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AUDITIONS for The Importance of Being Earnest and You Can't Take it With You at Andrews Osborn Academy
by Christopher M Bizub 27 Feb '24

27 Feb '24

The Willoughby Summer Theatre Festival is proud to announce auditions for its 2024 season… * You Can't Take It With You by George S. Kaufman and Moss Hart * The Gin Game by Donald L. Coburn * The Importance of Being Earnest by Oscar Wilde Audition Information: Saturday, March 23rd from 3pm-6pm Sunday, March 24th from 3pm-6pm Audition Location: Andrews Osborne Academy 38588 Mentor Avenue Willoughby, Ohio 44094 Audition Preparation: * Auditions will consist of readings from the script. * Please bring a current headshot/resume. * Please bring any potential rehearsal conflict you may have between June 3rd-July 26th, 2024. * Sign up for an audition appointment here: https://m.signupgenius.com/#!/showSignUp/10C0B4FABAB29A7F4C52-47528673-will… All roles in You Can't Take It With You and Importance of Being Earnest are open. All roles in The Gin Game have been pre-cast. Returning company members, if you are interested in spending the summer with us again but you are unavailable to attend auditions, feel free to contact either Darryl Lewis at dlewis(a)andrewsosborne.com<mailto:dlewis@andrewsosborne.com> from You Can't Take it With You inquiries, or Chris Bizub at cmb164(a)1870.uakron.edu<mailto:cmb164@1870.uakron.edu> for Importance of Being Earnest inquiries. Performance Dates are between JULY 26 TO AUGUST 11, 2024 You Can't It With You by George S. Kaufman and Moss Hart Directed by Darryl Lewis Performs: July 26th @ 7pm July 27th @ 7pm Aug 1st @ 7pm Aug 3rd @ 7pm The Gin Game by Donald L. Coburn Directed by Michael Rogan Performs July 28th @ 7pm July 31st @ 7pm Aug 2nd @7pm Aug 4th @ 5pm You Can’t Take it With You & The Gin Game Performance Location: Andrews Osborne Academy 38588 Mentor Avenue Willoughby, Ohio 44094 The Importance of Being Earnest Directed by Chris Bizub Performs: July 27th @ 2pm July 28th @ 2pm Aug 3rd @ 2pm Aug 4th @ 2pm Aug 10th @ 2pm Aug 11th @ 2pm Performance Location: The Importance of Being Earnest will be presented outdoors in downtown Willoughby and downtown Chagrin Falls. This season is made possible by the generous people at the Chagrin Valley Little Theater and a generous grant from the Ohio Arts Council. ADDITIONAL INFO: You Can't Take It With You Character Breakdown * Martin Vanderhof (Grandpa) - Martin Vanderhof is mainly called “Grandpa” in the play; he is the head of the family in every way. * Penelope Sycamore - Penelope -- or Penny, as everyone calls her -- , is married to Paul, and is the daughter of Martin * Paul Sycamore - Paul Sycamore is Penny’s husband, and Essie and Alice’s father. * Essie Carmichael - Essie is the eldest daughter of Penny and Paul Sycamore, and granddaughter to Grandpa * Alice Sycamore - Alice is the younger daughter of Penny and Paul Sycamore and granddaughter of Grandpa Vanderhof. * Ed Carmichael - Ed is Essie’s husband and son-in-law to Penny and Paul. * Tony Kirby - Tony is Alice’s boyfriend and eventual fiancé. He is the Vice President of Kirby and Company * Mr. Anthony Kirby - Mr. Kirby is Tony’s father and the head of the Wall Street firm Kirby and Company * Mrs. Miriam Kirby - Mrs. Kirby is the wife of Mr. Anthony Kirby and mother to Tony * Boris Kolenkov - Russian. Kolenkhov is Essie’s ballet instructor. He admits that she is a horrible ballet dancer * Donald - Donald is Rheba’s longtime boyfriend who frequently visits her where she works, * Rheba - Rheba is the maid for the Vanderhof/Sycamore family, but she is treated like one of the family. * Mr. De Pinna - Mr. De Pinna is a close friend of the family, who has lived with them for the last eight years. * Wilbur Henderson - Mr. Henderson works for the IRS and comes to talk to Grandpa about owing 22 years of back taxes * Gay Wellington - Gay Wellington is an actress who Penny invites to the house to read her plays. * Grand Duchess Olga Katrina - Grand Duchess Olga Katrina was one of the Grand Duchesses of Russia before the Revolution * G-Men - 3-5 actors who arrest the family at the end of Act 2 The Importance of Being Earnest About the show: The Importance of Being Earnest is the most renowned of Oscar Wilde’s comedies. It’s the story of two bachelors, John ‘Jack’ Worthing and Algernon ‘Algy’ Moncrieff, who create alter egos named Ernest to escape their tiresome lives. They attempt to win the hearts of two women who, conveniently, claim to only love men called Ernest. The pair struggle to keep up with their own stories and become tangled in a tale of deception, disguise and misadventure. The elaborate plot ridicules Victorian sensibilities with some of the best loved, and indeed bizarre, characters to be found on the modern stage. Requirements & Preparation: Cold readings from the script. Bring a current headshot/resume Bring a list of any and all conflicts beginning June 3rd, 2024. Casting Information: ALL roles are available. * John Worthington – Male, Age Late 20s-30s * Algernon Moncreiff – Male, Age 20s-30s * Gwendolen Fairfax – Female, Age 20s-30s * Cecily Cardew – Female, Age 18+ * Lady Bracknell – Male/Female, Age 50+ * Rev. Canon Chasuble – Male, Age 50+ * Miss Prism – Female, Age 40+ * Lane – Male, Ages 30+ * Merriman – Male, Ages 30+

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change to VOICE ACTING FUNDAMENTALS class schedule
by Colors Audio 27 Feb '24

27 Feb '24

I know I said that the previous announcement for this class would be the last notice (sorry about that), but the start date has been pushed back one week. I’m posting again in case this opens up a possibility for someone to attend. Please note the new run dates. Thanks. — Spring, 2024 Voice Acting Fundamentals! This class will consist of six, 2-hour sessions on Saturday afternoons from 2 to 4pm beginning MARCH 9TH and ending APRIL 20TH (we'll take Easter Weekend off). We'll meet at Colors Audio in Akron. What will you learn? Sanford Meisner said that "Acting is behaving truthfully under imaginary circumstances." (Great quote.) But here's the typical v/o audition scenario: The client has given you a snippet of a script, exactly two (contradictory) words of direction, no circumstances, and a strong temptation to behave "untruthfully." How do we not only perform that script, but OWN it? I'll show you how to do that. Voice Acting Fundamentals has a 10-year track record, and your humble coach has 37 years of experience as a voice actor for clients like John Deere, Philips Medical, NASCAR, Walker Muffler, Roof Maxx, Delta Faucet, Lubrizol and Goodyear. Cost is $750 for the class. Email me: dan(a)colorsaudio.com. All the best! Dan Popp

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The Cleveland Chamber Choir Presents March Concerts
by Kira McGirr 27 Feb '24

27 Feb '24

Get ready to be swept away by the stunning singing of the *Cleveland Chamber Choir*, Cleveland’s premier professional choral ensemble, as we conclude our season with *Choral Splendor: Old & New.* Reserve your tickets for our *March 2nd and 3rd *performances at clevelandchamberchoir.org. A Fusion of Past and Present This concert is a unique exploration of how modern masters like *Caroline Shaw, Jeff Scott, and Andrew Rindfleisch* pay homage to, and borrow from, musical geniuses of the past. Prepare to be moved by their contemporary takes on classic compositions from legends like *Thomas Tallis, Dietrich Buxtehude, Gregorio Allegri, and Igor Stravinsky*. TWO World Premieres! In our ongoing commitment to expanding the canon, we're excited to present two world premiere commissions: - *“Nǐ de Mìngyùn, Ayanmo Mi” (Your Destiny, My Destiny)* by world famous composer and horn player, Jeff Scott. This mesmerizing piece is inspired by the I Ching and Ifa divination practice, and is written in dialogue with Stravinsky’s *Yule divinations: Four Russian Peasant Songs*, for four french horns and choir. - *Joshua Estok*, a rising star who is a student at Cleveland State University, reimagines the opening lines of Tallis’s *“If Ye Love Me”* to create a meditation on how we love, expressed in speech and song. Music with a Message Our program closes with *To the Hands*, by Pulitzer Prize winning composer *Caroline Shaw*. The work takes as its starting point the cantata *“Ad manus”* (“To the hands”) from *Dietrich Buxtehude*’s *Membra Jesu nostri* (The Limbs of our Jesus). As Shaw writes: ------------------------------ *To the Hands* begins inside the 17th century sound of Buxtehude. It expands and colors and breaks this language, as the piece’s core considerations, of the suffering of those around the world seeking refuge, and of our role and responsibility in these global and local crises, gradually come into focus. ------------------------------ Support a Noble Cause Join us in making a difference. This year, a record number of people around the world have been displaced from their homes. A portion of proceeds from our *pay what you will* tickets <https://clevelandchamberchoir.us13.list-manage.com/track/click?u=ad53d4c752…> will go to aid Re:Source Cleveland <https://clevelandchamberchoir.us13.list-manage.com/track/click?u=ad53d4c752…>. Across eight programs they support our newest neighbors as they settle into life in Cleveland after their initial transition. They work with children and adults who come to Cleveland as refugees, humanitarian parolees, asylum seekers, and those with temporary protected status. Their work focuses on supporting newcomers in building thriving lives through education, mentoring, tutoring, mental health and wellness, urban agriculture, employment, content creation, youth sports and recreation, and social services and benefits enrollment. Or visit resourcecleveland.org/give <https://clevelandchamberchoir.us13.list-manage.com/track/click?u=ad53d4c752…> to support this important work directly. Special Pre-Concert Talk Enhance your experience with a *pre-concert talk by Dr. Charles Edward McGuire* from Oberlin College & Conservatory, 45 minutes before each show. Save the Dates! - Saturday, March 2, 2024, at 7:00 PM (pre-concert talk at 6:15 PM) First Lutheran Church, 1019 W. 5th St., Lorain - Sunday, March 3, 2024, at 4:00 PM (pre-concert talk at 3:15 PM) St. Paul's Episcopal Church, 2747 Fairmount Blvd, Cleveland Heights Reserve Your Spot! Don't miss this soul-stirring celebration of music. Reserve your tickets c levelandchamberchoir.org. This concert is presented with generous grants from The Cleveland Foundation, Cuyahoga Arts & Culture, The Gund Foundation, Ohio Arts Council, Local 4 Music Fund and the Bascom Little Fund, and with the help of generous donors like you. Please consider supporting Cleveland Chamber Choir with a donation. We hope to see you on March 2nd or 3rd for an unforgettable concert experience!

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CSU FILM WORKSHOP FOR TEENS
by Odyssey Program 27 Feb '24

27 Feb '24

REGISTRATION STILL OPEN for Acting and Language of Film on Saturday, March 2. The morning workshop will focus on Performing Background Scenes in Film with various crowd scenes. The afternoon workshop will analyze famous film scenes and be held in CSU School of Film Media Arts state of the art Screening Room. Students have the option of taking either MORNING ACTING Workshop or AFTERNOON FILM Workshop or BOTH Workshops. Each FULL DAY Workshop includes lunch and all workshops are taught by CSU Faculty. LANGUAGE OF FILM — March 2, 2024 For more information, please visit www.csufilmodyssey.com<http://www.csufilmodyssey.com/> Odyssey Film Camps and Workshops School of Film and Media Arts Cleveland State University 1375 Euclid Ave, 6th Floor Cleveland, OH 44115 (216) 687-5087 www.csufilmodyssey.com<http://www.csufilmodyssey.com>

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ACTING BY MISTAKE SPRING CLASSES WITH WILLIAM ROUDEBUSH!!!
by CVActor 27 Feb '24

27 Feb '24

ACTING BY MISTAKE A class taught by: William Roudebush Below arethe dates for the next sessions of ACTING BY MISTAKE on ZOOM. If you wish to enroll please do so as soon as possible to reserve your slot…ENROLLTODAY!! ACTING BY MISTAKE is a practicalguide to auditioning, rehearsing and performance that leads actors to trustthemselves, utilize their fears, create from their mistakes and head toward amore positive process. To enroll: Contact William Roudebush by email roudebushwilliam(a)gmail.com CLASSES BEGIN: TuesdayMarch 5th from 6:30pm to 9:30pm and runs consecutive Tuesdays through April9th (6 weeks total). LOCATION: On your computer orI-Phone COST: $350for 6 consecutive 3 hour sessions CLASS SIZE LIMIT: 8(You will work every session) SPECIAL NOTE ABOUT ZOOM: Every actor should take a moment and look attheir process via Zoom for three reasons: 1. It’s all a close-up. Tricks are clearly revealed. 2. You get a full playback of everything you did in every class. You canfollow your own progress. 3. We are able to also work on-cameratechnique. TESTIMONIALS: “His uncanny genius is knowing how the actorand the play can work together like a Swiss watch.” William Mastrosimone, Playwright. “For severalyears, I’ve only been partially able to articulate, or utilize, what Bill’sbook, and his teachings have brought right out into the middle of things, whereI have begun to believe they belong, and with blazing clarity. Austin Pendleton, Actor, Director, Playwright& Master Teacher. “I love workingwith Bill in his ACTING BY MISTAKE workshops. I’ve been taking his workshops forover two years now. He gets us to ‘connect’ with the character in an organicway. He helps us allay the normal fears we have as actors and our need to getit ‘right’ by creating a playful process in which we focus more on the character’sexperience than getting the exact words of the text correct in the rehearsalprocess. That is so freeing. I’m feeling much more confident now in how Iapproach a character and trust that organic process of developing a character.”John Sannuto, Chair, Theatre Department,Long Island University. For background information on ACTING BY MISTAKE log on to www.xlibris.com. Click Bookstore & searchACTING BY MISTAKE For background information on William Roudebush log on to www.williamroudebush.com | | Virus-free.www.avast.com |

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Kennelly Review: The Play That Goes Wrong at Cleveland Play House
by Laura Kennelly 27 Feb '24

27 Feb '24

Whoops! If everything goes wrong in the Cleveland Play House’s current show, that means everything is going right! *The Play That Goes Wrong*, now at Playhouse Square’s Allen Theatre, shows farce at its best. One testimony to that is that the run of this play within a play has been extended to March 10, a week longer than planned, due to ticket demand. Full review at https://coolcleveland.com/2024/02/theater-review-the-play-that-goes-wrong-c…

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CSU Student Thesis Casting Call fArt
by Maris Wirt 26 Feb '24

26 Feb '24

Currently casting for a satirical comedy CSU thesis short film Roles: Rene: The Lead (22-30) (M or F) Don: Supporting (25-30) (M) Hammy: Supporting (22-30) (M or F) Filming dates are set for March 22-24th and 29-31st in Cleveland OH. Rene is the one character needed for all 6 days. The project is titled "fArt." It is a short comedy film that explores what it means to be an artist. This is an unpaid, non-union student set, but will provide meals and copy of the film. If anybody is interested in auditioning, please send over your headshot and state which character you would like to audition for to the email below. Auditions will be held at the FMA School of Arts in Room 670 at 4 PM on March 6th. The address is 1375 Euclid Ave 6th Floor in Cleveland OH. Self-tapes are accepted if you are unable to make it in person. daniel.mcraven2 at gmail dot com

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The Musical "Working" - Localized Version
by Annette Phelps 26 Feb '24

26 Feb '24

Broadview Heights Spotlights Theater Presents the Musical “Working” – Localized Version Based on Studs Terkel's best-selling book of interviews with American workers, “Working” paints a vivid portrait of the workers that the world so often takes for granted: the schoolteacher, the phone operator, the waitress, the millworker, the mason, and the housewife…just to name a few. Nominated for six Tony Awards in 1978, this classic has been updated for a modern age. This is the Broadview Heights Spotlights’ Annual Coffee House production where there is a complimentary beverage bar (non-alcoholic) sponsored by Caruso’s Coffee. There are also luscious desserts available for purchase sponsored, in part, by Creekside Restaurant. The show runs February 23-March 3: Thursday, Fridays and Saturdays at 7:30, Sundays at 3:00. All shows will be held at Spotlights Theater, 9543 Broadview Road, Bldg. 22 (on the Broadview Heights city campus next to the Police Department). For tickets, visit the Spotlights’ website: www.broadview-heights-spotlights.org The show features Calvin Adkins, Tim Anderson, Masario Atkins, Katie Atkinson, Abigail Collinsworth, Ray Conrad, Tara Corkery, Bill Cummins, Jessica Edwards, Eddie Gale, Katie Hinze, Clay Hoffner, Brian O. Jackson, Paul Josell, Victoria Kirgesener-Hunsicker, Lindsay MacLeod, Peggy Newton, Theresa Pedone, and Jennifer Rizzi. It is directed and music directed by Ryan Bergeron, choreographed by Theresa Pedone, and technically directed by Tim Anderson. The show is adapted by Stephen Schwartz and Nina Faso with songs by Craig Carnelia, Micki Grant, Lin-Manuel Miranda, Mary Rodgers, Susan Birkenhead, Stephen Schwartz, and James Taylor. The localized format is conceived by Daniel C. Levine for ACT of CT. “Working” - Localized Version is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com

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Tickets on Sale for Clara's Journey To Queen
by Matt Smith 26 Feb '24

26 Feb '24

CLARA’S JOURNEY TO QUEEN - an original Blue Macaroon Theater youth stage production, MARCH 22 - 24th! Get your tickets at bluemacaroontheater.com This is the fantastical story of a young princess finding herself and her friends. When her cat is kidnapped and her love is taken away from her, she risks it all to escape her family’s expectations. She learns of love, betrayal, and what it truly means to have a best friend forever. A happy ending for a coming of age story, she learns and adapts for what is her calling.

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IMPROV FOR ACTORS – A Practical Approach, with Marc Moritz /NANCY MOSSER CASTING /Pittsburgh
by Marc Moritz 26 Feb '24

26 Feb '24

IMPROV FOR ACTORS – A Practical Approach, with Marc Moritz Improv is the number one thing asked for when auditioning for commercials and looking for representation. As every savvy commercial actor knows, many auditions are strictly improvised and in order to BOOK, you need to have these skill sets! Learn how to better think on your feet, be more spontaneous, and come up with innovative solutions *Throughout the class we’ll cover:* *-How to use improv to showcase your own personality/Thinking quickly on your feet-Working on different types of commercials (spokesperson, two-person, solo spots, etc.)-Using improv to make the script/copy your own-How tone can inspire your improv within the spot-Audition prepping under a tight deadline-Using improv skills when the commercial only uses physicality and no dialogue-How to do self tapes when you don’t have time to find a reader-Creating an instant character fully realized at a moment’s notice and much more!* *Important:* This class is offered at two different levels. Level 1 will be your introduction to the techniques of improv. Level 2 will build upon the skills you learn in level 1 and include more advanced exercises and acting work. *WHEN: Saturday, March 9* *Level 1: 11AM – 1PM**Level 2: 2PM – 4PM* *WHERE: Mosser Casting, 3583 Butler Street, Pittsburgh, PA 15201COST: $60* *RESERVE YOUR SEAT <https://square.link/u/eBAixnfQ>* *https://www.mossercasting.com/improv-for-actors-a-practical-approach-with-marc-moritz/?fbclid=IwAR1WH_CvgitY0fx2j88GIXJAP4U-898VC20u0oeIRthfvwCH9ds6nAt6ci4 <https://www.mossercasting.com/improv-for-actors-a-practical-approach-with-m…>* --------- *ABOUT MARC MORITZ (AEA):* Marc originated the role of Talk Show Host in the Broadway production of the Stephen Sondheim / Hal Prince Musical, Merrily We Roll Along. Other roles include Mushnik (Little Shop of Horrors), Turpin (Sweeney Todd) , Mister Mister (The Cradle Will Rock), Mysterious Man (Into The Woods), Chairman (Mystery of Edwin Drood), Grumio (Taming of the Shrew), Ezekiel Cheever (The Crucible), Redlich (Bell, Book, and Candle), Malvolio (Twelfth Night), Caius (Merry Wives of Windsor), Claudius (Hamlet) , Joe Boyd ( Damn Yankees), Interlocutor (The Scottsboro Boys), Murray (The Odd Couple) , Sheftel (Yentl), Otto Frank (Diary of Anne Frank), Emperor Joseph (Amadeus), Touchstone ( As You Like It) , Old Shepherd (Winter’s Tale), Al Lewis (Sunshine Boys), and Roger (She Stoops to Conquer). Theatres : Goodman , Long Wharf, New Harmony, Dobama, Karamu, Porthouse, Oberlin Summer Theatre , Idaho Shakespeare, Carousel Dinner Theatre, Pittsburgh Public, Pittsburgh Playhouse, Riverside Shakespeare, Cleveland Playhouse, Great Lakes Theatre Festival, Rubber City, None Too Fragile, and Human Race . Marc was the Founder / Director of Cleveland’s successful Improv Troupe – GIANT PORTIONS. He has taught Improv at ImprovOlympic and Second City in Chicago, and throughout the country. Marc has taught acting at AMDA and CAP 21 in NYC and was a Guest Artist/ Instructor at Cornell. Marc has also taught acting and communications at John Carroll University and Lakeland College. He is the Vice-President of MainStreet Musicals ( http://www.mainstreetmusicals.org) , A New York-based based organization committed to nurturing new works regionally which boasts a board that includes John Lithgow and Patti Lupone. Directing Credits include: Art , A Raisin in the Sun, Christmas Schooner, (TrueNorth Theatre) , Hellcab, Frankie and Johnny in the Clair De Lune ( Blank Canvas Theatre), The Walworth Farce, Gutenberg! The Musical! , Tigers Be Still (Dobama Theatre) , Shine (Starring Hal Linden) , Three Guys Naked >From the Waist Down, Don’t Dress For Dinner , Unnecessary Farce ( Weathervane Playhouse) , A Broadway Christmas Carol ( Clague Playhouse), 39 Steps (Weathervane Theatre , New Hampshire) , Frankenstein 1930 (Geauga Lyric Guild) , Pajama Game (Magnificat HS ). Marc was in the Returning Professional Program at Kent State University where he received his MFA.

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