nd Street Theatre
by Tim Shamburger 26 Sep '19

26 Sep '19

Upcoming Auditions at 82nd Street Theatre For *Aladdin, Jr.* SHOW DATES December 5-7, 2019 *Auditioning students in Grade 4 through College* Monday, October 7, 6-9 PM OR Tuesday, October 8, 7-10 PM (some call backs Wed, Oct 9, 6-7:30 PM) Director Tim Shamburger Our auditions are held with all actors together. It is a relaxed atmosphere and we ask that students stay for the whole time. Please be prepared to sing up to 32 bars of a show tune or Disney song acapella and you will do some reading from the script. Fill Out an Online Form at Eventbrite Registration <https://www.eventbrite.com/e/aladdinjr-auditions-registration-71707863149> Find more information here: http://alcc.cc/audition Auditions at Abundant Life Community Church 10143 Royalton Road, Suite N and O North Royalton, OH 44133 440-877-1202 Alcc.cc Direct inquiries to 82(a)alcc.cc Casting: Aladdin (m) Babkak, Omar, and Kassim are Aladdin’s three loyal and playful pals. (m or f) Genie (m or f) Iago is the fawning and funny sidekick to Jafar. (m or f) Isir, Manal, and Rajah, Jasmine’s devoted attendants. (f) Jafar is the power-hungry and crooked Grand Vizier. (m) Jasmine, the Princess of Agrabah, longs to experience the world outside the palace walls. (f) Sultan, the warm-hearted ruler who dotes on his daughter, is committed to upholding the ancient laws of Agrabah. Agrabahns are the citizens of Agrabah who help to create the bustling marketplace – merchants, shoppers, beggars, guards, etc. Included in this ensemble are the following featured roles: • The Beggars (3) are a small group with whom Aladdin briefly interacts. (we may cast more beggars) • The Apple Vendor is a merchant who reviles the beggars and from whom Jasmine unintentionally steals an apple. • The Fortune Teller unwittingly helps Aladdin escape the guards in “One Jump Ahead.” • The Shop Owner is a marketplace vendor from whom Aladdin steals bread. • Razoul, the rough and commanding head of the palace guards, answers to Jafar. • The Guards (2) follow Razoul’s orders. (may cast more guards) Prince Abdullah is one of Princess Jasmine’s haughty and arrogant suitors. (m) The Attendants (2) accompany Prince Abdullah on his journey to Agrabah. (m or f) Spooky Voice/Cave of Wonders (m or f) The Ensemble in “Friend Like Me” The Entourage, led by Aladdin’s three pals, helps to create the visually spectacular parade through the palace in “Prince Ali.”

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Seeking "Frozen" Performers for Holiday Gigs
by Concept 828 26 Sep '19

26 Sep '19

Hello! We are currently in need of actresses to play characters similar to Anna and Elsa of "Frozen" for some holiday gigs. Performers must be both strong actors and singers to be considered. If interested, please email concept828ohio(a)gmail.com with your headshot, resume, and at least one vocal clip. Performers must be able to sing "Let it Go" from Frozen and have a strong belt/mix for other vocal numbers within the show. -- concept828ohio(a)gmail.com facebook.com/concept828ohio/

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WUAL: CALL for Playwrights and Creative Writers Competition
by sue holland johnson 26 Sep '19

26 Sep '19

WUAL: CALL for Playwrights and Creative Writers Competition (Please share with your actors, performing artists, students, creative writers) Seeking playwrights / creative writers for special, inspirational “Miracles, Magic and Makeovers” project. Rationale: Watch the local and national news. Read the Internet. The media do not seem to address solutions to problems the community and country continue to face. The media seem to perpetuate and exacerbate society’s negative issues by broadcasting and magnifying society’s “uglies.” There is growing evidence that community members and the general public seem to be tired, agitated and frustrated with the conditions. However, they do not seem to know what to do or how to counteract the negative energies and be able to contribute what they can to effect positive change within themselves, their families and neighborhood. “A Brand New WUAL Day! Miracles, Magic and Makeovers” attempts to provide the higher level non-traditional thinking, principles and practices individuals can use to make such change. Wake Up and Live’s Actors’ Studio (WUAL) is launching its “Miracles, Magic and Makeovers” project and inviting playwrights / creative writers to submit 7 - 10-minute inspirational scenarios to be performed in various venues. Submissions should: 1. Address the Concept: Turn Your Life into One of Joy Health, Wealth and Happiness! (What story is character telling?) 2. Scenarios should have only 1 – 3 characters. 3. Be suitable to be presented on “Wake Up And Live With the Arts” YouTube show and / or on stage, and / or in workshops. 4. Be inspirational and uplifting. 5. Depict challenges or conflicts the character/s is facing, overcoming, or has overcome which allow him/her to now live an enlightened life on a higher level. 6. Suggested Universal principles and practices to address Wellness issues: . Physical, Mental, Emotional and / or Spiritual health . Family and other other relationships (love, work, social, toxicity) . Abuse (Domestic, Addictions, Employment, Elder, Etc.) . Financial and Material 7. Offer a non-traditional, thought-provoking approach to answers and problem-solving strategies to address life changes.8. Typed in current, standard play writing format. Selected entries: 1. If selected, scenarios will be performed on “Wake Up And Live With the Arts” and in live performance and workshops. 2. Stipend will be received from net proceeds of live performances. 3. $12.00 Entry fee required. Mail checks: 19333 Van Aken Blvd. Shaker Hts, OH 44122 Submission Deadline: Oct. 11, 2019 Questions: wakeupandlives(a)gmail.com About Sue Johnson . . . Sue produces, directs and hosts “Wake Up And Live With the Arts” YouTube show which celebrates and showcases the diversity of performing and cultural artists. Sue’s professional acting credits include appearances in Cleveland area theatres, including co-starring with Leon Bibb in A.R. Gurney’s Love Letters. She has directed My Big Fat Dysfunctional Office, by Gary Webster, a commissioned play, numerous "PlayActs" Performances, staged readings and full productions, including Vickie Williams, “Commemorative,” and producing “Black and Blue Rhapsody,” by Richard Asbury. Sue Johnson, SAG/AFTRA Director, WUAL Producer, “Wake Up and Live With the Arts” wakeuupandlives(a)gmail.com www.wakeupandlives.com

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FREE - CPH Behind-the-Scenes: Into the Breeches!
by Derek Green 26 Sep '19

26 Sep '19

Behind-the-Scenes: Into the Breeches! Monday, Sept. 30 | 6:30pm - 8:00pm CPH Educational Center 1901 E. 13th Street, 5th Floor Cleveland, Ohio 44114 Cleveland Play House offers you ways to be a CPH insider all season long! With our InsideCPH programs, you’ll get up-close-and-personal with the people and processes that make our work happen — all in a fun and informal setting. They’re always open to the public, and always FREE of charge. Join us for our Behind-the-Scenes event for Into the Breeches! With “The Show Must Go On!” as their battle cry, a band of passionate, yet inexperienced, performers rally together to produce the Oberon’s season opener, an all-female version of Shakespeare’s ambitious Henry IV and Henry V. Led by Nisi Sturgis, this workshop will focus on using improvisation to explore a Shakespearean scene. This intimate session is tied to the action on our stages! Whether it's a performance workshop, an enlightening discussion, or a rockin' demonstration of musical chops, you'll get a chance to rub shoulders with the talented performers you'll see right here at CPH. Learn something new and have a great time with new friends...all for FREE! The event will be held in the CPH Educational Center located at 1901 E. 13th Street, 5th Floor (in the CSU/Middough building). RSVP Today: https://www.clevelandplayhouse.com/calendar/2019/09/30/into-the-breeches If you have any questions, please contact Derek Green at dgreen(a)clevelandplayhouse.com #CPHBreeches

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