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Auditions Lion King Jr. for kids Grades 3-9
by 82nd Street Theatre 03 Jul '22

03 Jul '22

Upcoming Auditions at 82nd Street Theatre Lion King, Jr. SHOW DATES October 6-8 Auditioning students in Grade 3 through Grade 9 Saturday, July 16, 2-5 PM OR Monday, July 18, 6-9 PM (You only need to attend ONE of the audition dates, and stay for the whole time) REHEARSALS: Wednesdays, 6-9, Saturdays 2-5, Sundays 4-7 Director Debbie Taylor Our auditions are held with all actors together. It is a relaxed atmosphere and we ask that students stay for the whole time. Please be prepared to sing up to 32 bars of a show tune or Disney song acapella and you will do some reading from the script. Find more information and sign up here: https://www.alcc.cc/auditions Auditions at Abundant Life Community Church 10143 Royalton Road, Suite N and O North Royalton, OH 44133 440-877-1202 Alcc.cc Direct inquiries to 82(a)alcc.cc

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AUDITIONS - One Man Two Guvnors' - Blank Canvas Theatre
by info blankcanvastheatre.com 02 Jul '22

02 Jul '22

Blank Canvas Theatre Auditions for The Cleveland Premiere of ONE MAN TWO GUVNORS’ By Richard Bean with songs by Grant Olding Based on The Servant of Two Masters by Carlo Goldoni Directed by Anne McEvoy Sign Up: Email Patrick(a)blankcanvastheatre.com to sign up for one of the below dates and include your ideal date for auditioning. Audition Date: Tuesday July 12th and Wednesday July 13th Time: 7:00pm- 9:00pm (ALL ACTORS are asked to arrive by 7pm. If you cannot make it at 7pm, please inform us in your email) What to prepare: Readings will be from the script. No monologues required. We will provide sides before the audition date. A general familiarity with the play will be beneficial to your audition. A headshot and resume is appreciated. Performance Dates: September 9th-24th. Shows will be Thursdays-Sundays. Thursday, Friday & Saturday at 8pm. Sundays at 7pm (Show will close on a Saturday night) Rehearsals: Will begin August 15th and will be Sunday-Thursdays. Typically, 7pm-10pm, though Sundays will be 6pm-10pm. This is only a FOUR-week rehearsal period. Though there may be a couple earlier dates scheduled for some table work. Pay: Blank Canvas Theatre dedicates 20% of the net profit to the cast of each show. The cast splits this evenly. *At this time, there are no Equity contracts available for this show. Audition Location: Blank Canvas Theatre 1305 78th Street, Suite 211 (at 78th Street Studios) Cleveland, OH 44102 (Click here<http://blankcanvastheatre/directions> for directions or visit our website) The Story Brighton, England. 1963. Change is in the air, and Francis Henshall is looking to make his mark. Fired from a skiffle band and in search of work, he finds himself employed by small-time gangster Roscoe Crabbe, in town to collect a fee from his fiancee's gangster father. But Roscoe is really Rachel, posing as her own dead brother, herself in love with Stanley Stubbers (her brother's killer) who, in turn, becomes our hero's other 'guvnor'. Fighting a mounting sense of confusion, Francis goes out of his way to serve both bosses. But with the distractions of a pneumatic bookkeeper, a self-important actor and select members of the criminal fraternity (not to mention his own mammoth appetite) to contend with, how long can he keep them apart? Richard Bean's hilarious comedy received 5-star reviews from every London newspaper and was the hit of the 2012 Broadway season. Character Breakdown * The age range for each character is flexible and all ethnicities and body types will be considered. Francis Henshall - This role has already been cast and will be played by Patrick Ciamacco. All other roles are open. Charlie “the Duck” Clench (Male 50s-60s) Small-‐time London gangster that runs a scrap metal company. Streetwise, but not intelligent. Father to Pauline. Cockney accent. Pauline Clench (Female 20s-30s) Daughter to Charlie. Young, pretty, full of life and VERY stupid. Was engaged to Roscoe (before he died) and now engaged and utterly in love with Alan Dangle. A broad cockney accent. Alan Dangle (Male 20s-30s) A young aspiring and terribly over dramatic actor with little common sense. Hot-‐headed and passionate, but ineffective. Engaged to Pauline. Middle-‐class London accent. Dolly (Female 20s‐40s) Charlie’s busty feminist bookkeeper. Smart and sassy, she’s had her fair share of men and is a true match for Francis. Northern accent optional. Harry Dangle (Male 40s-60s) Father to Alan Dangle and partner in a shady law firm-‐ the stereotypical fat crooked lawyer. Constantly trying to sound higher brow than he really is. Posh RP accent, which occasionally dips into cockney. Stanley Stubbers (Male 20s‐30s) A posh public-‐school boy from the Home Counties. Utterly confident and steeped in the arrogance of the upper classes. Rachel Crabbe (Female 20s‐30s) London girl from a criminal family. Sharp and quick-‐witted, driven by her love for Stanley. Spends the play pretending to be her dead twin brother so must be able to play the caricature of a man. Lloyd Boateng (Male, 40s-50s) A London/Jamaican ex-‐con and friend to Charlie Clench. Charismatic, working class with an air of charm. Loyal, warm and owner of “The Cricketers Arms” pub. Alfie (Male/Female, 18+) The slow and doddering “elderly” waiter played by a younger actor. A great physical comedian. Must be able, willing, and ready to do several prat falls and engage in challenging, choreographed physical comedy. May be double cast as ensemble. Gareth (Male/Female, 40+) Supercilious, efficient head waiter. Physically adept - helps out with quite a lot of “business”. RP (Received Pronunciation) accent. May be double cast as ensemble. Ensemble (Open) One or two actors will be cast as an old woman, a vicar, a taxi driver, police officers and more. These are mostly non-‐speaking roles, but essential. If you have any questions, feel free to contact us. We look forward to seeing you at auditions!

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Open Auditions for Beauty and the Beast at Silhouette
by Laura Hart 02 Jul '22

02 Jul '22

Open auditions for Beauty and the Beast at Silhouette Productions. Music by Alan Menken Lyrics by Howard Ashman and Tim Rice Book by Linda Woolverton Produced by Charlotte Mirabile Directed by Laura Telepak Musically Directed by Colleen Endrizzi Choreography by Jen Justice The classic story tells of Belle, a young woman in a provincial town, and the Beast, who is really a young prince trapped under the spell of an enchantress. If the Beast can learn to love and be loved, the curse will end and he will be transformed into his former self. But time is running out. If the Beast does not learn his lesson soon, he and his household will be doomed for all eternity. For full synopsis and character list visit https://www.mtishows.com/disneys-beauty-and-the-beast When: Monday and Tuesday July 25 and 26 from 6-8PM. No appointment necessary. Please be signed in by 7:30PM. Where: Shore Cultural Centre 291 E. 222nd Street Euclid, OH 44123, Orchestra room. Enter door 6 from the back parking lot. What to prepare: Two 16-32 bar selections in the style of the show. A short monologue. Please bring your own sheet music, there will be no a capella auditions. An accompanist will be provided. Please bring a headshot or be prepared to take a photo at auditions. Callbacks by invitation only: Wednesday and Thursday July 27 and 28 from 6-9PM. Production dates: October 14, 15, 16, 21 (with tentative school performance in the morning), 22, 23. Rehearsals will begin Monday August 22, and run Monday-Thursday 6-9PM. Principals Only: Sundays from 1-4PM. There are no AEA contracts for this production. ALL ROLES ARE AVAILABLE. Questions? Contact the director at dramamunchkin90(a)gmail.com

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Auditions for "Unnecessary Farce" at Spotlights Theater
by Annette Phelps 01 Jul '22

01 Jul '22

AUDITIONS FOR "UNNECESSARY FARCE"AT SPOTLIGHTS THEATER The Broadview Heights Spotlights Theater is excited to announce auditions for UNNECESSARY FARCE by Paul Slade Smith, directed by Chris Bizub. Two cops. Three crooks. Eight doors. Go! In a cheap motel room, an embezzling mayor is supposed to meet with his female accountant, while in the room next-door, two undercover cops wait to catch the meeting on videotape. But there’s some confusion as to who’s in which room, who’s being videotaped, who’s taken the money, who’s hired a hit man, and why the accountant keeps taking off her clothes. Auditions will be Monday & Tuesday, July 11 & 12 – 7:00PM – 10:00PM at the theater (9543 Broadview Road, next to the police station. Callbacks (if needed) will be determined at a later date. Performances will take place September 2 – 17, 2022, Fridays & Saturdays at 7:30PM and Sunday, September 11 at 3:00PM. Auditions will consist of readings from the script. Bring a list of conflicts from July 25-September 17. For more information, including roll breakdown, please visit www.broadview-heights-spotlights.org. For more information contact director Chris Bizub at cmb164(a)1870.uakron.edu.

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CPH Associate Director of Production Job Posting
by Maryann Morris 01 Jul '22

01 Jul '22

ASSOCIATEDIRECTOR OF PRODUCTION JOB DESCRIPTION Classification:Full time salary position Termof Employment: Flexible start date Reportsto: Director of Production Salaryrange: $47,250 - $54,500 ClevelandPlay House (CPH) is seeking an AssociateDirector of Production (ADoP) to join the production team. This positionworks in close partnership with the Director of Production (DoP)to share production management of the work on our main stages, New GroundTheatre Festival, Education, the CWRU/CPH MFA program productions and specialevents. This position also works closelywith all Production, Artistic staff and guest artists. Thisis a growth position. The work isrooted in core job responsibilities. In a collaborativepartnership with the Director of Production the job tasks and leadershipwill expand over time. The ADoP work calls for administrative, facility andsupply management and team leadership. Core beginning responsibilitiesinclude: · Cultivatea joyful, collaborative, inclusive,and anti-racist CPH workplace by building culturally competent and generativerelationships among staff, and immediately addressing instances of microaggressive or harmful language or behavior · Coordinate production expensetracking and management · Manage weekly payroll submissionfor all employees in the production department · Administrative support to Supervisors in their staff onboarding,training and mentoring · Participate in team-approach hiringprocess for all production staff · Participate in weekly departmental equity, diversity, access andinclusion learning conversations · Foster reuse, reduce, recycle and safe disposal of material · Administrativesupport in production staff goal setting, self-evaluation and review process · Maintain supplies for stage management · Coordinate facility projects in the theatre complexand Middough building spaces · Support Production Office Assistant’s leadership asthey manage Shoreway Production Center · Support Covid-19 Resource Plan within production spaces andprocess · Maintain a safe and healthy work environment Developing and expanding jobresponsibilities shared with the Directorof Production may include: · Collaborate in season planning, including script and designerselection · SuperviseProduction staff in day-to-day management and personnel issues · Onboard, train and mentor stagemanagement staff · Collaborate in policy setting · Partner with DoP to production-leadprogramming to foster joy, artistry and teamwork. This includes responsibly guiding coordination forall aspects of the production process through providing schedules,budgets, communication, and upholding accessibility, cultural competencyand specificity of the design. Desired experience and skills include: · Abilityto establish and maintain communication in person, via email, phone, Zoom andother means clearly, accurately and identify and share key information withthose who need it · Abilityto work independently and take initiative to resolve multi-step challenges · Competencyin Microsoft Office and Google Suite programs, and ability to learn newplatforms such as Dropbox and Ahola (payroll system) · Abilityto analyze scripts, designs, technical drawings and other information tosummarize, organize and apply to planning and budgeting · Abilityto estimate materials costs and develop and adhere to schedules · Abilityto become familiar with IATSE, USA, AEA and other union agreements · Experiencein initiatives relating to accessibility, racial equity and social responsibility · Abilityto lead and manage a team for project-based work with a positive outlook · Twoyears prior experience in a theatre production capacity desired Work Schedule: M-F 8am-4:30pm; shared attendance withDoP for tech and preview performances includes some evenings and weekends. Someremote work and flextime possible. Benefits: · Comprehensive benefits package includes: group medical health insurance to which CPHcontributes a portion of the employee’s premium; additionally dental,vision…etc. and other plans are available as well. · Paid vacation, company and discretionaryholidays as well as the opportunity to participate in a 401(K) plan. · Tickets to select CPH productions subject toavailability · Parking is available at employee’s cost. Interested applicants should upload a cover letter with a resumeand submit that information through the CPH website. Please indicate inthe cover letter how you heard about this position. For additional information on ClevelandPlay House, including more information on employee benefits and our companyculture, visit our website at www.clevelandplayhouse.com. Cleveland Play House is an equal opportunity employer, and all qualifiedapplicants will receive consideration for employment without regard to race,color, religion, age, sex, national origin, disability status, genetics,protected veteran status, sexual orientation, gender identity or expression, orany other characteristic protected by federal, state or local laws. CPHis on an active and ongoing journey to becoming an anti-racist organization,fostering and sustaining a culture that values community, social justice andequity. Please learn more about where we started on this journey in CPH’s April2, 2021 statement: CPH Statement | Cleveland Play House | 216-400-7000 ** CPH has a mandatory Covid-19vaccination policy for all employees**

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Director of Operations at Dobama
by Yahoo 01 Jul '22

01 Jul '22

DIRECTOR OF OPERATIONS Dobama Theatre is looking to hire a dynamic new team member as Director of Operations to help lead efforts in supporting, promoting, funding, and organizing programs across the organization. Dobama is looking for a person who fits with Dobama’s culture, values, mission, and vision. The Director of Operations will manage financial tasks and processes for the theatre, assist in grant writing, and organize the day-to-day operations of the organization. Other specifics about the position will be unique to the skills and goals of the successful candidate. Submissions due by July 11 CLICK HERE FOR FULL DIRECTOR OF OPERATIONS JOB POSTING

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Director of Programs at Dobama
by Yahoo 01 Jul '22

01 Jul '22

DIRECTOR OF PROGRAMS Dobama Theatre is looking to hire a dynamic new team member as Director of Programs to help lead efforts in supporting, promoting, organizing, and producing programming across the organization. Dobama is looking for a person who fits with Dobama’s culture, values, mission, and vision. The Director of Programs will help support and manage existing programs like the Dobama Emerging Artists Program, Young Playwrights’ Festival, FOCUS Program, and Playwrights’ GYM. They will also lead development, organization, and management of new programming. Other specifics about the position will be unique to the skills and goals of the successful candidate. Submissions due by July 11 CLICK HERE FOR FULL DIRECTOR OF PROGRAMS JOB POSTING

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AUDITIONS: Cleveland Play House's holiday production of Light It Up!
by Casting 01 Jul '22

01 Jul '22

CLEVELAND PLAY HOUSE OPEN CASTING FOR REMOUNT OF ORIGINAL HOLIDAY MUSICAL LIGHT IT UP! Cleveland Play House (CPH) is casting for our 2022 remount of the holiday production, Light It Up!, by Jason Michael Webb and Lelund Durond Thompson, which received its world premiere here in 2021. The production will be directed and choreographed by Christopher Windom; our Associate Director / Choreographer is Natalie Lomonte; our Music Director is Keith Williams; our out-of-town Casting Director is Judith Bowman. Both AEA and non-AEA actors – as well as local and out-of-town actors - will be considered for this production, which will be on a LORT/AEA Contract (Category B). PRODUCTION DATES Rehearsals begin Tuesday, November 8th, and will be held in-person at CPH’s rehearsal spaces, located on the fifth floor of the Middough building. Performances are 7-8 shows a week from Saturday, December 3rd - Thursday, December 22nd. Performances will take place in-person at the Allen Theatre, located in the Playhouse Square complex. AUDITION INFORMATION Auditions will be held in person on Monday, July 18th (3:00-7:00 PM) and Tuesday, July 19th (10:00 AM-2:00 PM) on the fifth floor of the Middough building, at 1901 East 13th Street in downtown Cleveland. For more information about the production, available roles, audition materials and instructions to schedule an audition, please visit https://www.clevelandplayhouse.com/jobs/casting

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Porthouse Theatre seeks non-AEA swing for Doc, Krupke, and Shrank in West Side Story
by Koneval, Joni 01 Jul '22

01 Jul '22

Porthouse Theatre seeks non-AEA swing for the roles of Doc, Krupke and Shrank in West Side Story. This is a paid position. Please submit headshot and resume to the Producing Artistic Director, Terri Kent, at tkent(a)kent.edu. Rehearsals begin July 12 and run through July 28 and are Tuesday through Sunday 10-6. Performances run July 28-August 14, Tuesday-Saturday at 8:00 PM and Sunday at 2:00 PM. Tech week is July 26-28 and rehearsals will switch to an afternoon/evening schedule. The swing will be called to rehearsal ONLY WHEN NEEDED. Swings must be available for all scheduled performances. Joni L. Koneval She/Her/Hers Director of Communications and Marketing College of the Arts<http://www.kent.edu/artscollege> direct: 330-672-0116 Connect with #KentStateArts on Social Media<https://www.kent.edu/artscollege/college-arts-social-media>

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Porthouse Theatre Seeks Child Actor to Appear in West Side Story
by Koneval, Joni 01 Jul '22

01 Jul '22

Porthouse Theatre seeks a male or male identifying child for special appearance in West Side Story. Looking a child who is or can appear to be between 6-10 (They can be older if they look young). All races and ethnicities encouraged to audition. Please submit a ballad with accompaniment not to exceed 1 minute. Child cast members will be singing “Somewhere” and will also appear in the final scene of the show. Submission can be sent to the Producing Artistic Director, Terri Kent, at tkent(a)kent.edu. Rehearsals begin July 12 and run through July 28 and are Tuesday through Sunday 10-6. Performances run July 28-August 14, Tuesday-Saturday at 8:00 PM and Sunday at 2:00 PM. Tech week is July 26-28 and rehearsals will switch to an afternoon/evening schedule. The children will be called to rehearsal ONLY WHEN NEEDED. A gas stipend is available. Joni L. Koneval She/Her/Hers Director of Communications and Marketing College of the Arts<http://www.kent.edu/artscollege> direct: 330-672-0116 Connect with #KentStateArts on Social Media<https://www.kent.edu/artscollege/college-arts-social-media>

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