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A Little Murder Never Hurt Anybody Opens at WRPlayhouse
by Marie Dusini via NEohioPAL 10 May '16

10 May '16

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The World Famous Glenn Miller Orchestra at the Historic Lorain Palace Theater
by Kurt Hernon via NEohioPAL 10 May '16

10 May '16

Do not miss this VERY SPECIAL concert for The Lorain Palace Theater <https://www.facebook.com/The-Lorain-Palace-Theater-47796817217/>! The World Famous and LEGENDARY Glenn Miller Orchestra is going to grace our stage for the first time in over a decade! DO NOT miss this incredible show Thursday, May 19 at 7PM! Get YOUR TICKETS TODAY HERE: http://bit.ly/1SbFSXH or call the Palace 440.245.2323 OR stop in at the Palace to get your tickets today! Come on out, spend a wonderful evening with this amazing Big Band in our glorious, historic theater! *The Lorain Palace Theater617 Broadway AveLorain, Ohiowww.LorainPalace.org <http://www.LorainPalace.org>* <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campai…> Virus-free. www.avast.com <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campai…> <#DDB4FAA8-2DD7-40BB-A1B8-4E2AA1F9FDF2>

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Garfield Players host Murder Mystery Fundraiser Dinner
by Wendy Nixdorf via NEohioPAL 10 May '16

10 May '16

Join us for a night of intrigue and fun! *Murder Mystery Fundraiser Dinner * *to benefit* *The Garfield Players* Saturday, May 21 2016 7:00 PM Garfield Heights Civic Center 5407 Turney Road Garfield Heights OH 44125 Tickets are $20/person or $35/couple and can be purchased online at: www.garfieldplayers.org or by calling 216-475-8313. The Garfield Players have been presenting live theater for over 35 years. Please join us and help support community theater!

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Jerusalem at Ensemble
by Neil Thackaberry via NEohioPAL 09 May '16

09 May '16

Steven, One of the hallmarks of immaturity in theater and in life, is an acceptance and promulgation of absolutes. For anyone to proclaim, as you do, that any individual who finds something redeeming in a play and a production you dismiss knows nothing about theater speaks volumes about your experience, intelligence, and artistic maturity. The credibility of your position is further weakened by your ad hominem attacks on the director. I've been doing theater for a while now and I'm still never sure if what I'm seeing is what the director intended. I have been fortunate to see a good deal of the work of Ensemble Theater over the past 25 years. As with any theater, I've enjoyed some shows more than others. My experiences in the past and my respect for the artists involved in Jerusalem make it extremely difficult for me to give your comments the credibility you seem to expect. Finally, who are you? If you believe that your view of the production is fair and accurate, why don't you take ownership of your opinions, no matter how poorly written and organized they may be? Neil Thackaberry

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Stagecrafters Summer Camp - Enroll Today!
by Connelly, Claire via NEohioPAL 09 May '16

09 May '16

*FOR IMMEDIATE RELEASE*: STAGECRAFTERS THEATRE PROUDLY PRESENTS: *SUMMER CAMP 2016* Orange High School 32000 Chagrin Blvd. in Pepper Pike, OHRegister online HERE! <https://orangerecregistration.com/wconnect/ace/ShowSchedule.awp?&Mode=GROUP…> Stagecrafters now has 3 age appropriate theatre camps for your student! COME AND JOIN US FOR AN UNFORGETTABLE SUMMER Studio A – Happy Campers – Students currently in K-2nd grade Studio B – Shining Stars – Students currently in 3rd-5th grade Studio T – Triple Threat Teens – Students currently in 6th-8th grade * Session I – June 13-July 1 – 8:45-3:30 – Monday-Friday* *Session II – July 5-July 22 – 8:45-3:30 – Monday-Friday* *Current Grades K-2 (Studio A) ** Resident Non-Resident* *No. 16XST810* (Both Sessions) $848 $894 *No. 16XST811* (Session I) $448 $482 *No. 16XST812* (Session II) $448 $482 *Current Grades 3-5 (Studio B)* *No. 16XST910* (Both Sessions) $848 $894 *No. 16XST911* (Session I) $448 $482 *No. 16XST912* (Session II) $448 $482 *Current Grades 6-8 (Studio T)* *No. 16XST510* (Both Sessions) $848 $894 *No. 16XST511* (Session I) $448 $482 *No. 16XST512* (Session II) $448 $482 For more information please call (216) 831-8601 extension 5103, or email Stagecrafters(a)orangecsd.org Stagecrafters is a program of Orange Community Education and Recreation. www.orangerec.com -- *Claire Connelly* *Stagecrafters Supervisor* *216-831-8601 ext. 5103* *Stagecrafters is a program of Orange Community Education and Recreation* -- PLEASE NOTE: This message and any response to it may constitute a public record and, therefore, may be subject to disclosure upon request under Ohio law. However, if electronic communications contain student records or medical information, they shall be maintained as confidential to the fullest extent of the law. If you have received this electronic communication erroneously, please notify the sender immediately.

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Ensemble's Jerusalem Fizzles
by Stephen via NEohioPAL 09 May '16

09 May '16

The Ensemble Theatre's production of Jerusalem by Jez Butterworth, directed by Ian Hinz, is one big, messy, long evening. The action is slow, and the production strains very hard for an effect it never manages to achieve. The play revolves around the events of St George's Day in a town on the edge of Salisbury Plain. Johnny "Rooster" Byron is a Romany gypsy, and the town's council have finally arranged the legal essentials to have him evicted to build new housing. On St George's Day, a local fair is held and antics ensue against the background of Johnny's impending eviction. To be truthful, I didn't get Jerusalem's message, if there was one. And in the case of a show that has no discernible meaning, where an over-abundance of lines are heaved around by very inexperienced cast members, coupled with a director who doesn't seem to have a decipherable conceptual message, something is very wrong. The production is just a community theatre romp, with very few poignant moments, and lots of ambiguity. Much too much time is wasted with a cast of idiosyncratic characters whose presence is supposed to give the audience the feeling that what they are watching is risky, edgy and dark. Instead, we get a production that is long-winded, and self-indulgent. Unfortunately, this production serves no one, except the inflated ego of a director, who might have felt that he possesses the Golden Touch to pull off this complicated piece, but in truth, totally missed the mark in terms of the execution and analysis of the text, as well as the casting choices; more competent performers should have filled the roles, ones who can hold their dialects, and bring some originality to their performances. Perhaps in the hands of a more proficient and accomplished director, Jerusalem might have at least been entertaining. So the wrap-up: if someone tells you they loved Jerusalem, they do not know theatre. The production is an incomprehensible blur from which I gleaned no value.

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WUAL'S Private Coaching "Master the Art:" Monologue & Character Development, Theatre & On-Camera Auditions & Acting
by sue holland johnson via NEohioPAL 09 May '16

09 May '16

Private Coaching "Master the Art:" Monologue & Character Development, Theatre & On-Camera Auditions & Acting If you are an aspiring or experienced actor pursuing your passion, or career in the creative arts, “Master the Art” coaching can help you learn or hone your artistic craft & the business basics of being a professional.. “Master the Art:” Monologue Development. “Master the Art:” Character Development . “Master the Art:” Theatre Auditionin . “Master the Art:” On-camera Auditioning . “Master the Art:” On-camera Acting “Master the Art” private coaching helps you improve . Performance Preparation . Performance Power . Professional Etiquette Private Coaching by appointment. Fees Option: Sun sign analysis & interpretation to give you insights & help you do your craft work. Coach: Sue Johnson, SAG/AFTRA Exec. Director, Wake Up And Live’s Actors’ Studio (WUAL) Producer, Director “Wake Up And Live with the Arts” wakeupandlives(a)gmail.com Ask us about our WUAL Performances & Presentations. Custom designed for your event. Thought for the day. “To thine own self be true.”

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48 Hour Film Project seeking summer interns
by Brian Bowers via NEohioPAL 09 May '16

09 May '16

Short Film Competition Marketing / Production Internship Description The 48 Hour Film Project is seeking interns for this year’s Cleveland competition. The 48 Hour Film Project (48HFP) is the world’s largest timed film competition, now in over 140 cities around the world. Filmmakers have just two days to write, produce, and edit their short films using a genre, character, prop, and line of dialogue that aren’t revealed until Kickoff. All films are screened locally and judged by a panel of film professionals for a variety of awards. The Best Film in each city moves on to the 48HFP’s international competition and festival, Filmapalooza. There, the top films from around the world are screened and judged for a whole new set of prizes, including a chance to screen at Cannes Film Festival. Interns will get a behind-the-scenes look at the marketing and implementation of the festival, while working directly with the Cleveland producer. Additional benefits include networking opportunities, helping to produce screenings and events for the local filmmaking community, and watching and analyzing short films from some of the area’s top filmmakers. The ideal candidate will be self-directed and have a passion for film (filmmaking experience encouraged but not required). Responsibilities - Online outreach and promotion using Facebook, Twitter, and other social media channels - Monitor and post on social media networks, forums, and blogs - Shooting still photography and video footage of 48HFP events - Producing video interviews and trailers - Research and communication with local film groups and meetups - Delivering promotional materials to area theatres and venues - Taking tickets and checking badges at film screenings - Reviewing completed films to verify that required elements have been included Requirements Excellent communication, computer skills, and attention to detail are a must. A background in marketing and/or social media management is a plus. Special consideration given to candidates with a background in filmmaking, especially those with access to their own equipment. Candidates must be comfortable in a remote workplace situation, and must be self-motivated. Internship will run from mid-May through mid-August, with the possibility of extending through early November. Majors Film, Communication, Theatre, and Marketing/Advertising majors are encouraged to apply, though the position is open to candidates from any major Application To apply, submit your resume and cover letter via our online application at https://form.jotform.com/61288890965170. Application deadline May 26th, 2016. Please do not reply to this email--direct any questions to brian(a)48hourfilm.com. *Brian Bowers* *Assistant Director of Operations * *Cleveland 48HFP Producer* *48 Hour Film Project* http://www.48hourfilm.com/cleveland

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Auditions for ASSASSINS at Near West Theatre NEXT WEEK
by Kelcie Dugger via NEohioPAL 09 May '16

09 May '16

Near West Theatre announces AUDITIONS for ASSASSINS Teen/Young Adult Production (ages 16 to *25) *The age range for this production has been expanded! May 16, 17 & 18 , 2016 from 7:30-10:00pm Mon, Tues & Weds Come one of these evenings. Plan to stay for the entire time specified. See list of roles below! Assassins runs July 15, 16, 22, 23, 24, 28, 29, 30, 31, 2016 Rehearsals begin Tuesday, May 31, 2016 AUDITION SITE: Near West Theatre (6702 Detroit Ave., Cleveland, OH 44102) Questions? Call our office at 216-961-9750, M-F 11am-4pm or EMAIL info(a)nearwesttheatre.org<mailto:info@nearwesttheatre.org> ABOUT THE AUDITION: This is a group audition in a relaxed, friendly atmosphere. No experience or preparation required. Dress for movement. Please plan to stay for the entire time specified, and arrive 15 minutes before audition time to register. Anyone arriving after the starting time will not audition that day. At Near West Theatre we encourage everyone to audition. People of all experience levels, races, ethnicities, neighborhoods, sizes, gender identities and backgrounds are needed. We use theater to build community and relationships. We're a great place to express yourself and make friends. Come try us! Bring a friend! ABOUT THE SHOW ON THE EVE OF THE 2016 PRESIDENTIAL ELECTION, NEAR WEST'S SUMMER YOUTH THEATER PRESENTS STEPHEN SONDHEIM'S EXAMINATION OF THE AMERICAN DREAM, THE HAVES AND THE HAVE-NOTS, AND GUNS. "We're the other national anthem, folks, the ones that can't get in to the ball park. There's Another National Anthem, folks, for those who never win... for the ones who might have been."- from "Another National Anthem" A multiple Tony Award-winning theatrical tour-de-force, Assassins combines Sondheim's signature blend of intelligently stunning lyrics and beautiful music, with a panoramic story of our nation's culture of celebrity and the violent means some will use to obtain it, embodied by America's four successful and five would-be presidential assassins. Bold, original, disturbing, and alarmingly funny, Assassins is perhaps the most unexpected musical ever written. CHARACTER DESCRIPTIONS The Balladeer - Tenor C3-G4; ability to play guitar is a plus. The Balladeer is the conscience of America and the champion of the American Dream. He acts as a foil against the assassins and their warped perspectives and actions. The Proprietor - Tenor Gb2-F4; The Proprietor is the Grim Reaper, handing out weapons and overseeing the demise of presidents and assassins alike. His power is in his omnipresence and indifference; his characterization requires both dramatic irony and restrained wit. John Wilkes Booth - Baritone F2-G4; tall and distinguished; character will need a genteel Southern accent. A political zealot, "Wilkes" is the pioneer of American assassination and acts as leader and twisted mentor to the other assassins. "The Ballad of Booth" and his seduction of Lee Harvey Oswald are two of his pivotal scenes. Leon Czolgosz (pronounced "CHOL-gash") - Bass Baritone G#2-G4; slight of build. Czolgosz was an anarchist who, in killing William McKinley, decided to take matters of government into his own hands for the sake of the common man. Important scenes include "The Gun Song" and the meeting with Emma Goldman. Guiseppe Zangara - Tenor B2-A4; a short actor is preferred but not required; MUST use a heavy Italian accent for this character. Zangara blamed capitalists and "kings" for his medical conditions and attempted an assassination of Franklin D. Roosevelt-instead killing Mayor Cermak of Chicago. Zangara has a solo on the electric chair in "How I Saved Roosevelt." Sara Jane Moore - Soprano F3-Eb5. Actress is middle-aged and frumpy. Moore, a former FBI informant five times married, nearly assassinated Gerald Ford in 1975 - the second such attempt on his life in three weeks. Moore provides much of the comic relief in the show and requires an actress with good comic timing. Lynette "Squeaky" Fromme - Mezzo A3-G5; slender and pretty. Fromme, a flower child and member of Charlie Manson's cult "family," attempted an assassination of Gerald Ford in 1975. She is the lunatic foil to Sara Jane Moore's airheadedness in several scenes and sings a duet with John Hinckley. John Hinckley - Baritone A2-G4; blond and husky; ability to play guitar is a plus. Hinckley used a sociopathic obsession with Jodie Foster as his excuse to attempt an assassination of Ronald Reagan in 1981. Hinckley's clinical insanity and love-sickness add dramatic weight to this character. His pivotal scene is a duet with Squeaky Fromme. Charles J. Guiteau - Tenor A2-Ab4; average in stature; a beard would be helpful but not required. Guiteau was a multi-careered charlatan with delusions of grandeur who assassinated James Garfield in 1882. This intense libertine requires a multi-personality characterization and a flair for the dramatic. His key scene involves a cakewalk to the gallows. Samuel Byck - Heavy set; blue-collar Philly accent required. Byck was disgruntled at government and all it stood for when he attempted to hijack a plane with the intent of crashing it into the Nixon White House. A small vocal role, it requires an actor capable of presenting two dramatic, page-anda-half monologues. For Byck, please choose from the excerpt that fits your vocal range (tenor, baritone, or bass-baritone). Lee Harvey Oswald -Actor is slight to average build; rural Louisiana twang required. Oswald sings in the closing number and requires the dramatic capacity to spar with John Wilkes Booth in the pivotal Book Depository scene. Emma Goldman-Turn-of-the-century anarchist agitator and feminist. Townspeople - Required to play a variety of parts. The "townspeople" require strong individual voices as they sing "How I Saved Roosevelt" and the gut-wrenching "Something Just Broke." Other - A Bartender, President James Garfield, President Gerald Ford, Various reporters, photographers, tourists, bystanders, etc.

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PICKWICK & FROLIC - ENTERTAINER SEARCH
by Michael Rogaliner via NEohioPAL 09 May '16

09 May '16

PICKWICK & FROLIC AUDITIONS 2035 East 4th Street Cleveland, OH 44115 SEEKING ENTERTAINERS FOR 4 STAGESHilarities * Frolic Cabaret * Kevin's Martini Bar * Fourth Street Patio Primarily seeking smaller, self-contained musicalentertainments to book in a dining, bar or patio environment as well as acts to be featured in future Hilarities productions. Sorry, this call is not for comedians. Please e-mail your contact and booking information to Michael Rogaliner, Director of Productionsrogalinerm(a)sbcglobal.net. Meetings and Auditions will be scheduled at Pickwick in May and June. Entertainers will be paid. Opportunities will be year round. Pickwick & Frolic is located between Euclid and Prospect on East 4th Street in downtown Cleveland across from the House of Blues Restaurant.

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